Sacred Masterpieces and Cantatas

~ Release by Johann Sebastian Bach; Sir John Eliot Gardiner (see all versions of this release, 2 available)

Tracklist

1▶CD: Christmas Oratorio, BWV 248, Part One, Two and Three
2▶CD: Christmas Oratorio, BWV 248, Part Four, Five and Six
3▶CD: St. Matthew Passion, BWV 244, Part One
4▶CD: St. Matthew Passion, BWV 244, Part Two
5▶CD: St. Matthew Passion, BWV 244, Part Two (cont.)
6▶CD: St. John Passion, BWV 245, Part One and Two
7▶CD: St. John Passion, BWV 245, Part Two (cont.)
8▶CD: Mass, BWV 232
9▶CD: Mass, BWV 232 (cont.)
10▶CD: Magnificat, BWV 243; Jauchzet Gott in allen Landen, Cantata BWV 51
11▼CD: Advent Cantatas, BWV 36, 61 & 62
#TitleArtistRatingLength
1Cantata, BWV 61 "Nun komm, der Heiden Heiland": Ouverture (Chorus) "Nun komm, der Heiden Heiland"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: I. Coro “Nun komm, der Heiden Heiland” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach2:48
2Cantata, BWV 61 "Nun komm, der Heiden Heiland": Recitative (Tenor): "Der Heiland ist gekommen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: II. Recitativo (Tenore): “Der Heiland ist gekommen” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:20
3Cantata, BWV 61 "Nun komm, der Heiden Heiland": Aria (Tenor) "Komm, Jesu, komm zu deiner Kirche"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: III. Aria (Tenore) “Komm, Jesu, komm zu deiner Kirche” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach4:17
4Cantata, BWV 61 "Nun komm, der Heiden Heiland": Recitative (Baritone) "Siehe, ich stehe vor der Tür"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: IV. Recitativo (Basso) “Siehe, ich stehe vor der Tür und klopfe an” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:08
5Cantata, BWV 61 "Nun komm, der Heiden Heiland": Aria (Soprano) "Öffne dich, mein ganzes Herze"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Timothy Mason (classical cellist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: V. Aria (Soprano) “Öffne dich, mein ganzes Herze” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:47
6Cantata, BWV 61 "Nun komm, der Heiden Heiland": Chorale "Amen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01) and Anthony Rolfe Johnson (tenor) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: VI. Choral “Amen, Amen” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach0:54
7Cantata, BWV 36 "Schwingt freudig euch empor": Chorus "Schwingt freudig euch empor"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Ingmar Haas (engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
The English Baroque Soloists (in 1992-01)
conductor:
John Eliot Gardiner (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Great Hall, Blackheath Concert Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: I. Coro “Schwingt freudig euch empor” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach4:11
8Cantata, BWV 36 "Schwingt freudig euch empor": Chorale-Duet (Soprano, Mezzo-soprano) "Nun komm, der Heiden Heiland"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals:
Petra Lang (mezzo-soprano) (in 1992-01)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Anthony Robson (oboist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: II. Choral “Nun komm, der Heiden Heiland” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach3:21
9Cantata, BWV 36 "Schwingt freudig euch empor": Aria (Tenor) "Die Liebe zieht mit sanften Schritten"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Anthony Robson (oboist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: III. Aria (Tenore) “Die Liebe zieht mit sanften Schritten” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach4:50
10Cantata, BWV 36 "Schwingt freudig euch empor": Chorale "Zwingt die Saiten"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Petra Lang (mezzo-soprano) (in 1992-01) and Anthony Rolfe Johnson (tenor) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: IV. Choral “Zwingt die Saiten in Cythara” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 377)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach1:19
11Cantata, BWV 36 "Schwingt freudig euch empor": Aria (Baritone) "Willkommen, werter Schatz!"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: V. Aria (Basso) “Willkommen, werter Schatz!” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach3:32
12Cantata, BWV 36 "Schwingt freudig euch empor": Chorale (Tenors) "Der du bist dem Vater gleich"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals [tenors]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01) and Petra Lang (mezzo-soprano) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VI. Choral (Tenore) “Der du bist dem Vater gleich” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach1:44
13Cantata, BWV 36 "Schwingt freudig euch empor": Aria (Soprano) "Auch mit gedämpften, schwachen Stimmen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Alison Bury (violinist) (in 1992-01) and Timothy Mason (classical cellist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VII. Aria (Soprano) “Auch mit gedämpften, schwachen Stimmen” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach8:54
14Cantata, BWV 36 "Schwingt freudig euch empor": Chorale "Lob sei Gott, dem Vater, g'ton"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01) and Petra Lang (mezzo-soprano) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VIII. Choral “Lob sei Gott, dem Vater g’ton” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 264)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach0:47
15Cantata, BWV 62 "Nun komm, der Heiden Heiland": Chorus "Nun komm, der Heiden Heiland"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Ingmar Haas (engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
The English Baroque Soloists (in 1992-01)
conductor:
John Eliot Gardiner (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Great Hall, Blackheath Concert Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:27
16Cantata, BWV 62 "Nun komm, der Heiden Heiland": Aria (Tenor) "Bewundert, o Menschen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Bewundert, o Menschen" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach6:20
17Cantata, BWV 62 "Nun komm, der Heiden Heiland": Recitative (Baritone) "So geht aus Gottes Herrlichkeit"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": III. Recitativo (Basso) "So geht aus Gottes Herrlichkeit" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:40
18Cantata, BWV 62 "Nun komm, der Heiden Heiland": Aria (Baritone) "Streite, siege, starker Held!"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:21
19Cantata, BWV 62 "Nun komm, der Heiden Heiland": Recitative (Soprano, Mezzo-soprano) "Wir ehren diese Herrlichkeit"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals:
Petra Lang (mezzo-soprano) (in 1992-01)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": V. Recitativo (Duetto: Soprano, Alto) "Wir ehren diese Herrlichkeit" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:49
20Cantata, BWV 62 "Nun komm, der Heiden Heiland": Chorale "Lob sei Gott, dem Vater, g'ton"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01), Petra Lang (mezzo-soprano) (in 1992-01) and Anthony Rolfe Johnson (tenor) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 265)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:40
12▶CD: Christmas Cantatas, BWV 63, 64, 121 & 133
13▶CD: New Year Cantata, BWV 16; Cantatas for the 21st and 23rd Sunday after Trinity, BWV 98 & 139
14▶CD: Cantatas for the 3rd Sunday after Epiphany, BWV 72, 73, 111 & 156
15▶CD: Cantatas for the Feast of the Purification of Mary (2 February), BWV 82, 83, 125 & 200
16▶CD: Easter Cantatas, BWV 6 & 66
17▶CD: Cantatas for Ascension Day, BWV 11, 37, 43 & 128
18▶CD: Cantatas for the 1st day of Whitsun, BWV 34, 59, 74 & 172
19▶CD: Cantatas for the 9th Sunday after Trinity, BWV 94, 105 & 168
20▶CD: Cantatas for the 11th Sunday after Trinity, BWV 113, 179 & 199
21▶CD: Cantatas for the 27th Sunday after Trinity, BWV 140 & for the Feast of the Visitation of Mary (2 July), BWV 147
22▶CD: Cantatas BWV 106; 118/231 & 198