Work From Home: Chilled Soundtracks

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Countries where available (Deezer + Spotify)

(As of 2020-10-25).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
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  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇰🇷 Korea (kr) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇰🇭 Cambodia (kh) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotazione modificata l'ultima volta il 2020-11-01 11:00 UTC.

Elenco tracce

1Supporto digitale
#TitoloArtistaValutazioneDurata
1A Gift of a Thistle (from “Braveheart” soundtrack)
registrazione di:
A Gift of a Thistle
compositore:
James Horner (American score composer)
parte di:
Braveheart
James Horner1:38
2Memories
tecnico di registrazione e tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios)
assistente tecnico:
Lewis Jones (engineer)
produttore:
Dominique Lemonnier
editor:
Gerard McCann (producer, editor)
orchestra:
London Symphony Orchestra
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Pathé Productions Limited, Philomena Lee Limited e The Weinstein Company LLC (do not use as a release label!)
registrata presso e mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Memories
orchestratore e compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:16
3The Farm (from “Road to Perdition” soundtrack)
tecnico di registrazione:
Armin Steiner e Tommy Vicari
produttore:
Bill Bernstein
tecnico di missaggio:
Tommy Vicari
editor:
Bill Bernstein e Mike Zainer
direttore d'orchestra:
Thomas Newman (American score composer)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrazione di:
The Farm
orchestratore:
Thomas Pasatieri
compositore:
Thomas Newman (American score composer)
Thomas Newman2:10
4She Was Running (from “My Brilliant Friend” TV series soundtrack)
produttore:
Max Richter (German pianist and score composer)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
registrazione di:
She Was Running
compositore:
Max Richter (German pianist and score composer)
Max Richter2:09
5A Lord of the Rings Suite
James Galway, Klauspeter Seibel & London Symphony Orchestra6:41
6Looking for the Next Great Idea (from “A Beautiful Mind” soundtrack)
registrazione di:
Looking for the Next Great Idea
compositore:
James Horner (American score composer)
James Horner3:03
7Bulldog of Bergen
tecnico di registrazione:
Armin Steiner e Tommy Vicari
produttore:
Bill Bernstein e Thomas Newman (American score composer)
tecnico di missaggio:
Tommy Vicari
direttore d'orchestra:
Thomas Newman (American score composer)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrazione di:
Bulldog of Bergen
orchestratore:
Thomas Pasatieri
compositore:
Thomas Newman (American score composer)
Thomas Newman1:43
8Drives to Roscrea
tecnico di registrazione e tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios)
assistente tecnico:
Lewis Jones (engineer)
produttore:
Dominique Lemonnier
editor:
Gerard McCann (producer, editor)
orchestra:
London Symphony Orchestra
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Pathé Productions Limited, Philomena Lee Limited e The Weinstein Company LLC (do not use as a release label!)
registrata presso e mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Drives to Roscrea
orchestratore e compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:15
9The Beyondness of Things
tecnico di registrazione:
John Richards (engineer) (nel 1997-10)
produttore:
John Barry (English score composer)
orchestra:
English Chamber Orchestra (nel 1997-10)
direttore d'orchestra:
John Barry (English score composer) (nel 1997-10)
esecutore:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
registrata presso:
EMI Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1997-10)
registrazione di:
The Beyondness Of Things (nel 1997-10)
compositore:
John Barry (English score composer)
English Chamber Orchestra & John Barry4:15
10May It Be (Arr. M. Sheeran)
tecnico di registrazione:
David Hinitt (UK recording engineer, early 21c) (dal 2018-05-03 al 2018-06-08)
tecnico di missaggio:
David Hinitt (UK recording engineer, early 21c)
voce di basso:
Robert Clark (Baritone) (dal 2018-05-03 al 2018-06-08)
arrangiatore:
Matthew Sheeran
registrata presso:
St George’s Church (Chesterton) in Cambridge, Cambridgeshire, England, Regno Unito (dal 2018-05-03 al 2018-06-08)
registrazione di:
May It Be (Enya song for Lord of the Rings soundtrack) (dal 2018-05-03 al 2018-06-08)
orchestratore:
Howard Shore (Canadian score composer)
paroliere:
Roma Ryan
compositore:
Enya (Irish singer-songwriter) e Nicky Ryan
editore:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
parte di:
The 74th Academy Award for Best Original Song (numero: 2)
parte di:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Voces83:45
