Klara's Top 100

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Rinaldo, HWV 7a: Lascia ch'io pianga
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel5:16
2De vier seizoenen: De herfst in F, RV 293: Allegro
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier and Alessandra Galleron
violin:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2000-07 until 2000-10)
conductor:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
balance engineer:
Frédéric Briant
recorded at:
Studio Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 2000-07 until 2000-10)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (from 2000-07 until 2000-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi4:49
3De vier seizoenen: De herfst in F, RV 293: Adagio
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier and Alessandra Galleron
violin:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2000-07 until 2000-10)
conductor:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
balance engineer:
Frédéric Briant
recorded at:
Studio Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 2000-07 until 2000-10)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 2000-07 until 2000-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:40
4De vier seizoenen: De herfst in F, RV 293: Allegro
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier and Alessandra Galleron
violin:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2000-07 until 2000-10)
conductor:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
balance engineer:
Frédéric Briant
recorded at:
Studio Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 2000-07 until 2000-10)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (from 2000-07 until 2000-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:04
5Dahomeese rapsodie
orchestra:
Vlaams Radio Orkest (Brussels Philharmonic)
conductor:
Marc Soustrot (conductor)
recording of:
Dahomeyan Rhapsody
composer:
August de Boeck (Belgian composer and organist) (in 1893)
August de Boeck4:26
6Enigma variaties, op. 36: Nimrod
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1993-08-28 until 1993-08-29)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:18
7Weinachtsoratorium, BWV 248: Jauchzet, frohlocket
choir vocals:
Chorus of Collegium Vocale, Ghent (in 1989-01)
orchestra:
Orchestra of Collegium Vocale, Ghent (in 1989-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-01)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recorded at:
Mindersbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1989-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1989-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:46
8Vier letzte Lieder, op. posth.: Beim Schlafengehen
producer:
David Groves (classical music producer at EMI)
soprano vocals:
Nina Stemme (soprano) (from 2006-09-01 until 2006-09-11)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 2006-09-01 until 2006-09-11)
conductor:
Antonio Pappano (conductor and pianist) (from 2006-09-01 until 2006-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2006-09-01 until 2006-09-11)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (from 2006-09-01 until 2006-09-11)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:11
9Carmina Burana: O Fortuna
sound engineer and balance engineer:
Daniel Michel (recording engineer)
producer:
Étienne Collard and Alain Lanceron
choir vocals:
Orfeón Donostiarra (Spanish choir) (from 1994-12-02 until 1994-12-06)
orchestra:
Orchestre du Capitole de Toulouse (from 1994-12-02 until 1994-12-06)
conductor:
Michel Plasson (conductor) (from 1994-12-02 until 1994-12-06)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1994-12-02 until 1994-12-06)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1994-12-02 until 1994-12-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:27
10Carmina Burana: Fortune plango vulnera
sound engineer and balance engineer:
Daniel Michel (recording engineer)
producer:
Étienne Collard and Alain Lanceron
choir vocals:
Orfeón Donostiarra (Spanish choir) (from 1994-12-02 until 1994-12-06)
orchestra:
Orchestre national du Capitole de Toulouse (from 1994-12-02 until 1994-12-06)
conductor:
Michel Plasson (conductor) (from 1994-12-02 until 1994-12-06)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1994-12-02 until 1994-12-06)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1994-12-02 until 1994-12-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:37
11Rückertlieder: Ich bin der Welt abhanden gekommen
piano:
Roger Vignoles (pianist)
mezzo-soprano vocals:
Katarina Karnéus
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler5:10
12Xerxes, HWV 40: Ombra mai fu
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:22
13Wachet auf ruft uns die Stimme, BWV 645
organ:
Werner Jacob (organist)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach4:27
14Pianoconcerto nr. 21 in C, KV 467: Andante
recording engineer:
Frédéric Briant (from 2001-08-07 until 2001-08-09)
producer and editor:
Étienne Collard
piano:
Piotr Anderszewski (pianist) (from 2001-08-07 until 2001-08-09)
orchestra:
Sinfonia Varsovia (from 2001-08-07 until 2001-08-09)
conductor:
Piotr Anderszewski (pianist) (from 2001-08-07 until 2001-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 2002)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 2001-08-07 until 2001-08-09)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 2001-08-07 until 2001-08-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
partial recording of:
Concerto for Piano no. 21 in C major, K. 467
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Classic 100: Piano (2025) (number: 10), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 467) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 467)
Wolfgang Amadeus Mozart7:10
15Canon in D
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:39
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