The Classic Albums Collection 1955-1962

~ Release by Nat Adderley (see all versions of this release, 1 available)

Tracklist

1▶CD: Introducing Nat Adderley / To The Ivy League From Nat
2▼CD: Branching Out / Much Brass
#TitleArtistRatingLength
1Sister Caroline
recorded in:
New York, New York, United States (in 1958-09)
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
Nat Adderley5:52
2Well, You Needn't
recorded in:
New York, New York, United States (in 1958-09)
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
recording of:
Well, You Needn’t (in 1958-09)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
Nat Adderley8:26
3Don't Get Around Much Anymore
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
instrumental recording of:
Don’t Get Around Much Anymore (in 1958-09)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
Nat Adderley4:36
4I've Got Plenty O' Nuthin'
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
Nat Adderley5:02
5Branching Out
recorded in:
New York, New York, United States (in 1958-09)
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
recording of:
Branching Out (in 1958-09)
writer:
Harold Mabern (American jazz pianist)
Nat Adderley6:50
6I Never Knew I Could Love Anybody
recorded in:
New York, New York, United States (in 1958-09)
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
instrumental recording of:
I Never Knew (I Could Love Anybody Like I’m Loving You) (in 1958-09)
writer:
Raymond B. Egan (until 1920), Roy K. Marsh (songwriter) (until 1920) and Tom Pitts (songwriter) (until 1920)
Nat Adderley4:44
7Warm Blue Stream
recorded in:
New York, New York, United States (in 1958-09)
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
instrumental recording of:
Warm Blue Stream (in 1958-09)
lyricist:
Dottie Wayne
composer:
Sara Cassey
Nat Adderley4:24
8Blue Concept
recorded in:
New York, New York, United States (on 1959-03-23)
bass:
Laymon Jackson (on 1959-03-23)
cello:
Sam Jones (US jazz bassist) (on 1959-03-23)
cornet:
Nat Adderley (on 1959-03-23)
drums (drum set):
Albert “Tootie” Heath (on 1959-03-23)
piano:
Wynton Kelly (on 1959-03-23)
tuba:
Slide Hampton (on 1959-03-23)
The Nat Adderley Sextet7:38
9Little Miss
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet4:29
10Israel
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet3:56
11What Next?
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet3:23
12Moving
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet5:02
13Blue Brass Groove
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet5:41
14Accents
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet5:40
15Sometimes I Feel Like A Motherless Child
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet4:10
3▶CD: Work Song / That's Right!
4▶CD: Naturally! / In The Bag