11For the Love of a Princess
registrazione di:
For the Love of a Princess (for brass band, Duncan)
compositore:
James Horner (American score composer)
arrangiatore strumenti:
Andrew Duncan (Scottish tuba player and composer/arranger)
arrangiamento di:
For the Love of a Princess (Braveheart)
James Horner4:08
12From Shangai to London
tecnico di registrazione:
John Timperley (dal 2006-07 al 2006-08)
assistente tecnico:
Cenda Kotzmann e Ivan Zbíral
produttore:
Alexandre Desplat (French score composer)
tecnico di missaggio:
John Timperley
editor:
Peter Clarke (music editor)
pianoforte :
Lang Lang (Chinese pianist) (dal 2006-07 al 2006-08)
orchestra:
Prague Symphony Orchestra (dal 2006-07 al 2006-08)
direttore d'orchestra:
Alexandre Desplat (French score composer) (dal 2006-07 al 2006-08)
orchestratore:
Alexandre Desplat (French score composer)
orchestratore aggiunto:
Jean-Pascal Beintus (composer)
registrata presso:
Rudolfinum (House of Artists) in Praha (Prague), Cechia (dal 2006-07 al 2006-08)
mixata presso:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Francia
registrazione di:
From Shanghai to London (The Painted Veil) (dal 2006-07 al 2006-08)
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat, Symfonický orchestr hlavního města Prahy FOK & Lang Lang2:03
13Lionel and Bertie
assistente tecnico di registrazione e assistente tecnico di missaggio:
John Barrett (engineer)
tecnico di registrazione e tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios)
produttore:
Alexandre Desplat (French score composer) e Maggie Rodford
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Cutting Edge Music (Holdings) Limited
registrazione di:
Lionel and Bertie
orchestratore:
Jean-Pascal Beintus (composer) e Alexandre Desplat (French score composer)
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat2:11
14American Beauty (Arr. For Violin and Orchestra) (from American Beauty)
violino :
Daniel Hope (violinist)
orchestra:
Royal Stockholm Philharmonic Orchestra
direttore d'orchestra:
Alexander Shelley (conductor)
registrata presso:
Stockholms konserthus (Stockholm Concert Hall, Konserthuset Stockholm) in Stockholm, Stockholms län (Stockholm county), Svezia (nel 2013-01)
registrazione di:
American Beauty
orchestratore:
Thomas Pasatieri
compositore:
Thomas Newman (American score composer)
parte di:
American Beauty (1999)
Daniel Hope, Kungliga Filharmonikerna & Alexander Shelley3:01
15Of One Heart, of One Mind (from “A Beautiful Mind” soundtrack)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
David Marquette
produttore:
James Horner (American score composer) e Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente editor:
Barbara McDermott
editor:
Jim Henrikson
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer) e Randy Kerber
registrata presso e mixata presso:
Todd Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Of One Heart, of One Mind
compositore:
James Horner (American score composer)
James Horner6:20
16The Funeral
tecnico di registrazione:
John Timperley (dal 2006-07 al 2006-08)
assistente tecnico:
Cenda Kotzmann e Ivan Zbíral
produttore:
Alexandre Desplat (French score composer)
tecnico di missaggio:
John Timperley
editor:
Peter Clarke (music editor)
orchestra:
Prague Symphony Orchestra (dal 2006-07 al 2006-08)
direttore d'orchestra:
Alexandre Desplat (French score composer) (dal 2006-07 al 2006-08)
orchestratore:
Alexandre Desplat (French score composer)
orchestratore aggiunto:
Jean-Pascal Beintus (composer)
registrata presso:
Rudolfinum (House of Artists) in Praha (Prague), Cechia (dal 2006-07 al 2006-08)
mixata presso:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Francia
registrazione di:
The Funeral (The Painted Veil) (dal 2006-07 al 2006-08)
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat & Symfonický orchestr hlavního města Prahy FOK0:51
17Farewell
orchestra:
Bucharest Metropolitan Orchestra (Filarmonica “George Enescu”)
direttore d'orchestra:
Radu Popa (Romanian conductor)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2007)
registrazione di:
Farewell
compositore:
Osvaldo Golijov (Argentinean composer)
parte di:
Youth Without Youth
Bucharest Metropolitan Orchestra & Radu Popa3:04
18I Think I Am Going to Read (from “Florence Foster Jenkins” soundtrack)
assistente tecnico:
John Barrett (engineer) e Lewis Jones (engineer)
tecnico:
Peter Cobbin (recording engineer at Abbey Road Studios)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios), Alexandre Desplat (French score composer) e Kirsty Whalley (engineer and keyboardist)
editor:
Kirsty Whalley (engineer and keyboardist)
orchestra:
John Kirby & His Orchestra
direttore d'orchestra:
Alexandre Desplat (French score composer)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
