Blue Grass 1950-1958

~ Veröffentlichung von Bill Monroe (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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2▼CD
Nr.TitelBewertungLänge
1Sailor's Plea
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-04-23)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-04-23)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-04-23)
Gitarre:
Jack Shook (am 1951-04-23)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-04-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-04-23)
Schlagzeug:
Ferris Coursey (am 1951-04-23)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-04-23)
cover recording of:
The Sailor’s Plea (am 1951-04-23)
Komponist(in):
Elsie McWilliams (American songwriter) und Jimmie Rodgers (country music pioneer, died in 1933)
recording of:
The Sailor’s Plea (am 1951-04-23)
Komponist(in):
Elsie McWilliams (American songwriter) und Jimmie Rodgers (country music pioneer, died in 1933)
2:37
2My Carolina Sunshine Girl
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-04-23)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-04-23)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-04-23)
Gitarre:
Jack Shook (am 1951-04-23)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-04-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-04-23)
Schlagzeug:
Ferris Coursey (am 1951-04-23)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-04-23)
recording of:
My Carolina Sunshine Girl (am 1951-04-23)
Texter und Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
2:40
3Ben Dewberry's Final Run
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-04-23)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-04-23)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-04-23)
Gitarre:
Jack Shook (am 1951-04-23)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-04-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-04-23)
Schlagzeug:
Ferris Coursey (am 1951-04-23)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-04-23)
recording of:
Ben Dewberry’s Final Run (am 1951-04-23)
Texter und Komponist(in):
Andrew W. Jenkins (Blind Andrew Jenkins)
2:42
4Peach Pickin' Time in Georgia
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-04-23)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-04-23)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-04-23)
Gitarre:
Jack Shook (am 1951-04-23)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-04-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-04-23)
Schlagzeug:
Ferris Coursey (am 1951-04-23)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-04-23)
cover recording of:
Peach Pickin’ Time Down in Georgia (am 1951-04-23)
Komponist(in):
Clayton McMichen und Jimmie Rodgers (country music pioneer, died in 1933)
2:18
5Those Gambler's Blues
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-04-23)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-04-23)
Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-04-23) und Jack Shook (am 1951-04-23)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-04-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-04-23)
Schlagzeug:
Ferris Coursey (am 1951-04-23)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-04-23)
recording of:
Those Gambler’s Blues (am 1951-04-23)
arranger:
Jimmie Rodgers (country music pioneer, died in 1933)
Version von:
St. James Infirmary
2:36
6Highway of Sorrow
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-04-23)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-04-23)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-04-23)
Gitarre:
Jack Shook (am 1951-04-23)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-04-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-04-23)
Schlagzeug:
Ferris Coursey (am 1951-04-23)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-04-23)
recording of:
Highway of Sorrow (am 1951-04-23)
Verfasser(in):
Bill Monroe (“The Father of Bluegrass”) und Pete Pyle
2:54
7Rotation Blues
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-07-01)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-01)
Gitarre:
Carter Stanley (am 1951-07-01)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-07-01)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-01)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-01)
recording of:
Rotation Blues (am 1951-07-01)
Texter und Komponist(in):
Stewart Powell (US military officer and songwriter)
2:56
8Lonesome Truck Driver's Blues
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-07-01)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-01)
Gitarre:
Carter Stanley (am 1951-07-01)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-07-01)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-01)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-01)
recording of:
Lonesome Truck Driver's Blues (am 1951-07-01)
Texter und Komponist(in):
Lee Roberts (US country musician and songwriter)
2:55
9Sugar Coated Love
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-07-06)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-06)
Gitarre und Sologesang:
Carter Stanley (am 1951-07-06)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1951-07-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-06)
vocals:
Bill Monroe (“The Father of Bluegrass”)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-06)
recording of:
Sugar Coated Love (am 1951-07-06)
Komponist(in):
Audrey Butler
2:25
10You're Drifting Away
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Carter Stanley (am 1951-07-06)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1951-07-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-06)
Baritongesang:
Rudy Lyle (am 1951-07-06)
Bass-Gesang:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-06)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-06)
recording of:
You're Drifting Away (am 1951-07-06)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:36
11Cabin of Love
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-07-06)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-06)
Gitarre und Sologesang:
Carter Stanley (am 1951-07-06)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1951-07-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-06)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-06)
recording of:
Cabin of Love (am 1951-07-06)
Texter und Komponist(in):
Birch Monroe
2:40
12Get Down on Your Knees and Pray
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Carter Stanley (am 1951-07-06)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1951-07-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-06)
Baritongesang:
Rudy Lyle (am 1951-07-06)
Bass-Gesang:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-06)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-06)
