Atlantic Top 60: Sweat‐Soaked Soul Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

© «2007 Rhino Entertaiment Company, a Warner Music Group company»
℗ «2007 Atlantic Recording Corp. Manufactured & Marketed by Rhino Entertainment Company, a Warner Music Group company»
℗ «2007 Atlantic Recording Corp. Manufactured & Marketed by Rhino Entertainment Company, a Warner Music Group company»

Anmerkung zuletzt geändert am 2026-03-04 19:22 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Tighten Up
recording engineer:
Bert Frilot
Produzent(in):
Skipper Lee Frazier
Sologesang:
Archie Bell (vocals, of Archie Bell & the Drells) (in 1967-10)
vocals:
Billy Buttier (in 1967-10), Joe Cross (in 1967-10) und James Wise (singer in Archie Bell & The Drells) (in 1967-10)
Interpret(in):
The TSU Toronadoes (in 1967-10)
aufgenommen bei:
Jones Town Studio in Houston, Texas, Vereinigte Staaten (in 1967-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Tighten Up (in 1967-10)
Texter:
Billy Butler (60-70s R&B singer)
Komponist(in):
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & The Drells3:11
2Baby, I Love You
recording engineer:
Tom Dowd (am 1967-06-23) und Arif Mardin (am 1967-06-23)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-06-23)
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Bassposaune:
Tony Studd (am 1967-06-23)
E-Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano, Klavier und Orgel:
Spooner Oldham (am 1967-06-23) und Truman Thomas (am 1967-06-23)
Schlagzeug:
Roger Hawkins (am 1967-06-23)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-06-23) und King Kurtis (saxophonist) (am 1967-06-23)
Trompete:
Melvin Lastie (am 1967-06-23)
Vibraphon:
Ted Somers (vibes) (am 1967-06-23)
Chorgesang:
Aretha Franklin (am 1967-06-23), Carolyn Franklin (am 1967-06-23) und Irma Franklyn (am 1967-06-23)
Sologesang:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
recording of:
Baby I Love You (am 1967-06-23)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, Fourteenth Hour Music, Inc. und Pronto Music (publisher)
Aretha Franklin32:39
3Think
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-15) und Floyd Newman (am 1968-04-15)
Bassgitarre:
Jerry Jemmott (am 1968-04-15)
Gitarre:
Tommy Cogbill (am 1968-04-15) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-15)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-15)
Orgel:
Spooner Oldham (am 1968-04-15)
Schlagzeug:
Roger Hawkins (am 1968-04-15)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-15) und Andrew Love (am 1968-04-15)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-15)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-15)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-15)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 10)
recording of:
Think (am 1968-04-15)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Aretha Franklin3.652:16
4I Never Loved a Man (The Way I Love You)
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-01-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-01-24) und Chips Moman (am 1967-01-24)
Klavier:
Aretha Franklin (am 1967-01-24) und Spooner Oldham (am 1967-01-24)
Posaune:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1967-01-24)
Schlagzeug:
Roger Hawkins (am 1967-01-24)
Tenorsaxophon:
Joe Arnold (am 1967-01-24) und Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-01-24)
Trompete:
Ken Laxton (am 1967-01-24)
vocals:
Aretha Franklin (am 1967-01-24)
conductor:
Tom Dowd (am 1967-01-24)
Horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1967-01-24)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 186)
recording of:
I Never Loved a Man (The Way I Love You) (am 1967-01-24)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und Pronto Music (publisher)
Aretha Franklin42:45
5Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:27
6(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (am 1967-02-16)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-02-16)
Klavier:
Spooner Oldham (am 1967-02-16)
Schlagzeug:
