THIS is the 60's

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Copyright: © 2020 Warner Music Group - X5 Music Group
℗ 2020 Warner Music Group - X5 Music Group

Annotation last modified on 2025-11-19 16:48 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
Shirley Bassey4.252:49
2Windmills of Your Mind
Noel Harrison2:21
3There Must Be a Way
recording of:
There Must Be a Way
lyricist:
Sammy Gallop
composer:
David Saxon
Frankie Vaughan2:53
4Can't Take My Eyes Off You
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 151)
recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Frankie Valli3.753:20
5(Sittin' on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
composer:
Steve Cropper and Otis Redding
arranger:
Oliver Lake
arrangement of:
(Sittin’ on) the Dock of the Bay
Otis Redding4.452:44
6When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
recording of:
When a Man Loves a Woman
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge2:54
7Cry to Me
recorded in:
New York, New York, United States (on 1961-12-06)
alto saxophone:
Leon Cohen (woodwind player) (on 1961-12-06)
bass:
Art Davis (US jazz double bassist) (on 1961-12-06)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1961-12-06) and Ted Sommer (on 1961-12-06)
guitar:
Don Arnone (on 1961-12-06), Everett Barksdale (on 1961-12-06), Al Caiola (on 1961-12-06) and Bucky Pizzarelli (on 1961-12-06)
organ:
Bob Mosley (organ) (on 1961-12-06)
piano:
Hank Jones (piano) (on 1961-12-06)
tenor saxophone:
Jesse Powell (US jazz saxophonist) (on 1961-12-06)
vibraphone:
Phil Kraus (on 1961-12-06)
background vocals:
William Eaton (vocals) (on 1961-12-06), Noah Hopkins (on 1961-12-06), Richard Kraus (vocals) (on 1961-12-06), Howard Roberts (background vocals) (on 1961-12-06), Earl Rogers (American tenor) (on 1961-12-06), Sherman Sneed (on 1961-12-06) and David Vogel (on 1961-12-06)
vocals:
Solomon Burke (on 1961-12-06)
conductor:
Claus Ogerman (on 1961-12-06)
remixer:
DJ Minnesotah and MASATO (KANDYTOWN)
arranger:
Claus Ogerman
recording of:
Cry to Me (on 1961-12-06)
lyricist and composer:
Bert Russell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sloopy II Music, Sony/ATV Songs LLC and Unichappell Music, Inc.
Solomon Burke2:31
8Sweet Soul Music
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 351)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) and Otis Redding
publisher:
ABKCO Music and Rondor
is based on:
Yeah Man
Arthur Conley42:19
9Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin3.92:28
10Finger Poppin'
recording of:
Fingerpoppin’
lyricist and composer:
Ike Turner
publisher:
Fanfare Music Co. Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ike & Tina Turner2:49
11Run Out of Time
producer:
John Court
The Paul Butterfield Blues Band3:05
12Get Ready
cover recording of:
Get Ready
lyricist and composer:
William “Smokey” Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Ella Fitzgerald2:32
13Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
14I Remember You
cover recording of:
I Remember You
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
Frank Ifield2:13
15Tears
Ken Dodd22:52
16Tell Laura I Love HerRicky Valance2:40
17Release Me
cover recording of:
Release Me
additional writer:
W.S. Stevenson
writer:
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) and Robert Yount (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
Esther Phillips3:19
18Where Are You?
cover recording of:
Where Are You?
lyricist:
Harold Adamson
writer:
Harold Adamson and Jimmy McHugh (songwriter)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music and Leo Feist, Inc.
Dinah Washington2:16
19Groovin'
The Young Rascals2:31
20In-A-Gadda-Da-VidaIron Butterfly4.2517:04
21Tobacco Road
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 40)
cover recording of:
Tobacco Road
lyricist and composer:
John D. Loudermilk
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Nashville Teens2:28
22Kites
recording of:
Kites
composer:
Hal Hackady and Lee Pockriss
publisher:
Campbell Connelly & Co. Ltd.