recording of:
Get Down on Your Knees and Pray (am 1951-07-06)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:01
13Christmas Time's A-Coming
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
James Bowers (bluegrass banjoist) (am 1951-10-28)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-10-28)
Gitarre:
Edd Mayfield (am 1951-10-28)
Kontrabass:
Shorty Shehan (am 1951-10-28)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-10-28)
Vibraphon [vibes]:
Owen Bradley (am 1951-10-28)
Sologesang:
Edd Mayfield (am 1951-10-28) und Bill Monroe (“The Father of Bluegrass”) (am 1951-10-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-10-28)
recording of:
Christmas Time's A-Coming (am 1951-10-28)
Texter und Komponist(in):
Tex Logan
publisher:
Bill Monroe Music, Inc.
2:49
14The First Whipoorwill
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
James Bowers (bluegrass banjoist) (am 1951-10-28)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-10-28)
Gitarre und Sologesang:
Edd Mayfield (am 1951-10-28)
Kontrabass:
Shorty Shehan (am 1951-10-28)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-10-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-10-28)
recording of:
The First Whippoorwill (am 1951-10-28)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:54
15In the Pines
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (American bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
In the Pines (Black Girl) (am 1952-07-18)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 3421)
3:12
16Footprints in the Snow
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre:
Jimmy Martin (American bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Footprints in the Snow (am 1952-07-18)
Komponist(in):
Rupert Jones (“The Father of Bluegrass”)
basiert auf:
I Traced Her Little Footmarks in the Snow
2:41
17Walking in Jerusalem
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre:
Jimmy Martin (American bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Baritongesang:
Charlie Cline (am 1952-07-18)
Bass-Gesang:
Boudleaux Bryant (am 1952-07-18)
Sologesang:
Jimmy Martin (American bluegrass musician) (am 1952-07-18) und Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Walking in Jerusalem Just Like John (am 1952-07-18)
Texter und Komponist(in):
[traditional] (special purpose artist)
vorher zugeschrieben zu:
Bill Monroe (“The Father of Bluegrass”)
2:00
18Memories of Mother and Dad
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (American bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Memories of Mother and Dad (am 1952-07-18)
Texter und Komponist(in):
Albert Price (“The Father of Bluegrass”)
2:58
19The Little Girl and the Dreadful Snake
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (American bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
The Little Girl and the Dreadful Snake (am 1952-07-18)
Komponist(in):
Monroe (“The Father of Bluegrass”)
3:05
20Country Waltz
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre:
Jimmy Martin (American bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Country Waltz (am 1952-07-18)
Verfasser(in):
Claude V. Breland (US songwriter) und Bill Monroe (“The Father of Bluegrass”)
2:25
21Don't Put It Off Til Tomorrow
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre:
Jimmy Martin (American bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Don't Put Off Until Tomorrow (am 1952-07-18)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”) und Pete Pyle
2:37
22My Dying Bed
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (American bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
vocals:
Jimmy Martin (American bluegrass musician) und Bill Monroe (“The Father of Bluegrass”)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
My Dying Bed (am 1952-07-18)
Komponist(in):
Albert Price (“The Father of Bluegrass”)
2:48
23A Mighty Pretty Waltz
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-26)
Fiddle:
Charlie Cline (am 1952-07-26)
Gitarre:
Jimmy Martin (American bluegrass musician) (am 1952-07-26)
Klavier:
Owen Bradley (am 1952-07-26)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-26)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-26)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-26)
recording of:
A Mighty Pretty Waltz (am 1952-07-26)
Texter:
Norman Gimbel
Komponist(in):
Al Hoffman
2:43
24Pike County Breakdown
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-26)
Fiddle:
Charlie Cline (am 1952-07-26)
Gitarre:
Jimmy Martin (American bluegrass musician) (am 1952-07-26)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-26)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-26)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-26)
recording of:
Pike County Breakdown (am 1952-07-26)
Komponist(in):
Rupert Jones (“The Father of Bluegrass”)
2:41
25Wishing Waltz
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1953-11-28)
Fiddle:
Charlie Cline (am 1953-11-28)
Gitarre:
Jimmy Martin (American bluegrass musician) (am 1953-11-28)
Kontrabass:
Ernie Newton (contrabassist) (am 1953-11-28)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1953-11-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1953-11-28)
recording of:
Wishing Waltz (am 1953-11-28)
Texter und Komponist(in):
Gene Evans (Western songwriter and singer, active 1940s-50s)
2:37
26I Hope You Have Learned
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1953-11-28)
Fiddle:
Charlie Cline (am 1953-11-28)
Gitarre und Sologesang:
Jimmy Martin (American bluegrass musician) (am 1953-11-28)
Kontrabass:
Ernie Newton (contrabassist) (am 1953-11-28)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1953-11-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1953-11-28)
recording of:
I Hope You Have Learned (am 1953-11-28)
Verfasser(in):
Eugene Butler (composer, conductor, educator and church musician) und Bill Carrigan (US songwriter and radio DJ)
2:29
27Get Up John
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1953-11-28)
Fiddle:
Charlie Cline (am 1953-11-28)
Gitarre:
Jimmy Martin (American bluegrass musician) (am 1953-11-28)
Kontrabass:
Ernie Newton (contrabassist) (am 1953-11-28)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1953-11-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1953-11-28)
recording of:
Get Up John (am 1953-11-28)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:10
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4▶CD

Nennungen

Veröffentlichung

liner notes:Neil Rosenberg
Charles K. Wolfe
Produzent(in):Richard Weize (Aufgabe: re-issue produced by)
mastering:Jörg Siemer
Discogs:https://www.discogs.com/release/3778531 [Info]
ASIN:DE: B0000282ZS [Info]