Gnossiennes / Gymnopédies / Œuvres pour Piano

~ Release by Satie; Anne Queffélec (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1Gnossienne no. 1 (Lent)
piano:
Anne Queffélec (pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1988)
recording of:
Gnossienne no. 1
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie3:26
2Gnossienne no. 2 (Avec étonnement)
piano:
Anne Queffélec (pianist)
recording of:
Gnossienne no. 2
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie1:46
3Gnossienne no. 3 (Lent)
piano:
Anne Queffélec (pianist)
recording of:
Gnossienne no. 3
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie2:44
4Gnossienne no. 4 (Lent)
piano:
Anne Queffélec (pianist)
recording of:
Gnossienne no. 4
composer:
Erik Satie (French composer) (in 1891)
Erik Satie2:21
5Gnossienne no. 5 (Modéré)
piano:
Anne Queffélec (pianist)
recording of:
Gnossienne no. 5
composer:
Erik Satie (French composer) (in 1889)
Erik Satie3:55
6Gnossienne no. 6 (Avec conviction et avec une tristesse rigoureuse)
piano:
Anne Queffélec (pianist)
recording of:
Gnossienne no. 6
composer:
Erik Satie (French composer) (in 1897-01)
Erik Satie1:22
73 morceaux en forme de poire: Manière de commencement (Allez modérément)
producer:
John West (classical engineer/producer)
piano:
Catherine Collard (pianist) (in 1990-10) and Anne Queffélec (pianist) (in 1990-10)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 1990-10, from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : Manière de commencement (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
recording of:
Trois morceaux en forme de poire : Manière de commencement (in 1990-10)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie3:18
83 morceaux en forme de poire: Prolongation du même (Au pas)
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : Prolongation du même (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:01
93 morceaux en forme de poire: Morceau I (Lentement)
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : I. Lentement (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:29
103 morceaux en forme de poire: Morceau II (Enlevé)
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : II. Enlevé — De moitié — Premier temps (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie2:38
113 morceaux en forme de poire: Morceau III (Brutal)
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : III. Brutal — Modéré — Au temps (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie2:44
123 morceaux en forme de poire: En plus (Calme)
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : En plus (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:55
133 morceaux en forme de poire: Redite (Dans le vent)
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : Redite (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:17
14Gymnopédie no. 1 (Lent et douloureux)
piano:
Anne Queffélec (pianist)
orchestra:
London Symphony Orchestra
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:33
15Gymnopédie no. 2 (Lent et triste)
piano:
Anne Queffélec (pianist)
recording of:
Deuxième Gymnopédie : Lent et triste (Gymnopédie no. 2)
composer:
Erik Satie (French composer) (in 1888)
part of:
Gymnopédies
Erik Satie2:57
16Gymnopédie no. 3 (Lent et grave)
piano:
Anne Queffélec (pianist)
recording of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
composer:
Erik Satie (French composer) (in 1888)
part of:
Gymnopédies
Erik Satie2:45
17Description automatique: I. Sur un vaisseau
piano:
Anne Queffélec (pianist)
recording of:
Descriptions automatiques : I. Sur un vaisseau
composer:
Erik Satie (French composer) (in 1913)
part of:
Descriptions automatiques
Erik Satie1:46
18Description automatique: II. Sur une lanterne
piano:
Anne Queffélec (pianist)
recording of:
Descriptions automatiques : II. Sur une lanterne
composer:
Erik Satie (French composer) (in 1913)
part of:
Descriptions automatiques
Erik Satie1:36
19Description automatique: III. Sur un casque
piano:
Anne Queffélec (pianist)
recording of:
Descriptions automatiques : III. Sur un casque
composer:
Erik Satie (French composer) (in 1913)
part of:
Descriptions automatiques
Erik Satie1:07
20Pièce froide no. 1 "Air à faire peur": I. D'une manière très particulièreErik Satie2:44
21Pièce froide no. 1 "Air à faire peur": II. ModestementErik Satie1:49
22Pièce froide no. 1 "Air à faire peur": III. S'inviterErik Satie2:57
23Pièce froide no. 2 "Danse de travers": I. En y regardant à deux foisErik Satie1:12
24Pièce froide no. 2 "Danse de travers": II. PasserErik Satie1:02
25Pièce froide no. 2 "Danse de travers": III. EncoreErik Satie1:47
26Heures séculaires et instantanées: I. Obstacles venimeuxErik Satie2:03
27Heures séculaires et instantanées: II. Crépuscule matinalErik Satie0:51
28Heures séculaires et instantanées: III. Affolements granitiquesErik Satie0:45
29Vieux sequins et vieilles cuirasses: I. Chez le marchand d'or (Venise, 13ème siècle)Erik Satie1:34
30Vieux sequins et vieilles cuirasses: II. Danse cuirassée (Période grecque)Erik Satie0:53
31Vieux sequins et vieilles cuirasses: III. La défaite des cimbres (Jonas et la Latude)Erik Satie1:28
32"Je te veux", valse
piano:
Anne Queffélec (pianist)
recording of:
Je te veux (for piano solo)
composer:
Erik Satie (French composer) (in 1897)
arranger:
Erik Satie (French composer)
arrangement of:
Je te veux (for voice and piano)
Erik Satie5:12
33Prélude de la "Porte héroïque du ciel"
piano:
Anne Queffélec (pianist)
recording of:
Prélude de la porte héroïque du ciel
composer:
Erik Satie (French composer) (in 1894)
Erik Satie4:55