I Think I Am Going to Read (From “florence Foster Jenkins” Soundtrack)
orchestratore e compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:00
19Bedtime (from “Florence Foster Jenkins” soundtrack)
assistente tecnico:
John Barrett (engineer) e Lewis Jones (engineer)
tecnico:
Peter Cobbin (recording engineer at Abbey Road Studios)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios), Alexandre Desplat (French score composer) e Kirsty Whalley (engineer and keyboardist)
editor:
Kirsty Whalley (engineer and keyboardist)
orchestra:
John Kirby & His Orchestra
direttore d'orchestra:
Alexandre Desplat (French score composer)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Bedtime (From “florence Foster Jenkins” Soundtrack)
orchestratore e compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:00
20Innocence (from „Free the Mind” soundtrack)
percussione :
Ólafur Björn Ólafsson
pianoforte :
Jóhann Jóhannsson (Icelandic musician and score composer) e Ólafur Björn Ólafsson
tastiera :
Jóhann Jóhannsson (Icelandic musician and score composer)
direttore d'orchestra:
Péter Pejtsik
orchestratore:
Peter Due e Jóhann Jóhannsson (Icelandic musician and score composer)
primo violino:
Zsófia Környei (Hungarian classical violinist)
registrazione di:
Innocence (From „free the Mind” Soundtrack)
compositore:
Jóhann Jóhannsson (Icelandic musician and score composer)
Johann Johannsson1:11
21One of Them (from “Darkest Hour” soundtrack)
tecnico di registrazione e tecnico di missaggio:
Nick Wollage
assistente tecnico:
Ashley Andrew-Jones, Fiona Cruickshank e John Prestage (engineer)
produttore:
Dario Marianelli (Italian score composer)
editor:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
corno :
Nicholas Korth (horn player)
pianoforte :
Víkingur Ólafsson (pianist)
direttore d'orchestra:
Dario Marianelli (Italian score composer)
orchestratore:
Geoff Alexander e Dario Marianelli (Italian score composer)
primo violino:
Rolf Wilson (violinist)
registrata presso:
AIR Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
One of Them (From “darkest Hour” Soundtrack)
orchestratore e compositore:
Dario Marianelli (Italian score composer)
Dario Marianelli & Víkingur Ólafsson1:33
22Falling Rain
direttore d'orchestra:
Alexandre Desplat (French score composer)
registrazione di:
Falling Rain
orchestratore e compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:12
23Shimmering Clouds (from “My Brilliant Friend” TV series soundtrack)
produttore:
Max Richter (German pianist and score composer)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
registrazione di:
Shimmering Clouds
compositore:
Max Richter (German pianist and score composer)
Max Richter1:15
24St. Clair’s Blues (from “Florence Foster Jenkins” soundtrack)
assistente tecnico:
John Barrett (engineer) e Lewis Jones (engineer)
tecnico:
Peter Cobbin (recording engineer at Abbey Road Studios)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios), Alexandre Desplat (French score composer) e Kirsty Whalley (engineer and keyboardist)
editor:
Kirsty Whalley (engineer and keyboardist)
orchestra:
John Kirby & His Orchestra
direttore d'orchestra:
Alexandre Desplat (French score composer)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
St. Clair’s Blues (From “florence Foster Jenkins” Soundtrack)
orchestratore e compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:19
25Flares (from “The Mercy” soundtrack)
tecnico di registrazione:
Geoff Foster (sound engineer)
programmazione:
Rutger Hoedemaekers e Jóhann Jóhannsson (Icelandic musician and score composer)
produttore:
Jóhann Jóhannsson (Icelandic musician and score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
celesta e pianoforte :
Jóhann Jóhannsson (Icelandic musician and score composer)
sintetizzatore e tastiera :
Rutger Hoedemaekers e Jóhann Jóhannsson (Icelandic musician and score composer)
strumenti elettronici :
Rutger Hoedemaekers
registrata presso:
Studio 22 (Magyar Rádió) in Budapest, Ungheria
Johann Johannsson1:11
26Catharina’s Pearls (Girl with a Pearl Earring O.S.T.)
tecnico di registrazione:
John Timperley (dal 2003-07-19 al 2003-07-23)
produttore:
Alexandre Desplat (French score composer)
assistente tecnico di missaggio:
Sam Okell (engineer, Abbey Road Studios)
tecnico di missaggio:
John Timperley
orchestra:
Pro Arte Orchestra of London (founded 1985) (dal 2003-07-19 al 2003-07-23)
direttore d'orchestra:
Alexandre Desplat (French score composer) (dal 2003-07-19 al 2003-07-23)
diritti fonografici (℗) detenuti da:
Archer Street (Girl) Limited e Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
registrata presso:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, Regno Unito (dal 2003-07-19 al 2003-07-23)
registrazione di:
Catharina’s Pearls (Girl with a Pearl Earring O.S.T.)