Simon Dupree & The Big Sound3:45
23Hello It’s Me (single version; remastered)
recording engineer and mixer:
Billy Sherwood
producer:
Bob Kulick and Billy Sherwood
bass guitar, membranophone, percussion and background vocals:
Billy Sherwood
guitar:
Edgar Winter
guitar [rhythm guitar]:
Bob Kulick
lead vocals:
Todd Rundgren
vocals:
Todd Rundgren
recorded at and mixed at:
Office Studios in Van Nuys, California, United States
recording of:
Hello, It’s Me
lyricist and composer:
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren44:20
24Laugh at Me (single version)
recording of:
Laugh at Me
lyricist and composer:
Sonny Bono
publisher:
Cotillion and West (publisher)
Sonny Bono3:00
25Got to Get You Into My Life
Cliff Bennett & The Rebel Rousers2:34
26Trains and Boats and Planes
cover recording of:
Trains and Boats and Planes
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Billy J Kramer & The Dakotas2:50
27Turn Around, Look at Me
The Vogues2:47
2859th Street Bridge Song (Feelin' Groovy)
producer:
Lenny Waronker
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:31
29Thank U Very Much
recording of:
Thank U Very Much
lyricist and composer:
Mike McGear (Paul McCartney’s brother)
The Scaffold2:33
30Ha! Ha! Said the Clown
recording of:
Ha! Ha! Said the Clown
writer:
Tony Hazzard (songwriter)
The Yardbirds2:29
31For What It's Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.252:41
32No Milk Today
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1966) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
No Milk Today (in 1966-10)
lyricist and composer:
Graham Gouldman
publisher:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hournew Music Ltd.
Herman's Hermits4.652:54
33End of the Road
producer:
Gerald Chevin and Eddy Offord
recording of:
End of the Road
writer:
Jeff Lynne
The Idle Race2:09
34Excerpt From a Teenage Opera
recording of:
Theme From “A Teenage Opera”
lyricist and composer:
Keith Hopkins and Mark Wirtz
Keith West4:42
35Walkin' Back to Happiness
Helen Shapiro2:30
36Ferry Cross the Mersey
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Ferry Cross the Mersey
lyricist and composer:
Gerry Marsden
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and PolyGram Music Publishing
Gerry & The Pacemakers2:24
37I'm a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
recording of:
I’m a Believer
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees4.652:46
38Poor Me
producer:
John Burgess (British record producer)
vocals:
Adam Faith
arranger:
John Barry (English score composer)
Adam Faith1:47
39Just a Little (single version)
The Beau Brummels2:27
40Windy
producer:
Bones Howe
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 310)
recording of:
Windy
lyricist and composer:
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:57
41Shakin' All Over
recording of:
Shakin’ All Over
lyricist and composer:
Frederick Heath and Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd & The Pirates3.52:21
42You Keep Me Hangin' On (single version)
miscellaneous support:
Shadow Morton (task: directed by)
producer:
Shadow Morton
cover recording of:
You Keep Me Hangin’ On (in 1967)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Vanilla Fudge3:00
43Talk About Your Baby
John Lee Hooker2:34
44I Think We're Alone Now
recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tommy James & The Shondells52:13
45My White Bicycle
producer:
Mark Wirtz
keyboard:
Mark Wirtz
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1967)
recording of:
My White Bicycle
writer:
Ken Burgess and Keith Hopkins
publisher:
Getaway Songs Ltd., Intersong Music and Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
Tomorrow43:18
46Breakout
recording of:
Breakout
writer:
Herb Bernstein and Gary A. Knight
Mitch Ryder & The Detroit Wheels3:16
47Cool Jerk
The Capitols2:47
48A World Without Love
Peter And Gordon2:45
49A Lover's Concerto
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
A Lover’s Concerto (in 1965)
writer:
Sandy Linzer and Denny Randell
publisher:
EMI Music Publishing (do not use as a release label!)
is based on:
Minuet in G major, BWV Anh. 114 (for keyboard)
The Toys2:40
50Have I the Right
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Have I the Right (in 1964)
writer:
Alan Blaikley and Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Ivy Music Ltd.
The Honeycombs32:58
51I'm the Urban Spaceman
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
I’m the Urban Spaceman
lyricist and composer:
Neil Innes
publisher:
J. Albert & Son Pty. Ltd.
Bonzo Dog Band4.52:25
52Where Do You Go To (My Lovely)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
lyricist and composer:
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:45
53What Now My Love (single version)
recording of:
What Now My Love
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. and Warner Chappell Music, Inc.
translated version of:
Et maintenant
Sonny & Cher3:37
54Mona Lisa
Anita Kerr2:58
55Strangers in the Night
The Mike Sammes Singers3:37
56All or Nothing at All
cover recording of:
All or Nothing at All
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sarah Vaughan3:13
57I Know Better
The Flamingos2:37
58Touch 'Em With Love
Brook Benton2:19
59Sweet Inspiration
recording of:
Sweet Inspiration
writer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Press Music Co.
