All of Me: Spotlight on Billie Holiday

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Them There Eyes (single version)
recording of:
Them There Eyes
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
Billie Holiday2:50
2All of Me (live at Carnegie Hall, 1946)
recording of:
All of Me (am 1946-06-03)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
Billie Holiday2:02
3Solitude (single version)
alto saxophone:
Al Klink (am 1947-02-13) und Toots Mondello (am 1947-02-13)
Gitarre:
Dan Perry (guitarist) (am 1947-02-13)
Klavier:
Bobby Tucker (am 1947-02-13)
Kontrabass:
Bob Haggart (am 1947-02-13)
Rohrblattinstrumente:
Bill Stegmeyer (am 1947-02-13)
Schlagzeug:
Norris "Bunny" Shawker (am 1947-02-13)
Tenorsaxophon:
Art Drelinger (am 1947-02-13) und Hank Ross (am 1947-02-13)
Trompete:
Billy Butterfield (am 1947-02-13)
vocals:
Billie Holiday (am 1947-02-13)
Orchester:
Teddy Wilson and His Orchestra (am 1947-02-13)
conductor:
Bob Haggart (am 1947-02-13)
recording of:
(In My) Solitude (am 1947-02-13)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
Billie Holiday43:10
4Strange Fruit
recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday & Her Orchestra3:09
5God Bless the Child (1956 version)
recording of:
God Bless the Child (in 1956)
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday3:58
6I Cried for YouBillie Holiday2:27
7Ain’t Nobody’s Business If I Do (single version)
recording of:
T’ain’t Nobody’s Bizness If I Do
Texter:
Porter Grainger
Komponist(in):
Porter Grainger und Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Teil von:
American Splendor
Billie Holiday3:19
8Lady Sings the Blues
recording of:
Lady Sings the Blues
Texter:
Billie Holiday
Komponist(in):
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Billie Holiday3:47
9Lover Man (single version)
recording of:
Lover Man
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
Billie Holiday3:15
10Gimme a Pigfoot and a Bottle of Beer (single version)
recording of:
Gimme a Pigfoot (and a Bottle of Beer)
Komponist(in):
Wesley A. Wilson
publisher:
Northern Music (song publisher)
Billie Holiday & Sy Oliver & His Orchestra2:45
11Trav’lin Light
vocals:
Billie Holiday (in 1942)
Orchester:
Paul Whiteman and His Orchestra (in 1942)
recording of:
Trav’lin’ Light
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Jimmy Mundy (in 1942) und Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) und WB Music Corp. (1929–2019)
Billie Holiday3:08
12Good Morning Heartache
recording of:
Good Morning Heartache
Texter:
Ervin Drake (Songwriter)
Komponist(in):
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) und Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. und Universal/MCA Music (music publisher; do not use as release label!)
Billie Holiday3:06
13Stormy Weather
vocals:
Billie Holiday (in 1952)
Orchester:
Billie Holiday and Her Orchestra (in 1952)
recording of:
Stormy Weather (am 1952-07-27)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Billie Holiday3:43
14April in Paris
recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Billie Holiday3:02
15Crazy He Calls Me (single version)
recording of:
Crazy He Calls Me
Texter:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Billie Holiday3:05
16Prelude to a Kiss
recording of:
Prelude to a Kiss
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
Billie Holiday5:37
17I’ll Be Seeing You
recording of:
I’ll Be Seeing You
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Billie Holiday3:31
18Nice Work If You Can Get It
recording of:
Nice Work If You Can Get It
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
Billie Holiday3:47
19Blue Moon
recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Billie Holiday3:30
20Body and Soul
recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday6:18
21I Didn’t Know What Time It Was
Gitarre:
Barney Kessel (am 1957-01-04)
Klavier:
Jimmy Rowles (am 1957-01-04)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-04)
Schlagzeug:
Alvin Stoller (am 1957-01-04)
Tenorsaxophon:
Ben Webster (am 1957-01-04)
Trompete:
Harry “Sweets” Edison (am 1957-01-04)
vocals:
Billie Holiday (am 1957-01-04)
recording of:
I Didn’t Know What Time It Was (Pal Joey) (am 1957-01-04)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
Billie Holiday36:03
22Autumn in New York
recording of:
Autumn in New York (1934)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
Billie Holiday3:44
23I Cover the Waterfront
recording of:
I Cover the Waterfront
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) und Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music, Inc.