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat, Pro Arte Orchestra of London & Michael Davis1:23
27Art School (from “Werk ohne Autor” soundtrack)
tecnico audio:
Rupert Coulson (sound engineer)
tecnico:
John Prestage (engineer)
produttore:
Max Richter (German pianist and score composer)
orchestra:
Air Lyndhurst Orchestra
diritti fonografici (℗) detenuti da:
Studio Richter Mahr
registrata presso:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Art School
compositore:
Max Richter (German pianist and score composer)
Max Richter1:24
28The Lovers
tecnico di registrazione:
John Timperley (dal 2006-07 al 2006-08)
assistente tecnico:
Cenda Kotzmann e Ivan Zbíral
produttore:
Alexandre Desplat (French score composer)
tecnico di missaggio:
John Timperley
editor:
Peter Clarke (music editor)
pianoforte :
Lang Lang (Chinese pianist) (dal 2006-07 al 2006-08)
orchestra:
Prague Symphony Orchestra (dal 2006-07 al 2006-08)
direttore d'orchestra:
Alexandre Desplat (French score composer) (dal 2006-07 al 2006-08)
orchestratore:
Alexandre Desplat (French score composer)
orchestratore aggiunto:
Jean-Pascal Beintus (composer)
registrata presso:
Rudolfinum (House of Artists) in Praha (Prague), Cechia (dal 2006-07 al 2006-08)
mixata presso:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Francia
registrazione di:
The Lovers (The Painted Veil) (dal 2006-07 al 2006-08)
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat, Lang Lang & Symfonický orchestr hlavního města Prahy FOK1:26
29Meditation (from „Free the Mind” soundtrack)
percussione :
Ólafur Björn Ólafsson
pianoforte :
Jóhann Jóhannsson (Icelandic musician and score composer) e Ólafur Björn Ólafsson
tastiera :
Jóhann Jóhannsson (Icelandic musician and score composer)
direttore d'orchestra:
Péter Pejtsik
orchestratore:
Peter Due e Jóhann Jóhannsson (Icelandic musician and score composer)
primo violino:
Zsófia Környei (Hungarian classical violinist)
registrazione di:
Meditation (From „free the Mind” Soundtrack)
compositore:
Jóhann Jóhannsson (Icelandic musician and score composer)
Johann Johannsson1:30
30Liz on Top of the World (from “Pride & Prejudice” soundtrack)
Jean-Yves Thibaudet1:23
31To Belong (from “Werk ohne Autor” soundtrack)
tecnico audio:
Rupert Coulson (sound engineer)
tecnico:
John Prestage (engineer)
produttore:
Max Richter (German pianist and score composer)
orchestra:
Air Lyndhurst Orchestra
diritti fonografici (℗) detenuti da:
Studio Richter Mahr
registrata presso:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
To Belong
compositore:
Max Richter (German pianist and score composer)
Max Richter1:32
32Virign Mary (from “Road to Perdition” soundtrack)
tecnico di registrazione:
Armin Steiner e Tommy Vicari
produttore:
Bill Bernstein
tecnico di missaggio:
Tommy Vicari
editor:
Bill Bernstein e Mike Zainer
direttore d'orchestra:
Thomas Newman (American score composer)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrazione di:
Virign Mary
orchestratore:
Thomas Pasatieri
compositore:
Thomas Newman (American score composer)
Thomas Newman1:34
33Boating for Beginners (from “The Mercy” soundtrack)
tecnico di registrazione:
Geoff Foster (sound engineer)
programmazione:
Rutger Hoedemaekers e Jóhann Jóhannsson (Icelandic musician and score composer)
produttore:
Jóhann Jóhannsson (Icelandic musician and score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
celesta e pianoforte :
Jóhann Jóhannsson (Icelandic musician and score composer)
percussione :
Ólafur Björn Ólafsson
sintetizzatore :
Rutger Hoedemaekers e Jóhann Jóhannsson (Icelandic musician and score composer)
strumenti elettronici :
Rutger Hoedemaekers
tastiera :
Rutger Hoedemaekers, Jóhann Jóhannsson (Icelandic musician and score composer), Ólafur Björn Ólafsson e Alex Somers
orchestra:
Budapest Art Orchestra
direttore d'orchestra:
Anthony Weeden (Conductor and orchestrator)
orchestratore:
Jóhann Jóhannsson (Icelandic musician and score composer) e Anthony Weeden (Conductor and orchestrator)
registrata presso:
Studio 22 (Magyar Rádió) in Budapest, Ungheria
Johann Johannsson & Rutger Hoedemaekers1:34
34Out of Bullets (from “spectre” soundtrack)
tecnico di registrazione aggiunto:
Shinnosuke Miyazawa (engineer)
assistente tecnico:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) e Matt Jones (production music composer)
produttore:
Bill Bernstein e Thomas Newman (American score composer)
tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) e Yann McCullough (engineer, composer)
direttore d'orchestra:
Thomas Newman (American score composer)
arrangiatore aggiunto:
Simon Franglen (English score composer)
orchestratore:
J.A.C. Redford
primo violino:
Thomas Bowes (violinist)
registrata presso e mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Out of Bullets
compositore:
Thomas Newman (American score composer)
editore:
United Lion Music Inc.
