Eight Classic Albums

~ Veröffentlichung von Cannonball Adderley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: Sophisticated Swing / Things Are Getting Better
Nr.TitelBewertungLänge
1Another Kind of Soul
recorded in:
New York, New York, Vereinigte Staaten (am 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-11)
Klavier:
Junior Mance (am 1957-02-11)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-11)
Kornett:
Nat Adderley (am 1957-02-11)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-11)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Gralin Music (in 2012)
3:39
2Miss Jackie's Delight
alto saxophone:
Cannonball Adderley (am 1957-02-06)
Klavier:
Junior Mance (am 1957-02-06)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-06)
Kornett:
Nat Adderley (am 1957-02-06)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-06)
6:12
3Spring is Here
recorded in:
New York, New York, Vereinigte Staaten (am 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-11)
Klavier:
Junior Mance (am 1957-02-11)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-11)
Kornett:
Nat Adderley (am 1957-02-11)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-11)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Spring Is Here (am 1957-02-11)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
instrumental recording of:
Spring Is Here
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
3:46
4Tribute to Brownie
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-06)
Klavier:
Junior Mance (am 1957-02-06)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-06)
Kornett:
Nat Adderley (am 1957-02-06)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Gralin Music (in 2012)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-06)
3:28
5Spectacular
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-06)
Klavier:
Junior Mance (am 1957-02-06)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-06)
Kornett:
Nat Adderley (am 1957-02-06)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-06)
recording of:
Spectacular (am 1957-02-06)
Komponist(in):
Jim Hall (US jazz guitarist, composer & arranger)
3:53
6Jeanie
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-08)
Klavier:
Junior Mance (am 1957-02-08)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-08)
Kornett:
Nat Adderley (am 1957-02-08)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-08)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-08)
recording of:
Jeannine
Verfasser(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago) und Duke Pearson
3:26
7Stella by Starlight
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-11)
Klavier:
Junior Mance (am 1957-02-11)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-11)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-11)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-11)
instrumental recording of:
Stella by Starlight (am 1957-02-11)
Texter:
Ned Washington (in 1946)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
3:15
8Edie McLin
alto saxophone:
Cannonball Adderley (am 1957-02-11)
Klavier:
Junior Mance (am 1957-02-11)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-11)
Kornett:
Nat Adderley (am 1957-02-11)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-11)
phonographisches Urheberrecht (℗) von:
Gralin Music (in 2012)
5:17
9Cobbweb
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-06)
Klavier:
Junior Mance (am 1957-02-06)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-06)
Kornett:
Nat Adderley (am 1957-02-06)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-06)
2:41
10Blues Oriental
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
recording of:
Blues Oriental (am 1958-10-28)
Komponist(in):
Milt Jackson
4:57
11Thing Are Getting Better
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012, in 2013) und Kendal (in 2014)
recording of:
Things Are Getting Better (am 1958-10-28)
Verfasser(in):
Dory Langdon (Folk singer, songwriter, lyricist and poet) und Julian Adderley
7:10
12Serves Me Right
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) und Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
recording of:
Serves Me Right
Komponist(in):
Buddy Johnson
4:42
13Groovin' High
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2013) und Kendal (in 2014)
recording of:
Groovin’ High (am 1958-10-28)
Komponist(in):
Dizzy Gillespie, Frank Paparelli und Charlie Parker (aka “Bird”, jazz alto saxophonist)
5:19
14The Sidewalks of New York (Take 5)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) und Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
instrumental recording of:
The Sidewalks of New York (am 1958-10-28)
Texter:
James W. Blake
Komponist(in):
Charles B. Lawlor
6:56
15Sounds For Sid
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
recording of:
Sounds for Sid (am 1958-10-28)
Komponist(in):
Julian Adderley
6:23
16Just One of Those Things
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
instrumental recording of:
Just One of Those Things (am 1958-10-28)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
6:44
2▶CD: Portrait of Cannonball / Sharpshooters
3▶CD: Cannonball Takes Charge / Them Dirty Blues
4▶CD: Cannonball & Coltrane / Cannonball Adderley and the Poll Winners