Billie Holiday3:29
24As Time Goes By
recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Billie Holiday3:12
25Love Me or Leave Me
recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Billie Holiday2:37
26Moonglow
recording of:
Moonglow
Texter:
Eddie DeLange
Komponist(in):
Will Hudson und Irving Mills
Billie Holiday2:59
27On the Sunny Side of the StreetBillie Holiday2:59
28What a Little Moonlight Can Do
vocals:
Billie Holiday (in 1954)
Orchester:
Billie Holiday and Her Orchestra (in 1954)
recording of:
What a Little Moonlight Can Do
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
Billie Holiday3:12
29What Is This Thing Called Love (single version)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Billie Holiday3:07
30Too Marvelous for Words
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1954-09-03)
Gitarre:
Barney Kessel (am 1954-09-03)
Klavier:
Bobby Tucker (am 1954-09-03)
Kontrabass:
Red Callender (am 1954-09-03)
Schlagzeug:
Chico Hamilton (am 1954-09-03)
Trompete:
Harry “Sweets” Edison (am 1954-09-03)
vocals:
Billie Holiday (am 1954-09-03)
recording of:
Too Marvelous for Words (am 1954-09-03)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday42:12
31I’ll Look Around (single version)
Klavier:
Billy Kyle (am 1946-04-09)
Kontrabass:
Thomas Barney (am 1946-04-09)
Schlagzeug:
Kenny Clarke (am 1946-04-09)
Trompete:
Joe Guy (trumpet) (am 1946-04-09)
vocals:
Billie Holiday (in 1946, am 1946-04-09)
Orchester:
Bob Haggart and His Orchestra (in 1946)
recording of:
I’ll Look Around (am 1946-04-09)
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday3:15
32Billie’s Blues
recording of:
Billie’s Blues
Texter:
Billie Holiday
Komponist(in):
Billie Holiday (bis 1936-08-01)
publisher:
Basart Editions
Billie Holiday3:07
33Fine and Mellow
recording of:
Fine and Mellow
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday & Her Orchestra3:14
34Gee Baby, Ain’t I Good to You
recording of:
Gee, Baby Ain’t I Good to You
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Billie Holiday5:35
35Yesterdays
recording of:
Yesterdays
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Billie Holiday2:51
36Come Rain or Come ShineBillie Holiday4:26
37Stars Fell on Alabama
recording of:
Stars Fell on Alabama
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music
Billie Holiday4:29
38I Don’t Want to Cry Anymore (take 2 / master take)
recording of:
I Don’t Want to Cry Anymore
Texter und Komponist(in):
Victor Schertzinger
Billie Holiday3:54
39Don’t Explain (live at Carnegie Hall / 1956)
Produzent(in):
Norman Granz
E-Gitarre:
Kenny Burrell
Klavier:
Carl Drinkard (pianist) und Tony Scott (bop/jazz clarinetist, arranger & conductor)
Kontrabass [bass]:
Carson Smith
Schlagzeug [drums]:
Chico Hamilton
Tenorsaxophon:
Coleman Hawkins
Trompete:
Roy Eldridge
vocals:
Billie Holiday
live recording of:
Don’t Explain (in 1956)
Verfasser(in):
Arthur Herzog, Jr. und Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Billie Holiday2:28
40What’s New
recording of:
What’s New?
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
Billie Holiday4:19
41Easy Living (single version)
recording of:
Easy Living
Texter:
Leo Robin (US composer, lyricist & songwriter)
Verfasser(in):
Ralph Rainger (in 1937) und Leo Robin (US composer, lyricist & songwriter) (in 1937)
Komponist(in):
Ralph Rainger und Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
Billie Holiday3:13
42Do Nothin’ Till You Hear From Me (1956 version)
Gitarre:
Barney Kessel (am 1956-08-14)
Klavier:
Jimmy Rowles (am 1956-08-14)
Kontrabass:
Joe Mondragon (am 1956-08-14)
Schlagzeug:
Alvin Stoller (am 1956-08-14)
Tenorsaxophon:
Ben Webster (am 1956-08-14)
Trompete:
Harry “Sweets” Edison (am 1956-08-14)
vocals:
Billie Holiday (am 1956-08-14)
recording of:
Do Nothin’ Till You Hear From Me (am 1956-08-14)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
Billie Holiday4:13
43Softly
recording of:
Softly (Eddie Beal/Joe Greene song)
Verfasser(in):
Eddie Beal und Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
Billie Holiday2:55
44Tenderly
recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
Billie Holiday3:22
45How Am I to Know?