Thomas Newman2.51:51
35Leaving Netherfield (from “Pride & Prejudice” soundtrack)
Jean-Yves Thibaudet1:41
36Begin Again (from “Werk ohne Autor” soundtrack)
tecnico audio:
Rupert Coulson (sound engineer)
tecnico:
John Prestage (engineer)
produttore:
Max Richter (German pianist and score composer)
orchestra:
Air Lyndhurst Orchestra
diritti fonografici (℗) detenuti da:
Studio Richter Mahr
registrata presso:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Begin Again
compositore:
Max Richter (German pianist and score composer)
Max Richter1:50
37The Secret Life of Daydreams (from “Pride & Prejudice” soundtrack)
Jean-Yves Thibaudet1:55
38Stars and Butterflies (from “Pride & Prejudice” soundtrack)
Jean-Yves Thibaudet1:59
39The Danish Girl (from “The Danish Girl” soundtrack)
Alexandre Desplat2:11
40The Doldrums (from “The Mercy” soundtrack)
tecnico di registrazione:
Geoff Foster (sound engineer)
programmazione:
Rutger Hoedemaekers e Jóhann Jóhannsson (Icelandic musician and score composer)
produttore:
Jóhann Jóhannsson (Icelandic musician and score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
celesta e pianoforte :
Jóhann Jóhannsson (Icelandic musician and score composer)
percussione :
Ólafur Björn Ólafsson
sintetizzatore :
Rutger Hoedemaekers e Jóhann Jóhannsson (Icelandic musician and score composer)
strumenti elettronici :
Rutger Hoedemaekers
tastiera :
Rutger Hoedemaekers, Jóhann Jóhannsson (Icelandic musician and score composer) e Ólafur Björn Ólafsson
orchestra:
Budapest Art Orchestra
direttore d'orchestra:
Anthony Weeden (Conductor and orchestrator)
orchestratore:
Jóhann Jóhannsson (Icelandic musician and score composer) e Anthony Weeden (Conductor and orchestrator)
registrata presso:
Studio 22 (Magyar Rádió) in Budapest, Ungheria
Johann Johannsson & Rutger Hoedemaekers2:12
41A Letter From Prison (from “Paddington 2” original motion picture soundtrack)
tecnico di registrazione:
Fiona Cruickshank e Nick Wollage
produttore:
Maggie Rodford
tecnico di missaggio:
Nick Wollage
assistente editor:
Nathan Klein (editor)
editor:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
direttore d'orchestra:
Dario Marianelli (Italian score composer)
registrata presso e mixata presso:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
A Letter from Prison
orchestratore:
Geoff Alexander e Dario Marianelli (Italian score composer)
compositore:
Dario Marianelli (Italian score composer)
Dario Marianelli2:21
42Muirfield (original motion picture soundtrack “The Aviator”)
tecnico di registrazione:
John Kurlander (engineer)
assistente tecnico:
Richard Hale (recording engineer), Roland Heap, Richard Lancaster e Jay Spears
produttore:
Howard Shore (Canadian score composer)
tecnico di missaggio:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistente editor:
Ben Pederson e Marie Ebbing
editor:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
orchestra:
The Flemish Radio Orchestra (Brussels Philharmonic)
direttore d'orchestra:
Howard Shore (Canadian score composer)
orchestratore:
Howard Shore (Canadian score composer)
registrazione di:
Muirfield
Howard Shore & The Flemish Radio Orchestra2:22
43River Waltz
tecnico di registrazione:
John Timperley (dal 2006-07 al 2006-08)
assistente tecnico:
Cenda Kotzmann e Ivan Zbíral
produttore:
Alexandre Desplat (French score composer)
tecnico di missaggio:
John Timperley
editor:
Peter Clarke (music editor)
pianoforte :
Lang Lang (Chinese pianist) (dal 2006-07 al 2006-08)
orchestra:
Prague Symphony Orchestra (dal 2006-07 al 2006-08)
direttore d'orchestra:
Alexandre Desplat (French score composer) (dal 2006-07 al 2006-08)
orchestratore:
Alexandre Desplat (French score composer)
orchestratore aggiunto:
Jean-Pascal Beintus (composer)
registrata presso:
Rudolfinum (House of Artists) in Praha (Prague), Cechia (dal 2006-07 al 2006-08)
mixata presso:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Francia
registrazione di:
River Waltz (The Painted Veil) (dal 2006-07 al 2006-08)
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat, Lang Lang & Symfonický orchestr hlavního města Prahy FOK2:22
44Prelude (from “Darkest Hour” soundtrack)
tecnico di registrazione e tecnico di missaggio:
Nick Wollage
assistente tecnico:
Ashley Andrew-Jones, Fiona Cruickshank e John Prestage (engineer)
produttore:
Dario Marianelli (Italian score composer)
editor:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
pianoforte :
Víkingur Ólafsson (pianist)
direttore d'orchestra:
Dario Marianelli (Italian score composer)
orchestratore:
Geoff Alexander e Dario Marianelli (Italian score composer)