Gene Chrisman (am 1967-02-16)
Trompete:
Bernie Glow (am 1967-02-16), Melvin Lastie (am 1967-02-16) und Joe Newman (US jazz trumpeter) (am 1967-02-16)
Chorgesang:
Carolyn Franklin (am 1967-02-16), Erma Franklin (am 1967-02-16) und The Sweet Inspirations (am 1967-02-16)
vocals:
Aretha Franklin (am 1967-02-16)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-16)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 10) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (am 1967-02-16)
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:40
7Chain of Fools
recorded in:
New York, New York, Vereinigte Staaten
recording engineer und Mix:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano:
Spooner Oldham (am 1967-06-23)
Klavier:
Aretha Franklin (am 1967-06-23)
Schlagzeug:
Roger Hawkins (am 1967-06-23)
Chorgesang:
Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
vocals:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
recording of:
Chain of Fools (am 1967-06-23)
Texter und Komponist(in):
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptation of:
Verlga norih
Aretha Franklin4.252:43
8Do Right Woman, Do Right Man
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-01-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-01-24)
Klavier:
Aretha Franklin (von 1967-01-24 bis 1967-01)
Orgel:
Spooner Oldham (am 1967-01-24)
Schlagzeug:
Roger Hawkins (am 1967-01-24)
Hintergrundgesang:
Carolyn Franklin (am 1967-01-24), Erma Franklin (am 1967-01-24) und Cissy Houston (am 1967-01-24)
vocals:
Aretha Franklin (von 1967-01-24 bis 1967-01)
conductor:
Tom Dowd (am 1967-01-24)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1967-01) und Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1967-01-24)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 473)
recording of:
Do Right Woman, Do Right Man (von 1967-01-24 bis 1967-01)
Verfasser(in):
Chips Moman und Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Aretha Franklin53:17
9Sweet Soul Music
Arthur Conley2:21
10(Sweet Sweet Baby) Since You’ve Been Gone
recorded in:
New York, New York, Vereinigte Staaten
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Henry Haywood (von 1967-12-16 bis 1967-12-17)
Bassgitarre:
Tommy Cogbill (von 1967-12-16 bis 1967-12-17)
Bassposaune:
Tony Studd (von 1967-12-16 bis 1967-12-17)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-12-16 bis 1967-12-17) und Bobby Womack (von 1967-12-16 bis 1967-12-17)
Hybrid-Piano:
Spooner Oldham (von 1967-12-16 bis 1967-12-17)
Schlagzeug:
Roger Hawkins (von 1967-12-16 bis 1967-12-17)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-16 bis 1967-12-17), Seldon Powell (von 1967-12-16 bis 1967-12-17) und Frank Wess (von 1967-12-16 bis 1967-12-17)
Trompete:
Bernie Glow (von 1967-12-16 bis 1967-12-17), Melvin Lastie (von 1967-12-16 bis 1967-12-17) und Joe Newman (US jazz trumpeter) (von 1967-12-16 bis 1967-12-17)
Chorgesang:
Carolyn Franklin (von 1967-12-16 bis 1967-12-17), Erma Franklin (von 1967-12-16 bis 1967-12-17) und The Sweet Inspirations (von 1967-12-16 bis 1967-12-17)
vocals:
Aretha Franklin (von 1967-12-16 bis 1967-12-17)
Horn arranger:
Arif Mardin
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-12-16 bis 1967-12-17)
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone (von 1967-12-16 bis 1967-12-17)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Aretha Franklin4.352:26
11Green Onions
recording of:
Green Onions
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the M.G.’s2:55
12Hip Hug‐Her
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1967-02-09)
Produzent(in):
Booker T. & the MG’s
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1967-02-09)
Gitarre:
Steve Cropper (am 1967-02-09)
Orgel:
Booker T. Jones (am 1967-02-09)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1967-02-09)
recording of:
Hip Hug‐Her (am 1967-02-09)
Verfasser(in):
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) und Booker T. Jones
publisher:
Al Jackson Jr. Music, Cotillion Music Inc. (BMI) und Irving Music, Inc.
