New Millenium Love Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1I Don't Want to Wait
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1996) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recording of:
I Don’t Want to Wait
Texter und Komponist(in):
Paula Cole
publisher:
Ensign Music Publishing (in 1996) und Hingface Music (in 1996)
Paula Cole4:08
2I'll Be
recording of:
I'll Be
Komponist(in):
Edwin McCain
Edwin McCain34:28
3Hold My Hand
assistierende(r) Techniker(in):
Wade Norton
Techniker(in), Produzent(in) und Mix:
Don Gehman
assistierende(r) Mix:
Liz Sroka
Akustikgitarre und Perkussion:
Mark Bryan und Darius Rucker
Bassgitarre und Clavinet:
Dean Felber
E-Gitarre:
Mark Bryan
Schlagzeug [drums]:
Jim “Soni” Sonefeld
Hintergrundgesang:
David Crosby
vocals:
Mark Bryan, Dean Felber und Jim “Soni” Sonefeld
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1994) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
aufgenommen bei:
N.R.G. Recording Services in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Scream Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hold My Hand
Verfasser(in):
Mark Bryan, Dean Felber, Darius Rucker und Jim Sonefeld
Hootie & the Blowfish4.54:16
4Hold On My Heart
Assistent recording engineer:
Mike Bowen (von 1991-03 bis 1991-09) und Geoff Callingham (von 1991-03 bis 1991-09)
assistierende(r) Techniker(in):
Mark Robinson (assistant engineer)
Techniker(in):
Nick Davis (producer, engineer)
Produzent(in):
Nick Davis (producer, engineer) und Genesis (English rock band)
Bass und Gitarre:
Mike Rutherford (von 1991-03 bis 1991-09)
Keyboard:
Tony Banks (Genesis) (von 1991-03 bis 1991-09)
Perkussion, Schlagzeug und Sologesang:
Phil Collins (of Genesis) (von 1991-03 bis 1991-09)
Hintergrundgesang:
Tony Banks (Genesis) (von 1991-03 bis 1991-09) und Mike Rutherford (von 1991-03 bis 1991-09)
aufgenommen bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich (von 1991-03 bis 1991-09)
recording of:
Hold On My Heart (von 1991-03 bis 1991-09)
Texter:
Phil Collins (of Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Philip Collins Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated) (vom 2007 bis heute)
Genesis2.14:38
5Romeo and Juliet
assistierende(r) Techniker(in):
Jeff Hendrickson (sound engineer) und Jon Mathias (engineer)
Techniker(in):
Shelly Yakus
Produzent(in):
Jimmy Iovine und Mark Knopfler
Bassgitarre:
John Illsley
Gitarre und Sologesang:
Mark Knopfler
Keyboard:
Roy Bittan
Schlagzeug:
Pick Withers
Hintergrundgesang:
John Illsley und Pick Withers
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1980, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022), Mercury Records Ltd. (London) (for copyrights use only) (in 1996) und Warner Music Group – X5 Music Group (in 2019)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1980-06-20 bis 1980-08-25)
Musikvideos:
Romeo and Juliet von Dire Straits
recording of:
Romeo and Juliet
Texter und Komponist(in):
Mark Knopfler
publisher:
Rondor Music (London) Ltd. und Straitjacket Songs Ltd. (in 1980)
Dire Straits3.755:59
6Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:57
7Glory of Love
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Gast Hintergrundgesang:
Kenny Cetera
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Warner Music International (trademark of Warner Music International the company) (in 1986)
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1986 nominee)
Peter Cetera4.24:22
8Don't Know Much
recording engineer und Mix:
George Massenburg
Koproduzent(in):
Steve Tyrell (American producer and vocalist)
Produzent(in):
Peter Asher
Bassgitarre [bass]:
Leland Sklar (bassist, session musician)
Gast vocals:
Aaron Neville
vocals:
Linda Ronstadt
Interpret(in):
Aaron Neville und Linda Ronstadt
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
Verfasser(in):
Barry Mann, Tom Snow (US keyboardist/songwriter) und Cynthia Weil
publisher:
ATV Music, Brain Tree Music, EMI Blackwood Music Inc., Mann and Weil Songs, Inc., MCA Music Ltd. und Snow Music
Linda Ronstadt33:35
9Holding Back the Years