The Sweet Inspirations2:56
60Alfie
recording of:
Alfie (in 1965)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
Cilla Black2:39
61Love Is Blue
cover recording of:
Love Is Blue
lyricist:
Pierre Cour
composer:
André Popp
translator:
Bryan Blackburn
publisher:
Intersong U.S.A. (publisher), Radio-Tele-Music GmbH and Radmus Publishing Inc.
translated version of:
El amor es triste
translated version of:
L’amour est bleu
Jeff Beck2:57
62Sabre Dance
arranger:
Dave Edmunds
cover recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Love Sculpture11:31
63You Were Made for Me
recording of:
You Were Made for Me
lyricist and composer:
Mitch Murray
Freddie & The Dreamers2:19
64Better by Far
Terry Reid3:30
65Cathy's Clown
recording of:
Cathy’s Clown
lyricist and composer:
Don Everly
writer:
Don Everly and Phil Everly
publisher:
Acuff-Rose (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers22:26
66Hello Stranger
recording of:
Hello Stranger
lyricist and composer:
Barbara Lewis
Barbara Lewis2:47
67The House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.254:30
68My Clown
recording engineer:
Mike Ross‐Trevor (engineer)
producer:
Tommy Scott (producer)
recording of:
My Clown
composer:
Tom Newman (producer, guitarist)
July3:28
69Kentucky Woman
engineer:
Barry Ainsworth (engineer)
producer and mixer:
Derek Lawrence (British producer)
drums (drum set):
Ian Paice (on 1968-08-19)
electric bass guitar:
Nick Simper (on 1968-08-19)
electric guitar:
Ritchie Blackmore (on 1968-08-19)
Hammond organ and background vocals:
Jon Lord (on 1968-08-19)
lead vocals:
Rod Evans (on 1968-08-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and HEC Enterprises Ltd. (in 1968)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1968-08-19)
cover recording of:
Kentucky Woman (on 1968-08-19)
written in:
Paducah, Kentucky, United States
lyricist:
Neil Diamond
composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Deep Purple3.654:43
70Looking at You
recording of:
Looking at You
writer:
Michael Davis (MC5 bassist), Wayne Kramer (former MC5 guitarist), Fred “Sonic” Smith, Dennis Thompson (drummer for MC5, New Race and The New Order) and Rob Tyner
publisher:
Warner/Chappell Music Ltd. (1996–2019)
MC53:04
71I Wanna Be Your Dog
producer:
John Cale (The Velvet Underground founder)
bass guitar:
Dave Alexander (bassist for The Stooges)
drums (drum set):
Scott Asheton
electric guitar:
Ron Asheton
lead vocals:
Iggy Stooge
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 314) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 438)
recording of:
I Wanna Be Your Dog
writer:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton and Iggy Pop
publisher:
Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
The Stooges3.63:10
72The Road to Cairo
David Ackles5:16
73Both Sides Now
recording of:
Both Sides Now
lyricist and composer:
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:16
74Morning Glory
engineer:
Bruce Botnick
producer:
Jerry Yester
bass:
Jimmy Bond (in 1967-05)
flute and strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
guitar and lead vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05)
membranophone:
John Clauder (in 1967-05)
piano:
Don Randi (in 1967-05)
background vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05) and Jerry Yester (in 1967-05)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1967-05)
recording of:
Morning Glory
lyricist and composer:
Larry Beckett and Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
publisher:
Third Story Music, Inc.
Tim Buckley32:53
75Candy Man
cover recording of:
Candy Man
writer:
Fred Neil and Beverly Ross
publisher:
Unichappell Music, Inc.
Fred Neil2:29
76Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the M.G.'s4.152:47
77Do Your Thing (mono single version; remastered)
The Watts 103rd. Street Rhythm Band2:57
78Soul Man
recorded in:
Memphis, Tennessee, United States (on 1967-08-10)
producer:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) and Jim Stewart (US producer, founder for Stax & Volt Records)
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (singer, ex "Sam and Dave") (in 1967) and David Prater (soul artist) (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:37
79Just One Look
recorded in:
New York, New York, United States (on 1963-03-05)
producer:
Artie Ripp
bass:
Barney Richmond (on 1963-03-05)
drums (drum set):
Bruno Carr (on 1963-03-05)
guitar:
Napoleon "Snags" Allen (on 1963-03-05)
piano:
Horace Ott (on 1963-03-05)
background vocals [harmony vocals] and lead vocals:
Doris Troy (on 1963-03-05)
vocals:
Doris Troy (on 1963-03-05)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 7) and Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 29)
recording of:
Just One Look (on 1963-03-05)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:29
80Knock on Wood
recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptation of:
Potkraj na les
Eddie Floyd3:04
81Soul Finger
recorded in:
Memphis, Tennessee, United States (in 1967)
producer:
The Stax Staff
drums (drum set):
Carl Cunningham (drummer for The Bar‐Kays) (in 1967)
electric bass guitar [electric bass]:
James Alexander (US soul bassist, singer and songwriter) (in 1967)
guitar:
Jimmy King (US guitarist for The Bar‐Kays) (in 1967)
organ:
Ronnie Caldwell (in 1967)
tenor saxophone:
Phalon Jones (in 1967)
trumpet:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
writer:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones and Jimmy King (US guitarist for The Bar‐Kays)
The Bar-Kays4.52:21
82Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1964-05-21)
strings [nine strings]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (vocals, Drifters) (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1964-05-21)
tenor vocals:
Charlie Thomas (The Drifters) (on 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters4.352:41
83Fool for You
recording of:
Fool for You
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Camad Music Company (from 1968 to ????)