Booker T. & the M.G.’s2:25
13B‐A‐B‐Y
recording of:
B-A-B-Y
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell North America
Carla Thomas4.252:57
14Gee Whiz, Look at His Eyes
Carla Thomas2:20
15Slip Away
recording of:
Slip Away
Verfasser(in):
William Armstrong, Marcus Daniel und Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter2:31
16Snatching It Back
Clarence Carter2:50
17Too Weak to Fight
Gitarre:
Clarence Carter (in 1968)
vocals:
Clarence Carter (in 1968)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (in 1968)
recording of:
Too Weak to Fight
Verfasser(in):
Clarence Carter, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”), George Jackson (US soul songwriter/vocalist) und Johnny Keyes (songwriter)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter2:18
18Mercy, Mercy - Single/LP Version
Jimi Hendrix & Don Covay2:25
19See Saw
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-06-30)
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1965-06-30)
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-06-30)
Gitarre:
Steve Cropper (am 1965-06-30)
Keyboard:
Booker T. Jones (am 1965-06-30)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1965-06-30)
Tenorsaxophon:
Andrew Love (am 1965-06-30)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-06-30)
vocals:
Don Covay (am 1965-06-30)
recording of:
See Saw (am 1965-06-30)
Verfasser(in):
Don Covay und Steve Cropper
publisher:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Don Covay & the Goodtimers2:59
20Knock on Wood
recording of:
Knock on Wood
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptation of:
Potkraj na les
Eddie Floyd3:04
21Memphis Soul Stew
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1967-07-05)
Produzent(in):
King Curtis (saxophonist)
baritone saxophone:
Floyd Newman (am 1967-07-05)
Bassgitarre [bass]:
Tommy Cogbill (am 1967-07-05)
Gitarre:
R.F. Taylor (guitarist) (am 1967-07-05) und Reggie Young (guitarist and songwriter) (am 1967-07-05)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1967-07-05)
Orgel:
Bobby Emmons (am 1967-07-05)
Schlagzeug [drums]:
Gene Chrisman (am 1967-07-05)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-07-05), King Curtis (saxophonist) (am 1967-07-05) und Jimmy Mitchell (saxophone) (am 1967-07-05)
Trompete:
Bowlegs Miller (American trumpeter) (am 1967-07-05)
vocals:
King Curtis (saxophonist) (am 1967-07-05)
recording of:
Memphis Soul Stew (am 1967-07-05)
Verfasser(in):
Curtis Ousley
publisher:
Kilynn Music Publishing, Inc. und Pronto Music (publisher)
King Curtis2:57
22(Sittin’ On) the Dock of the Bay
recording of:
(Sittin’ on) the Dock of the Bay
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding2:47
23I’ve Been Loving You Too Long
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 110)
recording of:
I’ve Been Loving You Too Long
Verfasser(in):
Jerry Butler (soul singer) (in 1965) und Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) und Wildwood Music Ltd.
Otis Redding32:57
24Mr. Pitiful
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1964-12-28)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1964-12-28)
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1964-12-28)
Gitarre:
Steve Cropper (am 1964-12-28)
Klavier:
Booker T. Jones (am 1964-12-28)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1964-12-28)
Tenorsaxophon:
Charles “Packy” Axton (am 1964-12-28)
Trompete:
Sammy Coleman (am 1964-12-28)
vocals:
Otis Redding (am 1964-12-28)
recording of:
Mr. Pitiful (am 1964-12-28)
Texter und Komponist(in):
Steve Cropper und Otis Redding
publisher:
Irving Music, Inc.
Otis Redding42:45
25Respect
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-07-09)
recording engineer:
Tom Dowd
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1965-07-09)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-07-09)
Gitarre:
Steve Cropper (am 1965-07-09)
Keyboard:
Booker T. Jones (in 1965-07) und Isaac Hayes (am 1965-07-09)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1965-07-09)
Tenorsaxophon:
Andrew Love (am 1965-07-09)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (in 1965-07) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-07-09)
Hintergrundgesang:
Earl Sims (am 1965-07-09)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (von 1965-07-09 bis 1965-07-10)
recording of:
Respect (in 1965-07)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Otis Redding4.22:11
26These Arms of Mine
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-10)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1962-10)
Bassgitarre:
Lewie Steinberg (in 1962-10)
Gitarre:
Steve Cropper (in 1962-10) und Johnny Jenkins (US blues guitarist) (in 1962-10)
Klavier:
Steve Cropper (in 1962-10)
Orgel:
Booker T. Jones (in 1962-10)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1962-10)
Tenorsaxophon:
Charles “Packy” Axton (in 1962-10)
vocals:
Otis Redding (in 1962-10)
recording of:
These Arms of Mine (in 1962-10)
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc. und Regent Music Corp. (BMI)
Otis Redding3.82:34
27Try a Little Tenderness
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
E-Bass [electric bass], Klavier, Orgel und Vibraphon [vibes]:
Booker T. Jones
Gitarre:
Steve Cropper
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer)
Tenorsaxophon:
Gilbert Caple und Andrew Love
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
cover recording of:
Try a Little Tenderness (in 1966)
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
Otis Redding3.353:22
28Tramp
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-01 bis 1967-02)
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-01 bis 1967-02)
Gitarre:
Steve Cropper (von 1967-01 bis 1967-02)
Keyboard:
Isaac Hayes (von 1967-01 bis 1967-02) und Booker T. Jones (von 1967-01 bis 1967-02)
Klavier:
Booker T. Jones (von 1967-01 bis 1967-02)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (von 1967-01 bis 1967-02)
Tenorsaxophon:
Joe Arnold (von 1967-01 bis 1967-02) und Andrew Love (von 1967-01 bis 1967-02)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-01 bis 1967-02)
Hintergrundgesang:
Carla Thomas (von 1967-01 bis 1967-02)
vocals:
Otis Redding (von 1967-01 bis 1967-02) und Carla Thomas (von 1967-01 bis 1967-02)
Interpret(in):
Carla Thomas (von 1967-01 bis 1967-02)
cover recording of:
Tramp (von 1967-01 bis 1967-02)
Verfasser(in):
Lowell Fulson und Jimmy McCracklin (blues singer, songwriter)
publisher:
Budget Music, Careers–BMG Music Publishing, Inc. und Powerforce Music
Otis Redding & Carla Thomas4.43:01
29It Tears Me Up - Single Version
recording of:
It Tears Me Up
Verfasser(in):
Spooner Oldham und Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd.