assistierende(r) Techniker(in):
Chris Dickie
Techniker(in) und Mix:
Femi Jiya
Produzent(in):
Stewart Levine (record producer and saxophonist)
Bass:
Tony Bowers (in 1985)
Gitarre:
Sylvan (in 1985)
Keyboard und Hintergrundgesang:
Fritz McIntyre (in 1985)
Perkussion und Schlagzeug:
Chris Joyce (drummer for Simply Red) (in 1985)
Trompete:
Tim Kellett (in 1985)
Sologesang:
Mick Hucknall (lead singer of Simply Red) (in 1985)
Interpret(in):
Simply Red (English soul and pop band) (in 1985)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1985)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich (in 1985) und Soundpush Studio in Blaricum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1985)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1985)
Musikvideos:
Holding Back the Years von Simply Red (English soul and pop band)
recording of:
Holding Back the Years (in 1985)
Texter:
Mick Hucknall (lead singer of Simply Red)
Komponist(in):
Mick Hucknall (lead singer of Simply Red) und Neil Moss
publisher:
EMI April Music Inc., EMI Songs Ltd. und So What Ltd
Simply Red44:30
10Baby, Come to Me
Gast vocals:
Patti Austin
recording of:
Baby, Come to Me
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) und Rondor Music (London) Ltd.
Patti Austin & James Ingram3:38
11Never Tear Us Apart
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
INXS (in 1987)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) und PolyGram International Music B.V. (not for release label use!) (in 1987)
Musikvideos:
Never Tear Us Apart (music video) von INXS
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2025 (Australian Songs)) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 282)
recording of:
Never Tear Us Apart
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
MCA Music Ltd., Stuffed Monkey und Warner/Chappell (Warner/Chappell Music, Inc.)
INXS3.83:04
12Barely Breathing
recording of:
Barely Breathing
Verfasser(in):
Duncan Sheik
Duncan Sheik3.654:16
13Hard Habit to Break
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
Sologesang:
Peter Cetera (in 1984) und Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hard Habit to Break (in 1984)
Verfasser(in):
Steve Kipner (in 1984) und John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Chicago44:46
14Tonight, I Celebrate My Love
recording engineer:
Alan R. Hirshberg (in 1983)
Techniker(in):
Howard Wolin und Jeremy Smith (producer/engineer)
Produzent(in):
Michael Masser
Mix:
Dick Bogart (Recording and mixing engineer) und Russ Terrano
Bassgitarre [bass]:
Nathan East (in 1983)
Gitarre:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
Klavier:
Randy Kerber (in 1983)
Schlagzeug:
Carlos Vega (in 1983)
vocals:
Peabo Bryson (in 1983) und Roberta Flack (in 1983)
arranger:
Michael Masser und Gene Page
Orchestrator(in):
Gene Page
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
A&M Records Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983) und Studio Sound in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Tonight, I Celebrate My Love (in 1983)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:32
15I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:02
16I Love You Always Forever
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 408)
recording of:
I Love You Always Forever
Texter und Komponist(in):
Donna Lewis
publisher:
donna lewis ltd und Warner/Chappell Music, Inc.
Donna Lewis3.83:59
17Time After Time
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
a cappella versions:
Time After Time von Forte A Cappella (Centerville High School)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 116) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 494)
recording of:
Time After Time
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.254:01
18You're All I Need to Get By
recording engineer und Techniker(in):
Gene Paul
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
You’re All I Need to Get By
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin3.53:34

Nennungen

Veröffentlichungsgruppe

Teil von:New Millennium (Reihenfolge: 1)