Gloria - Eine Auswahl der schönsten Aufnahmen

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

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1▼CD
#	Title	Rating	Length
1	Messe h-moll - Gloria in excelsis Deo orchestra: Chicago Symphony Orchestra conductor: Sir Georg Solti (conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)		6:37
2	Violinkonzert Nr 1 a-moll violin: Simon Standage (English violinist and conductor) orchestra: The English Concert conductor: Trevor Pinnock (conductor / harpsichord) recording of: Violin Concerto in A minor, BWV 1041: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Violin Concerto in A minor, BWV 1041		3:40
3	Matthäus Passion - So ost mein Jesus nun gefangen alto vocals: Michael Chance (British countertenor) choir vocals: Monteverdi Choir (English vocal Baroque ensemble) soprano vocals: Barbara Bonney (soprano) orchestra: English Baroque Soloists (The English Baroque Soloists) conductor: Sir John Eliot Gardiner (John Eliot Gardiner) recording of: Matthäus-Passion, BWV 244: Teil I, XXVIIa. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"		5:35
4	Suite für Laute Es-Dur guitar: Göran Söllscher (classical guitarist) recording of: Praeludium, Fuge und Allegro Es-Dur, BWV 998: I. Praeludium composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Praeludium, Fuge und Allegro Es-Dur, BWV 998 (Prelude, Fugue and Allegro in E-flat major, BWV 998, original for lute or keyboard)		2:41
5	Jagdkantate mezzo-soprano vocals: Magdalena Kožená (mezzo-soprano) orchestra: Musica Florea conductor: Marek Štryncl (conductor) recording of: Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” premiered in: Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02) composed in: Weimar, Thüringen (Thuringia), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1713) librettist: Salomon Franck part of: Classic 100: Piano (2025) (number: 38) part of: Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”		4:06
6	Cello Suite Nr 3 C-dur - Bourrée I, II cello: Mischa Maisky (cellist) recording of: Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II (Cello Suite No. 3 in C major, BWV 1009: V. Bourrée I & II) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)		4:10
7	Hochzeitskantate soprano vocals: Christine Schäfer (soprano) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) conductor: Reinhard Goebel (violinist and conductor) recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"		4:00
8	Orchestersuite Nr 3 D-dur - Air orchestra: Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) conductor: Karl Münchinger (German conductor) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)		3:44
9	Motette - Singet dem Herrn ein neues Lied choir vocals: Thomanerchor Leipzig orchestra: Capella Thomana conductor: Georg Christoph Biller (conductor) recording of: Singet dem Herrn ein neues Lied, BWV 225 premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany (in 1727) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 225), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 225) and Bach Compendium (number: BC C 1)		5:30
10	Oboenkonzert D-dur oboe: Heinz Holliger (Swiss oboist, composer, and conductor) orchestra: Camerata Bern conductor: Thomas Zehetmair (violinist and conductor) recording of: Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: II. Adagio composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R		4:05
11	Kantate zum zweiten Ostertag - Bleib bei uns, denn es will Abend werden choir vocals: Monteverdi Choir (English vocal Baroque ensemble) orchestra: English Baroque Soloists (The English Baroque Soloists) conductor: Sir John Eliot Gardiner (John Eliot Gardiner) recording of: Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-02) composed in: Leipzig, Sachsen (Saxony), Germany (in 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) part of: Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"		5:49
12	Partita Nr 2 d-moll für Solovioline - Allemanda violin: Gidon Kremer (violinist) recording of: Violin Partita no. 2 in D minor, BWV 1004: I. Allemande composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723) part of: Violin Partita no. 2 in D minor, BWV 1004		3:54
13	Brandenburgisches Konzert Nr 2 F-dur - Allegro Assai orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)		2:51
14	Sonate Nr 2 D-dur für Cello und Klavier - Adagio cello: Mischa Maisky (cellist) piano: Martha Argerich (Argentine pianist) recording of: Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: I. Adagio composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028		2:20
15	Kantate - Der Friede sei mit dir baritone vocals: Matthias Goerne (baritone) choir vocals: Salzburger Bachchor orchestra: Camerata Academica Salzburg (Austrian chamber orchestra) conductor: Sir Roger Norrington (conductor) recording of: Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 158 "Der Friede sei mit dir"		5:35
16	Goldberg Variationen - Aria piano: Rosalyn Tureck (pianist and harpsichordist) recording of: Goldberg-Variationen, BWV 988: Aria (opening) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Notebook for Anna Magdalena Bach (1725) (number: 26) part of: Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)		2:52
17	Johannes Passion - Ach Herr lass dein lieb Engelein choir vocals: Rundfunkchor Leipzig orchestra: Staatskapelle Dresden (Dresden Symphonic Orchestra) conductor: Peter Schreier (German tenor and conductor) recording of: Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein" lyricist: Martin Schalling composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 154) part of: Johannes-Passion, BWV 245 (St. John Passion, BWV 245)		1:55
18	Toccata d-moll organ: Helmut Walcha (German organist) recording of: Toccata und Fuge d-Moll, BWV 565: I. Toccata composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Classic 100: Piano (2025) (number: 30) part of: Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)		2:42
19	Kantate Herz und Mund und That und Leben - Jesus bleibet meine Freude choir vocals: Münchener Bach‐Chor (Munich Bach Choir) orchestra: Münchener Bach‐Orchester (Munich Bach Orchestra) conductor: Karl Richter (conductor/ choir master/ organist/ harpsichordist) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Classic 100: Piano (2025) (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“		3:32

Gloria - Eine Auswahl der schönsten Aufnahmen

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