Percy Sledge2:47
30Take Time to Know Her
recording of:
Take Time to Know Her
Texter und Komponist(in):
Stephen Allen Davis (American singer-songwriter, born October 4, 1949 in Hendersonville, Tennessee)
Verfasser(in):
Stephen Allen Davis (American singer-songwriter, born October 4, 1949 in Hendersonville, Tennessee) und Al Gallico
Percy Sledge3:05
31When a Man Loves a Woman
recording of:
When a Man Loves a Woman
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge2:50
32Take a Letter, Maria
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1969-08-19)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-08-19)
vocals:
R.B. Greaves (am 1969-08-19)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-08-19)
conductor:
Arif Mardin (am 1969-08-19)
arranger:
Arif Mardin
recording of:
Take a Letter Maria (am 1969-08-19)
Texter und Komponist(in):
R.B. Greaves
publisher:
PolyGram Music Publishing
R.B. Greaves42:41
33Walking the Dog
recording of:
Walking the Dog
Texter und Komponist(in):
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und East/Memphis Music
Rufus Thomas2:30
34Hold On, I’m Comin’
Sam & Dave2:29
35I Thank You - LP / Single Version
recording of:
I Thank You
Verfasser(in):
Isaac Lee Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Cotillion Music Inc. (BMI), Irving Music, Inc., Rondor, Walden Music, Inc., Warner Chappell, WB Music Corp. (1929–2019) und Birdees Music (in 1968)
Sam & Dave2:53
36Soul Man
Sam & Dave2:37
37When Something Is Wrong with My Baby
recording of:
When Something Is Wrong With My Baby
Komponist(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell und Warner Chappell Music (publisher as Warner/Chappell Music)
Sam & Dave3:14
38You Don’t Know Like I Know - LP/Single Version
recording of:
You Don’t Know Like I Know
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Rondor Music und Warner Chappell
Sam & Dave2:40
39Cry to Me
recorded in:
New York, New York, Vereinigte Staaten (am 1961-12-06)
Techniker(in):
Tom Dowd und Phil Iehle
Produzent(in):
Bert Berns und Jerry Wexler
alto saxophone:
Leon Cohen (woodwind player) (am 1961-12-06)
Gitarre:
Don Arnone (am 1961-12-06), Everett Barksdale (am 1961-12-06), Al Caiola (am 1961-12-06) und Bucky Pizzarelli (am 1961-12-06)
Klavier:
Hank Jones (piano) (am 1961-12-06)
Kontrabass [bass]:
Art Davis (US jazz double bassist) (am 1961-12-06)
Orgel:
Robert Mosely (US rhythm & blues singer/songwriter) (am 1961-12-06)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1961-12-06)
Tenorsaxophon:
Jesse Powell (US jazz saxophonist) (am 1961-12-06)
Vibraphon [vibes]:
Phil Kraus (am 1961-12-06)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1961-12-06)
vocals:
Solomon Burke (am 1961-12-06)
conductor:
Klaus Ogerman (am 1961-12-06)
arranger:
Klaus Ogerman
recording of:
Cry to Me
Texter und Komponist(in):
Bert Russell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sloopy II Music, Sony/ATV Songs LLC und Unichappell Music, Inc.
