| # | Title | Artist | Rating | Length |
|---|
| 1 | My Generation | The Who | 4.5 | 3:17 |
| 2 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.35 | 3:27 |
| 3 | God Only Knows- engineer:
- Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
- producer:
- Brian Wilson
- accordion:
- Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
- bass clarinet:
- Leonard Hartman (on 1966-03-10)
- bell and drums (drum set):
- Hal Blaine (on 1966-03-10)
- cello:
- Jesse Erlich (on 1966-03-10)
- clarinet:
- Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
- double bass:
- Lyle Ritz (on 1966-03-10)
- electric bass guitar:
- Ray Pohlman (on 1966-03-10)
- flute:
- Bill Green (on 1966-03-10) and Jim Horn (on 1966-03-10)
- French horn:
- Alan Robinson (on 1966-03-10)
- guitar:
- Carol Kaye (on 1966-03-10)
- harpsichord:
- Larry Knechtel (on 1966-03-10)
- percussion:
- Jim Gordon (on 1966-03-10)
- tack piano:
- Don Randi (on 1966-03-10)
- tambourine:
- Terry Melcher (on 1966-03-10)
- viola:
- Darrel Terwilliger (on 1966-03-10)
- violin:
- Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
- lead vocals:
- Carl Wilson (from 1966-03 until 1966-04)
- vocals:
- Bruce Johnston (from 1966-03 until 1966-04) and Brian Wilson (from 1966-03 until 1966-04)
- arranger:
- Brian Wilson
- recorded at:
- Western Recorders in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 11), Helsingin Sanomat: 100 maailman parasta laulua (number: 17), Rolling Stone: 500 Greatest Songs of All Time (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 130)
- recording of:
- God Only Knows (from 1966-03 until 1966-04)
- lyricist:
- Tony Asher
- composer:
- Brian Wilson
- publisher:
- Irving Music , Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. , Universal Music Publishing Ltd. , Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
| The Beach Boys | 4.15 | 2:49 |
| 4 | California Dreamin’- engineer:
- Bones Howe
- producer:
- Lou Adler
- guitar:
- P.F. Sloan (in 1965)
- solo alto flute:
- Bud Shank (in 1965)
- phonographic copyright (℗) by:
- Geffen Records and Dunhill Records (in 1966)
- recorded at:
- Western Recorders in Los Angeles, California, United States (in 1965)
- part of:
- Billboard: The 500 Best Pop Songs (number: 52), Rolling Stone: 500 Greatest Songs of All Time (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
- recording of:
- California Dreamin’ (in 1965)
- writer:
- John Phillips and Michelle Phillips
- publisher:
- American Broadcasting Music, Inc., MCA Music Publishing , Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. and Universal/MCA Music Publishing GmbH
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Mamas & the Papas | 4.4 | 2:38 |
| 5 | The Weight | The Band | 4.1 | 4:34 |
| 6 | A Boy Named Sue | Johnny Cash | | 3:42 |
| 7 | As Tears Go By | Marianne Faithfull | | 2:37 |
| 8 | White Room- recording engineer:
- Adrian Barber (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
- engineer:
- Adrian Barber and Tom Dowd
- producer:
- Felix Pappalardi
- bass:
- Jack Bruce (from 1967-07 until 1968-06)
- drums (drum set) and percussion and timpani:
- Ginger Baker (from 1967-07 until 1968-06)
- guitar:
- Eric Clapton (from 1967-07 until 1968-06)
- viola:
- Felix Pappalardi (from 1967-07 until 1968-06)
- vocals:
- Jack Bruce (from 1967-07 until 1968-06)
- phonographic copyright (℗) by:
- Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
- recorded at:
- IBC Studios in London , England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 368)
- recording of:
- White Room (from 1967-07 until 1968-06)
- writer:
- Pete Brown and Jack Bruce
- publisher:
- BG Publishing, Casserole Music Corp., Copyright Control , Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music and Warner Chappell Music, Inc.
- sub-publisher:
- Warner/Chappell Music Ltd. , ワーナー・チャペル音楽出版 Synch事業部 , ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Cream | 4.55 | 4:55 |
| 9 | Space Oddity | David Bowie | | 5:13 |
| 10 | Window of My Eyes | Cuby + Blizzards | 4 | 3:28 |
| 11 | Ain’t Got No, I Got Life | Nina Simone | | 2:54 |
| 12 | Suspicious Minds- engineer:
- Al Pachucki
- producer:
- Felton Jarvis and Chips Moman
- bass:
- Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
- drums (drum set):
- Gene Chrisman (on 1969-01-23)
- guitar:
- Elvis Presley (on 1969-01-23) and Reggie Young (on 1969-01-23)
- organ:
- Bobby Emmons (on 1969-01-23)
- piano:
- Bobby Wood (on 1969-01-23)
- steel guitar:
- John Hughey (on 1969-01-23)
- lead vocals:
- Elvis Presley (on 1969-01-22)
- vocals:
- J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
- arranger:
- Mike Leech and Glen Spreen
- phonographic copyright (℗) by:
- BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (in 1969), RCA Records (in 1973) and Sony BMG Music Entertainment (in 2002)
- recorded at:
- American Sound Studio in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios in Las Vegas, Nevada, United States (on 1969-08-07)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 91) and Billboard: The 500 Best Pop Songs (number: 363)
- cover recording of:
- Suspicious Minds (from 1969-01-23 until 1969-08-07)
- lyricist and composer:
- Mark James
- publisher:
- Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
| Elvis Presley | 4.1 | 4:29 |
| 13 | Man of the World | Fleetwood Mac | | 2:48 |
| 14 | He Ain’t No Heavy… He’s My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 46)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
| The Hollies | 4.2 | 4:12 |
| 15 | Venus | Shocking Blue | 4.15 | 2:58 |
| 16 | Unchained Melody- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3 | 3:36 |
| 17 | Reach Out, I’ll Be There- producer:
- Lamont Dozier and Brian Holland
- instruments:
- The Funk Brothers (in 1966)
- background vocals:
- The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
- lead vocals:
- Levi Stubbs (in 1966)
- phonographic copyright (℗) by:
- Motown Record Company (in 1966)
- recorded at:
- Hitsville in Detroit, Michigan, United States (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (number: 206)
- recording of:
- Reach Out, I’ll Be There (in 1966)
- lyricist:
- Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Four Tops | 4 | 2:59 |
| 18 | MacArthur Park | Richard Harris | 4.5 | 7:24 |
| 19 | Nights in White Satin | The Moody Blues | 4.55 | 4:24 |
| 20 | Lea | The Cats | | 3:40 |
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