| # | Title | Artist | Rating | Length |
|---|
| 1 | On the Floor (radio edit) | Jennifer Lopez | | 3:37 |
| 2 | Hips Don’t Lie | Wyclef Jean & Shakira | 3.4 | 3:37 |
| 3 | Livin’ la vida loca | Ricky Martin | 4.65 | 4:02 |
| 4 | Man! I Feel Like a Woman! | Shania Twain | 4 | 3:54 |
| 5 | 9 to 5 | Dolly Parton | 4.5 | 2:58 |
| 6 | All I Wanna Do- engineer:
- Blair Lamb
- producer:
- Bill Bottrell
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1993) and UMG Recordings, Inc. (in 1993)
- part of:
- Billboard: The 500 Best Pop Songs (number: 405)
- recording of:
- All I Wanna Do
- writer:
- David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow and Kevin Gilbert
- publisher:
- Almo Music Corp. , Ignorant Music , Old Crow Music , Reservoir One America, Sony/ATV Tunes LLC , Warner–Tamerlane Publishing Corp. , WB Music Corp. , WC Music Corp. and Zen of Iniquity
| Sheryl Crow | 3.9 | 4:34 |
| 7 | Need You Now- edit of:
- Need You Now by Lady Antebellum
- part of:
- Billboard Decade End Chart: Adult Contemporary Songs (number: 10), Holler's Best 2000s Country Songs (number: 27), Billboard Year-End Hot Country Songs of 2009 (number: 48), Grammy Award: Best Country Performance by a Duo or Group nominees (number: 2011 winner) and Billboard: The 500 Best Pop Songs (number: 325)
- recording of:
- Need You Now
- writer:
- Dave Haywood, Josh Kear, Charles Kelley and Hillary Scott
- publisher:
- Darth Buddha Music, DWHaywood Music, EMI Foray Music, Hillary Down Songs, RADIOBULLETSPUBLISHING, Round Hill Songs Josh Kear, Warner–Tamerlane Publishing Corp. and Year of the Dog Music
| Lady Antebellum | 3.9 | 3:56 |
| 8 | All by Myself (edited single version)- phonographic copyright (℗) by:
- Sony Music Entertainment Canada Inc. (in 1996)
- cover recording of:
- All by Myself
- lyricist:
- Eric Carmen
- composer:
- Eric Carmen and Sergei Rachmaninov
- publisher:
- Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control , Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- Let’s Pretend
- is based on:
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
| Céline Dion | | 3:58 |
| 9 | Greatest Love of All- engineer:
- Michael Mancini and Russell Schmitt
- producer:
- Michael Masser
- mixer:
- Bill Schnee
- performer:
- Robbie Buchanan , Nathan East, Dann Huff, Paul Jackson, Jr. , Randy Kerber, Lou Shelton, Richard Marx, Debbie Thomas, Julia Waters, Maxine Waters and Oren Waters
- publisher:
- Prince Street Productions, Inc.