Solomon Burke3.252:35
40Everybody Needs Somebody to Love
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 429)
recording of:
Everybody Needs Somebody to Love
Verfasser(in):
Bert Russell Berns, Solomon Burke und Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC und Musical Lights Tokyo
Solomon Burke52:46
41Got to Get You off My Mind
Produzent(in):
Bert Berns und Jerry Wexler
recording of:
Got to Get You Off My Mind (Solomon Burke)
Verfasser(in):
Dolores Burke, Solomon Burke, J.B. Moore (producer, composer) und Josephine Burke Moore
publisher:
Cotillion Music Inc. (BMI)
Solomon Burke2:34
42If You Need Me
cover recording of:
If You Need Me
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett und Sonny Sanders
publisher:
Belinda (beendet), Cotillion Music Inc. (BMI) und Lupine Music
Solomon Burke2:34
43Just Out of Reach (Of My Two Empty Arms)
recorded in:
New York, New York, Vereinigte Staaten (am 1960-12-13)
alto saxophone:
Leon Cohen (woodwind player) (am 1960-12-13)
Bass:
Wendell Marshall (am 1960-12-13)
Gitarre:
George Barnes (am 1960-12-13), Billy Bauer (US cool jazz guitarist) (am 1960-12-13) und Allen Hanlon (jazz guitarist) (am 1960-12-13)
Klavier:
Moe Wechsler (am 1960-12-13)
Orgel:
Bert Keyes (piano, soul/funk producer/writer) (am 1960-12-13)
Schlagzeug:
Ted Sommer (am 1960-12-13)
Vibraphon:
Phil Kraus (am 1960-12-13)
Hintergrundgesang:
Elise Bretton (am 1960-12-13), Charles Cassey (am 1960-12-13), Lillian Clark (am 1960-12-13), Jerry Duane (am 1960-12-13), Marcia Patterson (am 1960-12-13), Alan Sokoloff (am 1960-12-13) und Mike Stewart (late 1950s R&B choir/background vocalist) (am 1960-12-13)
vocals:
Solomon Burke (am 1960-12-13)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1960-12-13)
arranger:
Ray Ellis (US producer, arranger and conductor)
cover recording of:
Just Out of Reach (of My Two Empty Arms)
Texter und Komponist(in):
Virgil F. Stewart
publisher:
Sony / ATV Acuff Rose Music
Solomon Burke2:44
44Soul Meeting
Produzent(in):
Don Covay
recording of:
Soul Meeting
Komponist(in):
Don Covay
Solomon Burke3:36
45Soul Finger
The Bar‐Kays2:23
46I’m Blue (The Gong Gong Song)
The Ikettes42:31
47Last Night
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961-09)
Produzent(in):
Chips Moman und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
Gitarre:
Steve Cropper (in 1961-09)
Orgel:
Booker T. Jones (in 1961-09)
Schlagzeug:
Terry Johnson (drums) (in 1961-09)
Tenorsaxophon:
Charles Axton (in 1961-09)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 28)
recording of:
Last Night (in 1961-09)
Verfasser(in):
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith und Floyd Newman
Komponist(in):
The Mar‐Keys
The Mar‐Keys42:37
48Sweet Inspiration
The Sweet Inspirations2:54
49Everybody Loves a Winner
Produzent(in):
Booker T. Jones
recording of:
A Tribute to a King
Verfasser(in):
William Bell und Booker T. Jones
publisher:
Irving Music, Inc.
William Bell2:52
50You Don’t Miss Your Water - Single Version
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961)
Produzent(in):
Chips Moman
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961)
Klavier:
Marvell Thomas (in 1961)
Orgel:
Spooky Butler (in 1961)
Schlagzeug [drums]:
Howard Grimes (in 1961)
Tenorsaxophon und Trompete:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
vocals:
William Bell (in 1961)
recording of:
You Don’t Miss Your Water
Texter und Komponist(in):
William Bell
publisher:
Irving Music, Inc.
