The Art of Counter Tenor

~ Release by Michael Chance (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Semele: Aria 'Hymen, hast, they torch prepare'
recording of:
Semele, HWV 58: Act I. "Hymen, hast, thy torch prepare"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Semele, HWV 58: Act I
Georg Friedrich Händel4:42
2Semele: Aria 'Your tuneful voice my tale would tell'
recording of:
Semele, HWV 58: Act I. "Your tuneful voice my tale would tell"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Semele, HWV 58: Act I
Georg Friedrich Händel4:59
3Semele: Aria 'Despair no more shall wound me'
recording of:
Semele, HWV 58: Act III. "Despair no more shall wound me"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Semele, HWV 58: Act III
Georg Friedrich Händel5:05
4Messiah: Aria 'But who may abide the day of his coming'
solo countertenor vocals:
Michael Chance (British countertenor)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:50
5Messiah: Aria 'Thou art gone up on high'
solo countertenor vocals:
Michael Chance (British countertenor)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:14
6Auf dem Gebirge hat man ein Geschrei gehöret
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
countertenor vocals [countertenor I]:
Ashley Stafford (alto / counter-tenor) (in 1987-04)
countertenor vocals [countertenor II]:
Michael Chance (British countertenor) (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (British early music group) (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 (in 1987-04)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 396)
part of:
Geistliche Chor-Music, Op.11, SWV 369-397
Heinrich Schütz5:36
7Mass in B Minor, BWV 232: Aria 'Qui sedes ad dextram Patris'
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
oboe [oboe d'amore]:
Sophia McKenna (oboist) (in 1985-02)
countertenor vocals:
Michael Chance (British countertenor) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:25
8Mass in B Minor, BWV 232: Aria 'Agnus Dei'
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
countertenor vocals:
Michael Chance (British countertenor) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:47
9St. Matthew Passion, BWV 244: Aria 'Erbarme dich, mein Gott'
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1988-04)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:43
10St. Matthew Passion, BWV 244: Aria 'Sehet, Jesus hat die Hand' / Chorus: 'Wohin?'
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:18
11St. John Passion, BWV 245: Aria 'Von den Stricken meiner Sünden'
recording engineer:
Wolf‐Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
oboe:
Valerie Darke (oboist) (in 1986-03) and Anthony Robson (oboist) (in 1986-03)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1986-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
performer:
Michael Chance (British countertenor) (in 1986-03)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden" (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:46
12St. John Passion, BWV 245: Aria 'Es ist vollbracht'
recording engineer:
Wolf‐Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
viola da gamba:
Richard Campbell (Viol Player) (in 1986-03)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-03)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1986-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:19
13Herz und Mund und Tat und Leben, BWV 147: Aria 'Schäme dich, o Seele, nicht'
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Michael Chance (British countertenor) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:15
14Lass Fürstin, lass noch einen Strahl, BWV 198: Aria 'Wie starb die Heldin so vergnügt'
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 1989-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:13
15Actus tragicus, BWV106: Arioso 'In deine Hände befehl ich meinen Geist'
alto vocals:
Michael Chance (British countertenor)
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:02
16Come, ye sons of art, away (Ode for the Birthday of Queen Mary II): 'Sound the trumpet, sound'
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Paul Goodwin (conductor / oboist) (in 1988-07)
countertenor vocals [countertenor I]:
Michael Chance (British countertenor) (in 1988-07)
countertenor vocals [countertenor II]:
Timothy Wilson (countertenor) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:28
17Of old, when heroes thought it base (The Yorkshire Feast Song): 'The pale and purple rose'
countertenor vocals:
Michael Chance (British countertenor) (on 1988-10-31)
orchestra:
The English Concert (on 1988-10-31)
conductor:
Trevor Pinnock (conductor / harpsichord) (on 1988-10-31)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1988-10-31)
recording of:
Of old, when heroes thought it base, Z. 333: VIb. The pale and purple rose (on 1988-10-31)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell2:35
18Of old, when heroes thought it base (The Yorkshire Feast Song): 'Sound, trumpets, sound!'
countertenor vocals:
Michael Chance (British countertenor) (on 1988-10-31)
orchestra:
The English Concert (on 1988-10-31)
conductor:
Trevor Pinnock (conductor / harpsichord) (on 1988-10-31)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1988-10-31)
recording of:
Of old, when heroes thought it base, Z. 333: XIIIa. Sound, trumpets, sound! (Sound, trumpet, beat every drum) (on 1988-10-31)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell2:19
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ASIN:DE: B000026BFN [info]