primo violino:
Rolf Wilson (violinist)
registrata presso:
AIR Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Prelude (From “darkest Hour” Soundtrack)
orchestratore e compositore:
Dario Marianelli (Italian score composer)
Dario Marianelli & Víkingur Ólafsson2:25
45Denouement
English Chamber Orchestra & Benjamin Wallfisch2:27
461951 (from “Werk ohne Autor” soundtrack)
tecnico audio:
Rupert Coulson (sound engineer)
tecnico:
John Prestage (engineer)
produttore:
Max Richter (German pianist and score composer)
orchestra:
Air Lyndhurst Orchestra
diritti fonografici (℗) detenuti da:
Studio Richter Mahr
registrata presso:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
1951
compositore:
Max Richter (German pianist and score composer)
Max Richter2:27
47Terra Firma (from “The Mercy” soundtrack)
tecnico di registrazione:
Geoff Foster (sound engineer)
programmazione:
Rutger Hoedemaekers e Jóhann Jóhannsson (Icelandic musician and score composer)
produttore:
Jóhann Jóhannsson (Icelandic musician and score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
celesta e pianoforte :
Jóhann Jóhannsson (Icelandic musician and score composer)
Cristal Baschet e onde Martenot :
Thomas Bloch (composer)
sintetizzatore e tastiera :
Rutger Hoedemaekers e Jóhann Jóhannsson (Icelandic musician and score composer)
strumenti elettronici :
Rutger Hoedemaekers
orchestra:
Budapest Art Orchestra
direttore d'orchestra:
Anthony Weeden (Conductor and orchestrator)
orchestratore:
Jóhann Jóhannsson (Icelandic musician and score composer) e Anthony Weeden (Conductor and orchestrator)
registrata presso:
Studio 22 (Magyar Rádió) in Budapest, Ungheria
Johann Johannsson & Rutger Hoedemaekers2:38
48Cathedral (from “Road to Perdition” soundtrack)
tecnico di registrazione:
Armin Steiner e Tommy Vicari
produttore:
Bill Bernstein
tecnico di missaggio:
Tommy Vicari
editor:
Bill Bernstein e Mike Zainer
direttore d'orchestra:
Thomas Newman (American score composer)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
campionamenti:
Alma Redemptoris mater (Marian Antiphon) di Choir of King’s College, Cambridge, Stephen Cleobury (organist, conductor)
registrazione di:
Cathedral
orchestratore:
Thomas Pasatieri
compositore:
Thomas Newman (American score composer)
Thomas Newman2:40
49Baby Keisha (from “White Boy Rick” soundtrack)
tecnico audio:
Rupert Coulson (sound engineer)
tecnico:
Tom Bailey (engineer)
produttore:
Max Richter (German pianist and score composer)
orchestra:
Air Lyndhurst Orchestra
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc.
registrazione di:
Baby Keisha
compositore:
Max Richter (German pianist and score composer)
Max Richter2:41
50Weehawken Ferry
tecnico di registrazione:
Armin Steiner e Tommy Vicari
produttore:
Bill Bernstein e Thomas Newman (American score composer)
tecnico di missaggio:
Tommy Vicari
direttore d'orchestra:
Thomas Newman (American score composer)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrazione di:
Weehawken Ferry
orchestratore:
Thomas Pasatieri
compositore:
Thomas Newman (American score composer)
Thomas Newman2:43
51The Germ Free Zone (original motion picture soundtrack “The Aviator”)
tecnico di registrazione:
John Kurlander (engineer)
assistente tecnico:
Richard Hale (recording engineer), Roland Heap, Richard Lancaster e Jay Spears
produttore:
Howard Shore (Canadian score composer)
tecnico di missaggio:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistente editor:
Ben Pederson e Marie Ebbing
editor:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
orchestra:
The Flemish Radio Orchestra (Brussels Philharmonic)
direttore d'orchestra:
Howard Shore (Canadian score composer)
orchestratore:
Howard Shore (Canadian score composer)
registrazione di:
The Germ Free Zone
Howard Shore & The Flemish Radio Orchestra2:49
52Main Title (from “Braveheart” soundtrack)
James Horner2:50
53Kurt & Elisabeth (from “Werk ohne Autor” soundtrack)
tecnico audio:
Rupert Coulson (sound engineer)
tecnico:
John Prestage (engineer)
produttore:
Max Richter (German pianist and score composer)
orchestra:
Air Lyndhurst Orchestra
diritti fonografici (℗) detenuti da:
Studio Richter Mahr
registrata presso:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Kurt & Elisabeth
compositore:
Max Richter (German pianist and score composer)
Max Richter2:51
54Night Drive (from “White Boy Rick” soundtrack)
tecnico audio:
Rupert Coulson (sound engineer)
tecnico:
Tom Bailey (engineer)
produttore:
Max Richter (German pianist and score composer)
orchestra:
Air Lyndhurst Orchestra
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc.