- phonographic copyright (℗) by:
- Arista Records, LLC (in 1985)
- part of:
- RuPaul’s Drag Race Lip Sync Performances (number: 3)
- cover recording of:
- The Greatest Love of All
- lyricist:
- Linda Creed
- composer:
- Michael Masser
- publisher:
- Copyright Control , EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., EMI Music Publishing , EMI Music Publishing (S.E. Asia) Ltd. , EMI Music Publishing Australia Pty Ltd , ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Golden Horizon Music Corp. (in 1986), Golden Torch Music Corp. (in 1986) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
| Whitney Houston | 5 | 4:49 |
| 10 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989) and The David Geffen Company (in 1989)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.75 | 4:00 |
| 11 | Heart of Glass- assistant engineer:
- Grey Russell
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison
- drums (drum set):
- Clem Burke
- guitar:
- Frank Infante and Chris Stein
- keyboard:
- Jimmy Destri
- lead vocals:
- Deborah Harry
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1978), Capitol Records, Inc. (in 1978), Chrysalis Records (in 1978) and Chrysalis Records, Inc. (in 1978)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1978-06)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- recording of:
- Heart of Glass
- writer:
- Deborah Harry and Chris Stein
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
- sub-publisher:
- フジパシフィックミュージック
- version of:
- Once I Had a Love
| Blondie | 4.3 | 4:10 |
| 12 | Bootylicious | Destiny’s Child | 3.45 | 3:28 |
| 13 | I Gotta Feeling | The Black Eyed Peas | 3.1 | 4:05 |
| 14 | It’s Like That | Jason Nevins & Run‐D.M.C. | 3.3 | 4:10 |
| 15 | Hey Ya! (radio mix/club mix) | OutKast | 4 | 3:56 |
| 16 | Rehab | Amy Winehouse | | 3:33 |
| 17 | Suspicious Minds- engineer:
- Al Pachucki
- producer:
- Felton Jarvis and Chips Moman
- bass:
- Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
- drums (drum set):
- Gene Chrisman (on 1969-01-23)
- guitar:
- Elvis Presley (on 1969-01-23) and Reggie Young (on 1969-01-23)
- organ:
- Bobby Emmons (on 1969-01-23)
- piano:
- Bobby Wood (on 1969-01-23)
- steel guitar:
- John Hughey (on 1969-01-23)
- lead vocals:
- Elvis Presley (on 1969-01-22)
- vocals:
- J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
- arranger:
- Mike Leech and Glen Spreen
- phonographic copyright (℗) by:
- BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (in 1969), RCA Records (in 1973) and Sony BMG Music Entertainment (in 2002)
- recorded at:
- American Sound Studio in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios in Las Vegas, Nevada, United States (on 1969-08-07)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 91) and Billboard: The 500 Best Pop Songs (number: 363)
- cover recording of:
- Suspicious Minds (from 1969-01-23 until 1969-08-07)
- lyricist and composer:
- Mark James
- publisher:
- Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
| Elvis Presley | 4.1 | 4:31 |
| 18 | Wouldn’t It Be Nice- engineer:
- Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
- producer:
- Mark Linett and Brian Wilson
- mixer:
- Mark Linett (in 1996)
- accordion:
- Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
- baritone saxophone:
- Jay Migliori (on 1966-01-22)
- bell, percussion and timpani:
- Frank Capp (on 1966-01-22)
- double bass:
- Lyle Ritz (on 1966-01-22)
- drums (drum set):
- Hal Blaine (on 1966-01-22)
- electric bass guitar:
- Carol Kaye (on 1966-01-22)
- electric bass guitar [Dano Bass]:
- Ray Pohlman (on 1966-01-22)
- guitar:
- Jerry Cole (on 1966-01-22), Barney Kessel (on 1966-01-22) and Bill Pitman (on 1966-01-22)
- piano:
- Al De Lory (on 1966-01-22)
- tack piano:
- Larry Knechtel (on 1966-01-22)
- tenor saxophone:
- Steve Douglas (on 1966-01-22) and Plas Johnson (on 1966-01-22)
- trumpet:
- Roy Caton (on 1966-01-22)
- lead vocals:
- Brian Wilson (from 1966-03 until 1966-04)
- arranger:
- Brian Wilson
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
- mixed at:
- Your Place or Mine Recording in Glendale, California, United States (in 1996)
- remix of:
- Wouldn’t It Be Nice by The Beach Boys
- recording of:
- Wouldn’t It Be Nice (from 1966-01-22 until 1966-04)
- lyricist:
- Tony Asher , Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Almo Music Corp. , Irving Music , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Beach Boys | 4.6 | 2:33 |
| 19 | California Dreamin’ | The Mamas & the Papas | | 2:38 |
| 20 | I Got You Babe | UB40 | 2.75 | 3:06 |
Play on ListenBrainz