Renaissance

~ Release by Marcus Miller (see all versions of this release, 6 available)

Tracklist

1▼CD
#TitleRatingLength
1Detroit
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
David Isaac
alto saxophone:
Alex Han
bass guitar:
Marcus Miller (jazz musician)
drums (drum set):
Louis Cato
guitar:
Adam Agati
piano and Rhodes piano:
Kris Bowers
trumpet:
Maurice Brown (US jazz trumpeter, producer, and composer)
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
recording of:
Detroit
composer:
Marcus Miller (jazz musician)
45:45
2Redemption
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
David Isaac
alto saxophone:
Alex Han
bass guitar:
Marcus Miller (jazz musician)
drums (drum set):
Louis Cato
guitar:
Adam Rogers (guitar)
Rhodes piano:
Federico González Peña
trumpet:
Sean Jones (trumpeter)
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
recording of:
Redemption
composer:
Marcus Miller (jazz musician)
46:10
3February
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
David Isaac
acoustic guitar:
Adam Rogers (guitar)
alto saxophone:
Alex Han
bass guitar:
Marcus Miller (jazz musician)
djembe and drums (drum set):
Louis Cato
piano:
Federico González Peña
trumpet:
Maurice Brown (US jazz trumpeter, producer, and composer)
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
recording of:
February
composer:
Marcus Miller (jazz musician)
44:15
4Slippin’ Into Darkness
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
David Isaac
alto saxophone:
Alex Han
bass guitar:
Marcus Miller (jazz musician)
drums (drum set):
Louis Cato
guitar:
Adam Rogers (guitar)
organ:
Bobby Sparks (US organ, piano & keyboards player)
percussion:
Ramon Yslas
piano:
Kris Bowers
trumpet:
Sean Jones (trumpeter)
trumpet [muted trumpet]:
Maurice Brown (US jazz trumpeter, producer, and composer)
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
instrumental cover recording of:
Slippin’ Into Darkness
writer:
Papa Dee Allen, Harold Brown, B.B. Dickerson, Lonnie Jordan, Lee Oskar and Howard E. Scott (US funk/rock guitarist, member of War)
49:16
5Setembro (Brazilian Wedding Song)
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
David Isaac
acoustic bass guitar, bass clarinet and fretless bass:
Marcus Miller (jazz musician)
alto saxophone:
Alex Han
drums (drum set):
Louis Cato
percussion:
Ramon Yslas
piano and Rhodes piano:
Federico González Peña
guest vocals:
Rubén Blades and Gretchen Parlato
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
cover recording of:
Setembro
composer:
Ivan Lins and Gilson Peranzzetta (pianist, composer)
publisher:
BMG Sapphire Songs, Dinorah Music and Rashida Music
4.56:38
6Jekyll & Hyde
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
David Isaac
alto saxophone:
Alex Han
bass guitar:
Marcus Miller (jazz musician)
drums (drum set):
Louis Cato
guitar:
Adam Rogers (guitar)
organ:
Bobby Sparks (US organ, piano & keyboards player)
piano:
Federico González Peña
trumpet:
Sean Jones (trumpeter)
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
recording of:
Jekyll & Hyde
composer:
Marcus Miller (jazz musician)
46:31
7Interlude: Nocturnal Mist
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
David Isaac
alto saxophone:
Alex Han
bass guitar:
Marcus Miller (jazz musician)
drums (drum set):
Louis Cato
guitar:
Adam Agati
percussion:
Ramon Yslas
piano:
Federico González Peña
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
cover recording of:
Interlude: Nocturnal Mist
composer:
Luther “Mano” Hanes
41:16
8Revelation
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
David Isaac
alto saxophone:
Alex Han
bass guitar:
Marcus Miller (jazz musician)
drums (drum set):
Louis Cato
guitar:
Adam Agati
percussion:
Ramon Yslas
piano:
Federico González Peña
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
recording of:
Revelation
composer:
Marcus Miller (jazz musician)
54:47
9Mr. Clean
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
Bruce Miller (Recording / mixing engineer & producer)
alto saxophone:
Alex Han
bass guitar:
Marcus Miller (jazz musician)
clavinet and organ:
Bobby Sparks (US organ, piano & keyboards player)
drums (drum set):
Louis Cato
guitar:
Adam Rogers (guitar)
Rhodes piano:
Federico González Peña
trumpet:
Sean Jones (trumpeter)
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
cover recording of:
Mr Clean
composer:
Weldon Irvine
45:01
10Gorée (Go-ray)
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
Taka Honda
acoustic guitar:
Adam Rogers (guitar)
alto saxophone:
Alex Han
bass clarinet and bass guitar:
Marcus Miller (jazz musician)
drums (drum set):
Louis Cato
piano and Rhodes piano:
Federico González Peña
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
recording of:
Gorée (Go-Ray)
composer:
Marcus Miller (jazz musician)
45:39
11CEE-TEE-EYE
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
David Isaac
alto saxophone:
Alex Han
bass guitar:
Marcus Miller (jazz musician)
congas and drums (drum set):
Louis Cato
guitar:
Adam Agati and Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Rhodes piano:
Kris Bowers
trumpet:
Maurice Brown (US jazz trumpeter, producer, and composer)
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
recording of:
Cee-Tee-Eye
composer:
Marcus Miller (jazz musician)
47:40
12Tightrope
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
Taka Honda
alto saxophone:
Alex Han
bass guitar:
Marcus Miller (jazz musician)
drums (drum set):
Louis Cato
guitar:
Adam Agati
piano:
Kris Bowers
vocals:
Dr. John (New Orleans blues pianist, singer and songwriter)
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
cover recording of:
Tightrope
writer:
Antwan André Patton, Janelle Monáe Robinson, Charles Joseph II and Nathaniel Irvin III
45:47
13I'll Be There
additional recording engineer:
Chris Finney, Taka Honda and Marcus Miller (jazz musician)
recording engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
assistant engineer:
Kevin Harper (engineer) and George Shaw (engineer)
associate producer:
Harold Goode
producer:
Marcus Miller (jazz musician)
mixer:
Taka Honda
bass guitar:
Marcus Miller (jazz musician)
arranger:
Marcus Miller (jazz musician)
additionally recorded at:
Hannibal Studios in Santa Monica, California, United States and Music Shed Studios in New Orleans, Louisiana, United States
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Century 22 Recording in Long Beach, California, United States, Hannibal Studios in Santa Monica, California, United States and Mix Room 103 in Lodi, New Jersey, United States
instrumental cover recording of:
I’ll Be There
writer:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy and Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. and Stone Diamond Music Corporation
part of:
MJ: The Musical
43:48