| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | No Sleep Til Brooklyn | Beastie Boys | 3 | 3:29 |
| 2 | You Bum Rush the Show | Public Enemy | | 3:55 |
| 3 | Feels Like Heaven | Fiction Factory | 4 | 3:03 |
| 4 | Don’t Fall in Love | Toyah | | 3:02 |
| 5 | And the Beat Goes On | Whispers | 4 | 3:56 |
| 6 | Tribute- recording of:
- Tribute (Right On)
- Verfasser(in):
- John Banfield, Aaron Brown , David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan und Pete Wingfield
- publisher:
- Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited , Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング A事業部 , ユニバーサル・ミュージック・パブリッシング Synch事業部 , Copyright Control (in 1988) und Island Music Ltd. (in 1988)
| Pasadenas | 3 | 4:17 |
| 7 | Shake You Down | Gregory Abbott | | 3:17 |
| 8 | Promises | Basia | | 4:04 |
| 9 | A Night to Remember | Shalamar | 4 | 4:09 |
| 10 | Taste of Bitter Love | Gladys Knight | | 3:39 |
| 11 | New York Eyes | Nicole | | 3:17 |
| 12 | Skin Deep | Stranglers | 4.5 | 3:55 |
| 13 | Let’s Hear It for the Boy | Deniece Williams | 3.6 | 4:21 |
| 14 | Hold Me Tighter in the Rain | Billy Griffin | 3 | 3:10 |
| 15 | Criticize | Alexander O’Neal | 4 | 4:01 |
| 16 | 99 Red Balloons | Nena | 4 | 3:13 |
| 17 | Sexual Healing- assistierende(r) Techniker(in):
- Henri Van Durme und Didier Leonard
- Techniker(in):
- Dan Bates (Blasinstrumente [horns]), Mike Butcher und John Kovorak
- leitende(r) Produzent(in):
- Larkin Arnold
- Produzent(in):
- Marvin Gaye
- Mix und Editing:
- Harvey Fuqua
- Blasinstrumente [horns]:
- The L.A. Horn Section und David Stout
- Bongos, Conga, Glocken [bells], Glocken [orchestra bells], Glockenspiel, Hybrid-Piano [Fender Rhodes], Orgel, Schlagzeug, Synthesizer und Zimbel:
- Marvin Gaye
- Gitarre:
- Gordon Banks
- Hintergrundgesang:
- Gordon Banks, Harvey Fuqua und Marvin Gaye
- vocals:
- Marvin Gaye
- conductor:
- McKinley T. Jackson (Blasinstrumente [horns])
- Blasinstrumente [horns] arranger:
- McKinley T. Jackson
- phonographisches Urheberrecht (℗) von:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony BMG Music Entertainment Inc. (in 1982) und Sony Music Entertainment Inc. (in 1982)
- aufgenommen bei:
- Arco Studios in München, Bayern, Deutschland (Sologesang, Hintergrundgesang), Kendun Recorders in Burbank, California , Vereinigte Staaten (Blasinstrumente [horns]), Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgien und Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgien (Sologesang, Hintergrundgesang)
- mixed at:
- Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgien
- edited at und remixed at:
- Devonshire Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- Teil von:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 231)
- recording of:
- Sexual Healing
- Verfasser(in):
- Odell Brown, Marvin Gaye und David Ritz
- publisher:
- April Music Publishing Inc., Blackwood Music Inc. , Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und April Music Inc. (in 1982)
| Marvin Gaye | 3.65 | 4:06 |
| 18 | I Really Didn’t Mean It | Luther Vandross | 5 | 4:25 |
| 19 | Satellite | Hooters | 4 | 3:47 |
| 20 | Through the Barricades | Spandau Ballet | 4 | 4:42 |