registrazione di:
Night Drive
compositore:
Max Richter (German pianist and score composer)
Max Richter2:54
55Memory Lane (from “Werk ohne Autor” soundtrack)
tecnico audio:
Rupert Coulson (sound engineer)
tecnico:
John Prestage (engineer)
produttore:
Max Richter (German pianist and score composer)
orchestra:
Air Lyndhurst Orchestra
diritti fonografici (℗) detenuti da:
Studio Richter Mahr
registrata presso:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Memory Lane
compositore:
Max Richter (German pianist and score composer)
Max Richter2:56
56The Living Sculptures of Pemberley (from “Pride & Prejudice” soundtrack)
English Chamber Orchestra & Benjamin Wallfisch3:01
57The Prize of One’s Life… the Prize of One’s Mind (from “A Beautiful Mind” soundtrack)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
David Marquette
produttore:
James Horner (American score composer) e Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente editor:
Barbara McDermott
editor:
Jim Henrikson
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer) e Randy Kerber
registrata presso e mixata presso:
Todd Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
The Prize of One's Life... The Prize of One's Mind
compositore:
James Horner (American score composer)
James Horner3:03
58Crazy Dog
tecnico di registrazione:
Steve Price (UK recording engineer/producer/orchestrator/arranger) (il 2001-02-13)
produttore:
John Barry (English score composer)
orchestra:
English Chamber Orchestra (il 2001-02-13)
direttore d'orchestra:
John Barry (English score composer) (il 2001-02-13)
orchestratore:
Christian Rutherford
registrata presso:
Angel Studios in Islington, London (Greater London), England, Regno Unito (il 2001-02-13)
registrazione di:
Crazy Dog
compositore:
John Barry (English score composer)
English Chamber Orchestra & John Barry3:03
59Road to Chicago (from “Road to Perdition” soundtrack)
tecnico di registrazione:
Armin Steiner e Tommy Vicari
produttore:
Bill Bernstein
tecnico di missaggio:
Tommy Vicari
editor:
Bill Bernstein e Mike Zainer
orchestra:
[anonymous] (special purpose artist)
direttore d'orchestra:
Thomas Newman (American score composer)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrazione di:
Road to Chicago (Road to Perdition)
orchestratore:
Thomas Pasatieri
compositore:
Thomas Newman (American score composer)
parte di:
Road to Perdition
Thomas Newman3:06
60All Alone (from “White Boy Rick” soundtrack)
tecnico audio:
Rupert Coulson (sound engineer)
tecnico:
Tom Bailey (engineer)
produttore:
Max Richter (German pianist and score composer)
pianoforte :
Andy Massey (pianist)
orchestra:
Air Lyndhurst Orchestra
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc.
registrazione di:
All Alone
compositore:
Max Richter (German pianist and score composer)
Max Richter3:14
61Teaching Mathematics Again (from “A Beautiful Mind” soundtrack)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
David Marquette
produttore:
James Horner (American score composer) e Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente editor:
Barbara McDermott
editor:
Jim Henrikson
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer) e Randy Kerber
registrata presso e mixata presso:
Todd Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Teaching Mathematics Again
compositore:
James Horner (American score composer)
James Horner3:16
62Lullabying
English Chamber Orchestra & John Barry3:17
63Good Morning, Midnight
produttore:
Jóhann Jóhannsson (Icelandic musician and score composer)
tecnico di missaggio:
Francesco Donadello
strumenti elettronici [programming] :
Jóhann Jóhannsson (Icelandic musician and score composer)
orchestra:
Air Lyndhurst String Orchestra
direttore d'orchestra:
Anthony Weeden (Conductor and orchestrator)
arrangiatore e orchestratore:
Jóhann Jóhannsson (Icelandic musician and score composer)
orchestratore aggiunto:
Owen Roberts e Anthony Weeden (Conductor and orchestrator)
mixata presso:
Vox-Ton Recording Studio in Berlin, Germania
registrazione di:
Good Morning, Midnight
compositore:
Jóhann Jóhannsson (Icelandic musician and score composer)
Johann Johannsson, Air Lyndhurst String Orchestra & Anthony Weeden3:18
64The Professor’s Portrait (from “Werk ohne Autor” soundtrack)
tecnico audio:
Rupert Coulson (sound engineer)
tecnico:
John Prestage (engineer)
produttore:
Max Richter (German pianist and score composer)
orchestra:
Air Lyndhurst Orchestra
diritti fonografici (℗) detenuti da:
Studio Richter Mahr
registrata presso:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
The Professor’s Portrait
compositore:
Max Richter (German pianist and score composer)
Max Richter3:22
65Nonviolent Offender (from “White Boy Rick” soundtrack)
tecnico audio:
Rupert Coulson (sound engineer)
tecnico:
Tom Bailey (engineer)
produttore:
Max Richter (German pianist and score composer)
pianoforte :
Andy Massey (pianist)
orchestra:
Air Lyndhurst Orchestra
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc.
