100 Best Adagio Voices

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

To do: move performers from track titles to relationships (discs 5 to 6)

Annotation last modified on 2024-09-15 19:11 UTC.

Tracklist

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#TitleArtistRatingLength
1Cantata No. 147, 'Herz und Mund und Tat und Leben' Bwv147, Part Two: Jesu, Joy of Man's Desiring
producer:
Christopher Bishop (conductor/producer)
choir vocals:
King’s College Choir, Cambridge
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) and Sir David Willcocks (UK composer, organist, choral conductor)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Jesu, Joy of Man’s Desiring
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:29
2St Matthew Passion BWV 244: Aria: Erbarme dich
alto vocals:
David Daniels (American countertenor)
orchestra:
The English Concert
conductor:
Harry Bicket (harpsichordist, organist and conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:48
3Dixit Dominus: De torrente in via bibet
soprano vocals:
Natalie Dessay (soprano) and Véronique Gens (soprano)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
Dixit Dominus in G minor, HWV 232: VIII. Duet & Chorus "De torrente in via bibet"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Dixit Dominus in G minor, HWV 232
Georg Friedrich Händel3:31
4Stabat mater pour soprano, contralto, cordes et basse continue: Stabat Mater dolorosa
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Véronique Gens (soprano)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
conductor:
Gérard Lesne (countertenor)
recorded at:
Couvent de l'Annonciation (aka "Couvent des Dominicains") in Paris, Île-de-France, France (from 1997-02-02 until 1997-02-06)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:43
5Ave Verum Corpus K618
choir vocals:
Winchester Cathedral Choir
conductor:
David Hill (British organist and conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:33
6Messiah, Part One: Comfort Ye My People (Tenor)
tenor vocals:
Joseph Cornwell (tenor) (in 1988-04)
orchestra:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-04)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:21
7Vesperae solennes de confessore, K339: Laudate Dominum
producer:
David Groves (classical music producer at EMI)
organ:
Justin Sillman (from 1987-04-24 until 1987-04-28)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1987-04-24 until 1987-04-28)
soprano vocals:
Barbara Hendricks (soprano) (from 1987-04-24 until 1987-04-28)
orchestra:
Academy of St Martin in the Fields (from 1987-04-24 until 1987-04-28)
conductor:
Sir Neville Marriner (conductor) (from 1987-04-24 until 1987-04-28)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1987-04-24 until 1987-04-28)
balance engineer:
Stuart Eltham (engineer) (from 1987-04-24 until 1987-04-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04-24 until 1987-04-28)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1987-04-24 until 1987-04-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:27
8Magnificat in D Major, BWV243: Et misericordia
countertenor vocals:
Philippe Jaroussky (countertenor)
tenor vocals:
Toby Spence (tenor)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (from 2006-10-26 until 2006-10-29)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:25
9Mass in C Minor K.427 (Revision Louis Langrée): Kyrie
soprano vocals:
Natalie Dessay (soprano)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Louis Langrée (conductor)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): I. Kyrie
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K. 427/417a ('Große Messe') (Great Mass in C minor, K. 427/417a, fragment)
Wolfgang Amadeus Mozart6:40
10Mass in B Minor BWV 232, Agnus Dei: Coro - Dona nobis pacem
choir vocals:
Ensemble Vocal de Lausanne
orchestra:
Ensemble Instrumental de Lausanne
conductor:
Michel Corboz (conductor and composer)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:01
11Requiem in D Minor K.626, Sequenz: Lacrimosa
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
choir vocals:
Ensemble Vocal de Lausanne
orchestra:
