Œuvres complètes 1963-2013: L'Édition du 50e anniversaire

~ Release by Francis Poulenc (see all versions of this release, 1 available)

Tracklist

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#TitleRatingLength
1Esquisse d’une fanfare for “Romeo and Juliet”, FP 25
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Fanfare, FP 25
composer:
Francis Poulenc (French composer and pianist)
part of:
Francis Poulenc’s works (FP) (number: FP 25)
1:58
2Histoire de Babar le petit éléphant, FP 129 (orch. Françaix)
spoken vocals [récitant]:
Peter Ustinov (in 1965)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1965)
conductor:
Georges Prêtre (French conductor) (in 1965)
recording of:
The Story of Babar, the Little Elephant, FP 129 (English narration and orchestra) (in 1965)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
translator:
Nelly Rieu
publisher:
G. Schirmer
translated version of:
L’Histoire de Babar, le petit éléphant, FP 129 (French narration and orchestra)
27:19
3La Dame de Monte‐Carlo, monologue on a poem by Jean Cocteau, FP 180
soprano vocals:
Mady Mesplé (soprano)
orchestra:
Orchestre philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra)
conductor:
Georges Prêtre (French conductor)
recording of:
La dame de Monte-Carlo, FP 180
lyricist:
Jean Cocteau
composer:
Francis Poulenc (French composer and pianist) (in 1961)
part of:
Francis Poulenc’s works (FP) (number: FP 180)
7:06
4La Voix humaine, FP 171 : “Allô, allô, mais non, madame”
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Georges Prêtre (French conductor)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (French composer and pianist) (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
1:41
5La Voix humaine, FP 171 : “Allô, c’est toi ? oui, très bien”
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Georges Prêtre (French conductor)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (French composer and pianist) (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
5:01
6La Voix humaine, FP 171 : “Souviens‐toi du dimanche de Versailles”
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Georges Prêtre (French conductor)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (French composer and pianist) (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
2:37
7La Voix humaine, FP 171 : “Allô ! et comme ça ?”
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Georges Prêtre (French conductor)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (French composer and pianist) (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
4:30
8La Voix humaine, FP 171 : “Allô, c’est toi ? Mais non, mademoiselle”
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Georges Prêtre (French conductor)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (French composer and pianist) (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
1:57
9La Voix humaine, FP 171 : “Allô ! Ah ! Chéri, c’est toi ?”
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Georges Prêtre (French conductor)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (French composer and pianist) (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
8:26
10La Voix humaine, FP 171 : “C’est inutile, du reste le docteur de Marthe reviendra demain”
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Georges Prêtre (French conductor)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (French composer and pianist) (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
3:55
11La Voix humaine, FP 171 : “Voilà deux jours qu’il ne quitte pas l’antichambre”
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Georges Prêtre (French conductor)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (French composer and pianist) (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
3:31
12La Voix humaine, FP 171 : “Rien, je crois que nous parlons comme d’habitude”
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Georges Prêtre (French conductor)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (French composer and pianist) (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
3:32
13La Voix humaine, FP 171 : “On avait coupé”
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Georges Prêtre (French conductor)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (French composer and pianist) (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
4:03
14La Voix humaine, FP 171 : “Alors, voilà, j’allais dire machinalement”
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Georges Prêtre (French conductor)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (French composer and pianist) (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
2:02
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