The Versatile Flatt & Scruggs

~ Release by Lester Flatt & Earl Scruggs (see all versions of this release, 2 available)

Annotation

stereo release

Annotation last modified on 2019-08-11 14:36 UTC.

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1You’re Gonna Miss Me When I’m Gone
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-12-15)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar and tenor vocals:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
You’re Gonna Miss Me When I’m Gone (on 1964-12-15)
lyricist and composer:
Utah Phillips
?:??
A2I Still Miss Someone
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-12-15)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar and tenor vocals:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
I Still Miss Someone (on 1964-12-15)
lyricist:
Roy Cash Jr.
composer:
Johnny Cash (country music legend) and Roy Cash Jr.
publisher:
Aberbach (London) (publisher), House of Cash Southwind Music and Unichappell Music, Inc.
?:??
A3Wabash Cannonball
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1964-12-15)
double bass:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
Wabash Cannonball (on 1964-12-15)
composer:
A.P. Carter and William Kindt
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
part of:
Roud Folk Song Index (number: 4228)
?:??
A4I’ll Be on That Good Road Someday
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-02-16)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-02-16)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-02-16)
guitar and lead vocals:
Lester Flatt (on 1965-02-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-02-16)
resonator guitar and tenor vocals:
Josh Graves (on 1965-02-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-02-16)
recording of:
I'll Be on That Good Road Someday (on 1965-02-16)
lyricist and composer:
Bruce Phillips
publisher:
Scruggs Music, Inc.
?:??
A5Rock, Salt and Nails
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
12 string guitar:
Earl Scruggs (on 1965-02-16)
double bass:
Jake Tullock (country stand-up bass) (on 1965-02-16)
fiddle:
Paul Warren (US fiddler) (on 1965-02-16)
guitar and lead vocals:
Lester Flatt (on 1965-02-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-02-16)
resonator guitar:
Josh Graves (on 1965-02-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-02-16)
recording of:
Rock Salt and Nails (on 1965-02-16)
lyricist and composer:
Utah Phillips
publisher:
Scruggs Music, Inc.
?:??
A6Confessing
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-02-16)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-02-16)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-02-16)
guitar and lead vocals:
Lester Flatt (on 1965-02-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-02-16)
resonator guitar and tenor vocals:
Josh Graves (on 1965-02-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-02-16)
?:??
B1Will You Be Lonesome Too?
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-12-15)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar and tenor vocals:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
Will You Be Lonesome Too (on 1964-12-15)
lyricist and composer:
Alton Delmore
?:??
B2Soldier’s Return
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
12 string guitar:
Earl Scruggs (on 1965-02-16)
double bass:
Jake Tullock (country stand-up bass) (on 1965-02-16)
fiddle:
Paul Warren (US fiddler) (on 1965-02-16)
guitar and lead vocals:
Lester Flatt (on 1965-02-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-02-16)
resonator guitar:
Josh Graves (on 1965-02-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-02-16)
recording of:
The Soldier's Return (on 1965-02-16)
writer:
Utah Phillips
is based on:
Pretty Fair Maiden in the Garden
?:??
B3Loafer’s Glory
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-02-16)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-02-16)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-02-16)
guitar and lead vocals:
Lester Flatt (on 1965-02-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-02-16)
resonator guitar and tenor vocals:
Josh Graves (on 1965-02-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-02-16)
recording of:
Loafer’s Glory (on 1965-02-16)
writer:
Ezra J. Carter, Mother Maybelle Carter and Dixie Hall (Songwriter)
?:??
B4You’ve Been Fooling Me Baby
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
guitar [lead guitar] and baritone vocals:
Earl Scruggs (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar and tenor vocals:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
You’ve Been Fooling Me, Baby (on 1964-12-15)
lyricist and composer:
A.P. Carter
?:??
B5Rose Conelly
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
guitar [lead guitar]:
Earl Scruggs (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
The Willow Garden (on 1964-12-15)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 446)
?:??
B6Branded Wherever I Go
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-12-15)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar and tenor vocals:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
Branded Wherever I Go (on 1964-12-15)
lyricist and composer:
Roy Acuff
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
?:??