William Bell3:02
51634-5789
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-12-20)
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-12-20)
Bassgitarre [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-12-20)
Gitarre:
Steve Cropper (am 1965-12-20)
Klavier:
Isaac Hayes (am 1965-12-20)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-12-20)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-12-20) und Andrew Love (am 1965-12-20)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-12-20)
vocals:
Wilson Pickett (am 1965-12-20)
recording of:
634‒5789 (Soulsville, U.S.A.) (am 1965-12-20)
Verfasser(in):
Steve Cropper und Eddie Floyd
Wilson Pickett2:59
52Funky Broadway
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1967-02-01 bis 1967-02-04)
E-Bass [electric bass]:
Tommy Cogbill (von 1967-02-01 bis 1967-02-04)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-02-01 bis 1967-02-04) und Lincoln "Chips" Moman (von 1967-02-01 bis 1967-02-04)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1967-02-01 bis 1967-02-04)
Schlagzeug:
Roger Hawkins (von 1967-02-01 bis 1967-02-04)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-02-01 bis 1967-02-04) und Jimmy Mitchell (saxophone) (von 1967-02-01 bis 1967-02-04)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-02-01 bis 1967-02-04)
vocals:
Wilson Pickett (von 1967-02-01 bis 1967-02-04)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1967-02-01 bis 1967-02-04)
cover recording of:
Funky Broadway (von 1967-02-01 bis 1967-02-04)
Texter und Komponist(in):
Arlester “Dyke” Christian
Wilson Pickett22:37
53I’m in Love
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-07-01 bis 1967-07-03)
recording engineer:
Tom Dowd (von 1967-07-01 bis 1967-07-03)
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1967-07-01 bis 1967-07-03)
Bass [electric bass]:
Tommy Cogbill (von 1967-07-01 bis 1967-07-03)
Gitarre:
Reggie Young (guitarist and songwriter) (von 1967-07-01 bis 1967-07-03)
Gitarre [lead guitar]:
Bobby Womack (von 1967-07-01 bis 1967-07-03)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (von 1967-07-01 bis 1967-07-03)
Orgel:
Bobby Emmons (von 1967-07-01 bis 1967-07-03)
Schlagzeug:
Gene Chrisman (von 1967-07-01 bis 1967-07-03)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-07-01 bis 1967-07-03) und King Curtis (saxophonist) (von 1967-07-01 bis 1967-07-03)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-07-01 bis 1967-07-03)
vocals:
Wilson Pickett (von 1967-07-01 bis 1967-07-03)
recording of:
I’m in Love (von 1967-07-01 bis 1967-07-03)
Texter und Komponist(in):
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Pronto Music (publisher)
Wilson Pickett2:29
54In the Midnight Hour
Wilson Pickett2:37
55Land of 1000 Dances
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1966-05-08 bis 1966-05-11)
Bassgitarre [bass]:
Tommy Cogbill (von 1966-05-08 bis 1966-05-11)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-05-08 bis 1966-05-11) und Chips Moman (von 1966-05-08 bis 1966-05-11)
Klavier:
Spooner Oldham (von 1966-05-08 bis 1966-05-11)
Schlagzeug:
Roger Hawkins (von 1966-05-08 bis 1966-05-11)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-05-08 bis 1966-05-11) und Andrew Love (von 1966-05-08 bis 1966-05-11)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1966-05-08 bis 1966-05-11)
vocals:
Wilson Pickett (von 1966-05-08 bis 1966-05-11)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-05-08 bis 1966-05-11)
cover recording of:
Land of 1000 Dances (von 1966-05-08 bis 1966-05-11)
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. und Tune-Kel
recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. und Tune-Kel
Wilson Pickett42:27
56Mustang Sally
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-10-13)
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
E-Bass [electric bass]:
Tommy Cogbill (von 1966-10-13 bis 1966-10-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-10-13 bis 1966-10-14)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (von 1966-10-13 bis 1966-10-14)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1966-10-13 bis 1966-10-14)
Schlagzeug:
Roger Hawkins (von 1966-10-13 bis 1966-10-14)
Tenorsaxophon:
Gilbert Caples (von 1966-10-13 bis 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-10-13 bis 1966-10-14) und Eddie Logan (von 1966-10-13 bis 1966-10-14)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1966-10-13 bis 1966-10-14)
vocals:
Wilson Pickett (von 1966-10-13 bis 1966-10-14)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-10-13 bis 1966-10-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 434)
cover recording of:
Mustang Sally (von 1966-10-13 bis 1966-10-14)
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:08
57I Can’t Stop Dancing
Techniker(in):
Adrian Barber (producer/engineer) und Bert Frilot
Produzent(in):
Gamble-Huff
vocals:
Archie Bell (vocals, of Archie Bell & the Drells) (in 1967)
arranger:
Thom Bell (keyboards, songwriter, producer)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1967)
recording of:
I Can’t Stop Dancing (in 1967)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
EMI Blackwood Music Inc., Mijac Double Diamond Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Archie Bell & The Drells2:20
58Funky Street
Produzent(in):
Tom Dowd
recording of:
Funky Street
Verfasser(in):
Arthur Conley und Earl Simms
Arthur Conley2:21
59Can Your Monkey Do the Dog
recording of:
Can Your Monkey Do the Dog
Verfasser(in):
Steve Cropper und Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Irving Music, Inc.
Rufus Thomas2:28
60Wrap It Up - LP / Single Version
recording of:
Wrap It Up
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Sam & Dave2:33