recording of:
How Am I to Know? (am 1944-03-25)
Texter:
Dorothy Parker
Komponist(in):
Jackie King
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Billie Holiday2:44
46These Foolish Things (Remind Me of You)
Gitarre:
Barney Kessel (am 1952-03-26)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-26)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-26)
Schlagzeug:
Alvin Stoller (am 1952-03-26)
vocals:
Billie Holiday (am 1952-03-26)
Orchester:
Billie Holiday and Her Orchestra (in 1952)
recording of:
These Foolish Things (Remind Me of You) (am 1952-03-26)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
Billie Holiday53:35
47You’re My Thrill (single version)
Gitarre:
Tony Mottola (am 1949-10-19)
Holzblasinstrumente:
John Fulton (am 1949-10-19)
Klavier:
Bernie Leighton (am 1949-10-19)
Kontrabass:
Jack Lesberg (am 1949-10-19)
Rohrblattinstrumente:
Milt Yaner (am 1949-10-19)
Schlagzeug:
Norris "Bunny" Shawker (am 1949-10-19)
Trompete:
Bobby Hackett (am 1949-10-19)
vocals:
Billie Holiday (am 1949-10-19)
aufgenommen bei:
Decca Studios (New York) in New York, New York, Vereinigte Staaten (am 1949-10-19)
recording of:
You’re My Thrill (am 1949-10-19)
Texter:
Sidney Clare
Komponist(in):
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday43:25
48If the Moon Turns Green
recording of:
If the Moon Turns Green (in 1952-04)
Texter:
Paul Coates (songwriter; “If the Moon Turns Green”) (am 1934-11-27)
Komponist(in):
Bernie Hanighen (am 1934-11-27)
publisher:
Bourne Co. (not for release label use, this is a music publisher) (am 1934-11-27)
Billie Holiday2:48
49That Ole Devil Called Love (single version)
recording of:
That Ole Devil Called Love
Texter:
Doris Fisher (in 1944)
Komponist(in):
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday2:55
50Baby Get Lost (single version)
alto saxophone:
George Dorsey (am 1949-08-17) und Rudy Powell (am 1949-08-17)
baritone saxophone:
Sol Moore (am 1949-08-17)
Gitarre:
Mundell Lowe (am 1949-08-17)
Klavier:
Horace Henderson (am 1949-08-17)
Kontrabass:
George Duvivier (am 1949-08-17)
Posaune:
George Matthews (trombone) (am 1949-08-17) und Dicky Wells (am 1949-08-17)
Schlagzeug:
Shadow Wilson (am 1949-08-17)
Tenorsaxophon:
Joe Thomas (US jazz tenor saxophone player) (am 1949-08-17) und Lester Young (saxophonist) (am 1949-08-17)
Trompete:
Emmett Berry (am 1949-08-17), Buck Clayton (am 1949-08-17) und Jimmy Nottingham (am 1949-08-17)
vocals:
Billie Holiday (am 1949-08-17)
conductor:
Buster Harding (am 1949-08-17)
recording of:
Baby Get Lost (am 1949-08-17)
Verfasser(in):
Leonard Feather und Billy Moore, Jr. (40s American jazz pianist/arranger/composer)
publisher:
Modern Age Music Co.
Billie Holiday & Buster Harding & His Orchestra3:16
51Big Stuff (prologue / from “Fancy Free”)
Billie Holiday2:33
52I’m Yours
recording of:
I’m Yours (am 1944-04-01)
Texter:
Yip Harburg
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green)
Billie Holiday3:19
53I Wished on the Moon (1955 “Stay With Me” version)
recording of:
I Wished on the Moon
Texter:
Dorothy Parker
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Billie Holiday6:50
54He’s Funny That Way
recording of:
He’s Funny That Way
Verfasser(in):
Neil Moret und Richard A. Whiting
Billie Holiday3:10
55My Old Flame
recording of:
My Old Flame
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Billie Holiday3:01
56My Man
recorded in:
New York, New York, Vereinigte Staaten (am 1952-07-27)
Gitarre:
Freddie Green (am 1952-07-27)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-07-27)
Kontrabass und Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1952-07-27)
Schlagzeug:
J.C. Heard (am 1952-07-27) und Gus Johnson (drums) (am 1952-07-27)
Tenorsaxophon:
Paul Quinichette (am 1952-07-27)
Trompete:
Joe Newman (US jazz trumpeter) (am 1952-07-27)
vocals:
Billie Holiday (am 1952-07-27)
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (am 1952-07-27)
Texter:
Jacques Charles (French librettist and theatre producer) und Albert Willemetz
Komponist(in):
Maurice Yvain
Übersetzer:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (beendet) und Éditions Salabert France
übersetzte Version von:
Mon homme
Billie Holiday42:37
57Porgy (single version)
Gitarre:
Mundell Lowe (am 1948-12-10)
Klavier:
Bobby Tucker (am 1948-12-10)
Kontrabass:
John Levy (US jazz double-bassist) (am 1948-12-10)
Schlagzeug:
Denzil Best (am 1948-12-10)
vocals:
Billie Holiday (am 1948-12-10)
recording of:
I Loves You, Porgy (use this for non-operatic performances) (am 1948-12-10)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Billie Holiday2:57
58Don’t Worry ’Bout Me
vocals:
Billie Holiday (in 1959)
Orchester:
Ray Ellis and His Orchestra (in 1959)
recording of:
Don’t Worry ’Bout Me
Texter:
Ted Koehler (in 1939)
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. und Redwood Music Ltd. (Carlin)
Billie Holiday3:11
59All the WayBillie Holiday & Ray Ellis and His Orchestra3:25
60One for My Baby (and One More for the Road)
recording of:
One for My Baby (and One More for the Road)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
Billie Holiday5:40

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2021)
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Streaming-Seite:https://music.apple.com/us/album/1554957537 [Info]