Pagliacci

~ Release by Ruggero Leoncavallo; Maria Meneghini Callas, Giuseppe di Stefano, Tito Gobbi, Rolando Panerai, Nicola Monti, Rolando Panerai, Tullio Serafin, Vittore Veneziani, L'Ente Autonomo del Teatro alla Scala (see all versions of this release, 4 available)

Annotation

Barcode: 8 25646 34091 0
Label Code: LC 02822
Matrix / Runout: 0825646340910-17 AE53463-01 manufactured by optimal media GmbH
Mastering SID Code: ifpi L574
Mould SID Code: IFPI 9744
SPARS Code: ADD
Rights Society: GEMA/BIEM

Annotation last modified on 2022-06-29 12:42 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Pagliacci: Prologo. “Si può? Si può?”
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Prologo. “Si può? Si può?” (Tonio) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Prologo (Pagliacci: Prologue)
Ruggero Leoncavallo7:49
2Pagliacci: Atto I, scena 1. “Son qua!”
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Eh! Son qua! Ritornano” (Canio, Coro, Beppe) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:12
3Pagliacci: Atto I, scena 1. “Un grande spettacolo a ventitré ore”
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
tenor vocals [Beppe]:
Nicola Monti (tenor) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Mi accordan di parlar?” … “Un grande spettacolo” (Canio, Coro, Tonio, Beppe) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:46
4Pagliacci: Atto I, scena 1. “Un tal gioco, credetemi, è meglio non giocarlo”
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Un tal gioco, credetemi” (Canio, Nedda, Coro) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:48
5Pagliacci: Atto I, scena 1. “I zampognari!... Din, don. Suona vespero”
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “I zampognari!” … “Don, din don, … din don, suona vespero” (Ragazzi, Coro di contadini e contadine) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:57
6Pagliacci: Atto I, scena 2. “Qual fiamma avea nel guardo... Hui! Stridono”
producer:
Walter Legge (British classical producer)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Qual fiamma avea nel guardo!” (Nedda) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
recording of:
Pagliacci: Atto I. “Stridono lassù” (Nedda) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:38
7Pagliacci: Atto I, scena 2. “Sei là! Credea che te ne fossi andato”
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Sei là! Credea che te ne fossi andato” … “So ben che difforme, contorto son io” (Nedda, Tonio) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo0:53
8Pagliacci: Atto I, scena 2. “So ben che lo scemo contorto son io”
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Sei là! Credea che te ne fossi andato” … “So ben che difforme, contorto son io” (Nedda, Tonio) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:06
9Pagliacci: Atto I, scena 2. “Nedda!... Silvio! A quest'ora che imprudenza“
producer:
Walter Legge (British classical producer)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Nedda!” - “Silvio! A quest'ora” (Silvio, Nedda) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo1:23
10Pagliacci: Atto I, scena 2. “E fra quest'ansie in eterno vivrai”
producer:
Walter Legge (British classical producer)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
partial recording of:
Pagliacci: Atto I. “E fra quest' ansie ... Decidi il mio destin” (Silvio, Nedda) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:37
11Pagliacci: Atto I, scena 2. “Non mi tentar!“
producer:
Walter Legge (British classical producer)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Non mi tentar!” (Nedda, Silvio, Tonio) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo1:22
12Pagliacci: Atto I, scena 2. “E allor perché, di', tu m'hai stregato”
producer:
Walter Legge (British classical producer)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “E allor perché, di', tu m'hai stregato” (Silvio, Nedda) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo5:21
13Pagliacci: Atto I, scena 2. “Derisione e scherno!”
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Beppe]:
Nicola Monti (tenor) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Derisione e scherno!” (Tonio, Nedda, Canio, Beppe) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:56
14Pagliacci: Atto I, scena 2. “Recitar! Mentre preso dal delirio”
producer:
Walter Legge (British classical producer)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
partial recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo0:46
15Pagliacci: Atto I, scena 2. “Vesti la giubba”
producer:
Walter Legge (British classical producer)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
partial recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:42
16Pagliacci: Atto I, scena 2. Intermezzo (orchestra)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor and performer:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. Intermezzo (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:14
17Pagliacci: Atto II. “Presto, affretiamoci”
producer:
Walter Legge (British classical producer)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Beppe]:
Nicola Monti (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Ohè! ... Ohè! Presto, affrettiamoci” (Coro, Tonio, Silvio, Nedda) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo4:10
18Pagliacci: Atto II. “Pagliaccio, mio marito”
producer:
Walter Legge (British classical producer)
soprano vocals [Nedda [Colombina]]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Pagliaccio, mio marito” (Colombina) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo1:52
19Pagliacci: Atto II. “Ah! Colombina, il tenero”
producer:
Walter Legge (British classical producer)
tenor vocals [Beppe [Arlecchino]]:
Nicola Monti (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Ah! Colombina, il tenero” (Arlecchino) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo1:38
20Pagliacci: Atto II. “Di fare il segno convenuto”
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio [Taddeo]]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda [Colombina]]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Beppe [Arlecchino]]:
Nicola Monti (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Di fare il segno convenuto” … “È dessa! Dei, come è bella” (Colombina, Taddeo, Arlecchino) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo4:14
21Pagliacci: Atto II. “Arlecchin!...Colombina!”
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio [Taddeo]]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda [Colombina]]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Beppe [Arlecchino]]:
Nicola Monti (tenor) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio [Pagliaccio]]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Arlecchin!” - “Colombina!” (Colombina, Arlecchino, Taddeo, Pagliaccio) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo2:28
22Pagliacci: Atto II. “Coraggio! Un uomo era con te”
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio [Taddeo]]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda [Colombina]]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio [Pagliacci]]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Versa il filtro ne la tazza sua!” … “Coraggio! Un uomo era con te” (Pagliaccio, Colombina, Taddeo, Arlecchino) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo1:59
23Pagliacci: Atto II. “No, Pagliaccio non son”
producer:
Walter Legge (British classical producer)
baritone vocals [Canio] and tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “No, Pagliaccio non son” (Canio, Coro, Silvio, Nedda) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo3:10
24Pagliacci: Atto II. “Suvvia, così terribile”
producer:
Walter Legge (British classical producer)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Suvvia, così terribile” (Nedda, Canio, Beppe, Tonio, Silvio, Coro) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo2:51