Ensemble Instrumental de Lausanne and Orchestre de chambre de Genève (Geneva Chamber Orchestra)
conductor:
Michel Corboz (conductor and composer)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Festival de Fribourg
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
live recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:16
12Requiem for Soloists, Chorus & Orchestra (1855), Requiem aeternam: Recordare
producer:
Michel Garcin (French producer)
editor and balance engineer:
Frédéric Briant
alto vocals:
Mirjam Kalin (mezzo-soprano) (from 1997-03-21 until 1997-03-26)
baritone vocals:
Luis Rodrigues (portuguese baritone)
bass vocals:
Luis Rodrigues (portuguese baritone) (from 1997-03-21 until 1997-03-26)
choir vocals:
Chœur de la Fondation Gulbenkian de Lisbonne (from 1997-03-21 until 1997-03-26)
mezzo-soprano vocals:
Mira Kalin (mezzo-soprano)
soprano vocals:
Elisabete Matos (from 1997-03-21 until 1997-03-26)
tenor vocals:
Aquiles Machado (tenor) (from 1997-03-21 until 1997-03-26)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (from 1997-03-21 until 1997-03-26)
conductor:
Michel Corboz (conductor and composer) (from 1997-03-21 until 1997-03-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2003)
recorded at:
Fondation Gulbenkian in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (from 1997-03-21 until 1997-03-26)
live recording of:
Missa pro defunctis: V. Recordare (from 1997-03-21 until 1997-03-26)
composer:
Franz von Suppé (Franz von Suppè, composer)
part of:
Missa pro defunctis, Requiem
recording of:
Requiem for soloists, chorus & orchestra (1855), Requiem Aeternam: Recordare
composer:
Franz von Suppé (Franz von Suppè, composer)
Franz von Suppé5:46
13Requiem to the Memory of Luiz Vaz de Camos, Op. 23, Agnus Dei: Requiem aeternam
choir vocals:
Coro Gulbenkian
orchestra:
Orquestra Gulbenkian (The Gulbenkian Orchestra)
conductor:
Michel Corboz (conductor and composer)
partial recording of:
Requiem à la mémoire de Camões in C minor, op. 23: VII. Agnus Dei
composer:
João Domingos Bomtempo (Portuguese composer)
part of:
Messe de Requiem, op. 23 (Requiem à la mémoire de Camões in C minor)
João Domingos Bomtempo1:39
14Psalm 42, for Chorus, Soprano and Orchestra, Op. 42: 1. Chorus: Wie der Hirsch schreit nach frischem Wasser
choir vocals:
London Symphony Chorus
conductor:
Richard Hickox (conductor)
performer:
City of London Sinfonia (chamber orchestra)
recording of:
Psalm 42, op. 42, MWV A 15: I. Chorus, "Wie der Hirsch schreit"
composer:
Felix Mendelssohn (composer)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
Felix Mendelssohn5:54
15Missa Solemnis in B Flat Minor, Agnus Dei: Agnus Dei
choir vocals:
Chor der Bamberger Symphoniker
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Karl Anton Rickenbacher (conductor)
recording of:
Missa Solemnis in B-flat major, WAB 29: VI. Agnus Dei: Agnus Dei. Adagio
composer:
Anton Bruckner (Austrian composer) (in 1854)
part of:
Missa Solemnis in B-flat major, WAB 29: VI. Agnus Dei
Anton Bruckner3:29
16Requiem, Op. 48: IV. Pie Jesu
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
soprano vocals:
Magali Dami (soprano) (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:17
17Requiem, Op. 48: VII. In paradisum
choir vocals:
Ensemble Vocal de Lausanne
soprano vocals:
Magali Dami (soprano)
orchestra:
Ensemble Instrumental de Lausanne
conductor:
Michel Corboz (conductor and composer)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:00
18Requiem, Op. 9: In paradisum
cello:
Timothy Hugh (cellist)
organ:
John Butt (conductor and organist)
baritone vocals [baritone]:
Stephen Roberts (UK bass-baritone)
choir vocals:
Choir of King’s College, Cambridge
mezzo-soprano vocals [mezzo-soprano]:
Dame Janet Baker (mezzo‐soprano and alto)
conductor:
Philip Ledger
recording of:
Requiem, op. 9: IX. In Paradisum (for choir and organ (1947))
composer:
Maurice Duruflé (French composer & organist, 1902–1986)
part of:
Requiem, op. 9 (for choir and organ (1947))
Maurice Duruflé2:55
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Credits

Release

ASIN:UK: B001XEEC2Y [info]

Release group

part of:100 Best (EMI Classics) (order: 16)