registrazione di:
Nonviolent Offender
compositore:
Max Richter (German pianist and score composer)
Max Richter3:32
66Happy Birthday Aunt Lucy (from “Paddington 2” original motion picture soundtrack)
tecnico di registrazione:
Fiona Cruickshank e Nick Wollage
produttore:
Maggie Rodford
tecnico di missaggio:
Nick Wollage
assistente editor:
Nathan Klein (editor)
editor:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
direttore d'orchestra:
Dario Marianelli (Italian score composer)
registrata presso e mixata presso:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Happy Birthday Aunt Lucy
orchestratore:
Geoff Alexander e Dario Marianelli (Italian score composer)
compositore:
Dario Marianelli (Italian score composer)
Dario Marianelli3:34
67Playing a Game of “go!” (from “A Beautiful Mind” soundtrack)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
David Marquette
produttore:
James Horner (American score composer) e Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente editor:
Barbara McDermott
editor:
Jim Henrikson
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer) e Randy Kerber
registrata presso e mixata presso:
Todd Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Playing a Game of "Go!"
compositore:
James Horner (American score composer)
James Horner3:34
68Your Reflection (from “My Brilliant Friend” TV series soundtrack)
produttore:
Max Richter (German pianist and score composer)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
registrazione di:
Your Reflection
compositore:
Max Richter (German pianist and score composer)
Max Richter3:36
69The Princess Pleads for Wallace’s Life (from “Braveheart” soundtrack)
registrazione di:
The Princess Pleads for Wallace’s Life (album version)
compositore:
James Horner (American score composer)
parte di:
Braveheart
James Horner3:38
70Quarantine (original motion picture soundtrack “The Aviator”)
tecnico di registrazione:
John Kurlander (engineer)
assistente tecnico:
Richard Hale (recording engineer), Roland Heap, Richard Lancaster e Jay Spears
produttore:
Howard Shore (Canadian score composer)
tecnico di missaggio:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistente editor:
Ben Pederson e Marie Ebbing
editor:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
orchestra:
The Flemish Radio Orchestra (Brussels Philharmonic)
direttore d'orchestra:
Howard Shore (Canadian score composer)
orchestratore:
Howard Shore (Canadian score composer)
registrazione di:
Quarantine
Howard Shore & The Flemish Radio Orchestra3:52
71Give Me a Smile
tecnico di registrazione:
John Richards (engineer) (nel 1997-10)
produttore:
John Barry (English score composer)
orchestra:
English Chamber Orchestra (nel 1997-10)
direttore d'orchestra:
John Barry (English score composer) (nel 1997-10)
registrata presso:
EMI Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1997-10)
registrazione di:
Give Me a Smile (nel 1997-10)
compositore:
John Barry (English score composer)
English Chamber Orchestra & John Barry4:49
72Elena & Lila (from “My Brilliant Friend” TV series soundtrack)
produttore:
Max Richter (German pianist and score composer)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
registrazione di:
Elena and Lila
compositore:
Max Richter (German pianist and score composer)
Max Richter4:55
73In Remembrance of You (from “My Brilliant Friend” TV series soundtrack)
produttore:
Max Richter (German pianist and score composer)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
registrazione di:
In Remembrance of You
compositore:
Max Richter (German pianist and score composer)
Max Richter4:58
74The Secret Wedding (from “Braveheart” soundtrack)
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Jonathan Allen (engineer)
produttore:
James Horner (American score composer)
assistente editor:
Christine Cholvin e Joe E. Rand (editor)
editor:
Jim Henrikson
cori:
Choir of Westminster Abbey
orchestra:
London Symphony Orchestra
direttore d'orchestra:
James Horner (American score composer)
maestro del coro:
Martin Neary (English organist and choral conductor)
orchestratore:
James Horner (American score composer)
registrata presso e mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
The Secret Wedding
compositore:
James Horner (American score composer)
parte di:
Braveheart
James Horner6:33

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copyright (©) detenuto da e diritti fonografici (℗) detenuti da:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2020)
streaming gratuito:https://open.spotify.com/album/2QZMgi7GVnr7KdEsWxsDJa [info]
https://www.deezer.com/album/140069572 [info]