The Impressions2:53
84Let the Good Times Roll
cover recording of:
Let the Good Times Roll
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Ray Charles2:52
85You Must Have Been a Beautiful Baby
Bobby Darin2:16
86Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Chips Moman and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar-Keys42:39
87Walking the Dog
recording of:
Walking the Dog
lyricist and composer:
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and East/Memphis Music
Rufus Thomas2:38
88Tighten Up
recording of:
Tighten Up
lyricist:
Billy Butler (60-70s R&B singer)
composer:
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell and The Drells3:13
89Memphis Soul Stew
recorded in:
Memphis, Tennessee, United States (on 1967-07-05)
producer:
King Curtis (saxophonist)
baritone saxophone:
Floyd Newman (on 1967-07-05)
bass guitar [bass]:
Tommy Cogbill (on 1967-07-05)
drums (drum set) [drums]:
Gene Chrisman (on 1967-07-05)
guitar:
R.F. Taylor (guitarist) (on 1967-07-05) and Reggie Young (guitarist and songwriter) (on 1967-07-05)
organ:
Bobby Emmons (on 1967-07-05)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1967-07-05)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-07-05), King Curtis (saxophonist) (on 1967-07-05) and Jimmy Mitchell (saxophone) (on 1967-07-05)
trumpet:
Bowlegs Miller (American trumpeter) (on 1967-07-05)
vocals:
King Curtis (saxophonist) (on 1967-07-05)
recording of:
Memphis Soul Stew (on 1967-07-05)
writer:
Curtis Ousley
publisher:
Kilynn Music Publishing, Inc. and Pronto Music (publisher)
King Curtis2:58
90Mustang Sally
recorded in:
Muscle Shoals, Alabama, United States (on 1966-10-13)
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
electric bass guitar [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:07
91Everybody Loves a WinnerWilliam Bell2:52
92Gee Whiz, Look at His Eyes
recorded in:
Memphis, Tennessee, United States (in 1960) and Nashville, Tennessee, United States (in 1960)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Carla Thomas (in 1960)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 29)
recording of:
Gee Whiz (Look at His Eyes) (in 1960)
lyricist and composer:
Carla Thomas
publisher:
Irving Music, Inc.
Carla Thomas2:20
93Your Good Thing (Is About to End)
recording of:
Your Good Thing (Is About to End)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotton Picking Soul Music, Irving Music, Inc., Primary Wave 3 Songs (BMI) and East/Memphis Music (in 1967)
Mable John2:58
94Darling, Je Vous Aime Beaucoup
Eartha Kitt2:28
95If I Should Lose You
producer:
Hal Mooney
piano:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
If I Should Lose You (on 1965-05-20)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Nina Simone4.53:59
96Big Girls Don't Cry
The Four Seasons2:18
97Little Egypt (Ying-Yang)
acoustic guitar:
Allen Hanlon (jazz guitarist) (on 1961-02-09)
double bass [bass]:
Wendell Marshall (on 1961-02-09)
electric guitar:
Sammy Clarke (on 1961-02-09)
guitar:
George Barnes (on 1961-02-09)
piano:
Mike Stoller (on 1961-02-09)
tenor saxophone:
King Curtis (saxophonist) (on 1961-02-09)
vocals:
Earl Carroll (on 1961-02-09), Carl Gardner (on 1961-02-09), Billy Guy (on 1961-02-09) and Will “Dub” Jones (US R&B/doo wop vocalist) (on 1961-02-09)
arranger:
Mike Stoller
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1961-02-09)
recording of:
Little Egypt (Ying Yang)
writer:
Jerry Leiber and Mike Stoller
publisher:
Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music and Sony/ATV Songs LLC
The Coasters32:54