| # | Title | Artist | Rating | Length |
|---|
| 1 | Whatever You Want- assistant engineer:
- Freek Feenstra
- engineer:
- John Eden and Barry Hammond
- producer:
- Status Quo and Pip Williams
- mixer:
- Simon Sullivan
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1979), Mercury Records Ltd. (London) (in 1979), Mercury Records Ltd. (UK) (in 1979), Phonogram Ltd. (in 1979) and Phonogram Ltd. (London) (in 1979)
- produced for:
- Handle Records Ltd.
- recorded at:
- Phonogram Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands
- music videos:
- Whatever You Want by Status Quo
- recording of:
- Whatever You Want
- written in:
- Jersey
- writer:
- Andy Bown and Rick Parfitt
- publisher:
- Birchwood Music Ltd., Eaton Music Limited, EMI Music , EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. , S.Q. Publishing Eaton and Shawbury Music Ltd.
| Status Quo | 4 | 4:02 |
| 2 | Can the Can | Suzi Quatro | 4.2 | 3:36 |
| 3 | Sweet Home Alabama- miscellaneous support:
- Ronnie Van Zant
- engineer and producer:
- Al Kooper
- drums (drum set):
- Bob Burns (in 1973-07)
- electric bass guitar:
- Leon Wilkeson (in 1973-07)
- electric guitar:
- Allen Collins (in 1973-07), Ed King (in 1973-07) and Gary Rossington (in 1973-07)
- keyboard:
- Billy Powell (in 1973-07)
- background vocals:
- Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
- lead vocals:
- Ronnie Van Zant (in 1973-07)
- phonographic copyright (℗) by:
- Geffen Records (in 1974), MCA Records (in 1974), MCA Records Ltd. (in 1974), MCA Records, Inc. (in 1974), UMG Recordings, Inc. (in 1974) and Universal Music (in 1974)
- produced for:
- Sounds of the South Productions
- recorded at:
- Studio One in Doraville, Georgia, United States (in 1973-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 398)
- recording of:
- Sweet Home Alabama (in 1973-07)
- miscellaneous support:
- Ronnie Van Zant
- writer:
- Ed King , Gary Rossington and Ronnie Van Zant
- publisher:
- Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
| Lynyrd Skynyrd | 4.15 | 4:44 |
| 4 | Ballroom Blitz | The Sweet | 4.6 | 4:02 |
| 5 | Should I Stay or Should I Go | The Clash | 4.55 | 3:08 |
| 6 | I Hear You Knocking | Dave Edmunds | 4 | 2:47 |
| 7 | Children of the Revolution | T. Rex | 4.5 | 2:27 |
| 8 | My Coo Ca Choo | Alvin Stardust | 2 | 2:46 |
| 9 | Walking on Sunshine- recorded in:
- England, United Kingdom
- assistant engineer:
- Jon Goldberger
- engineer and mixer:
- Scott Litt
- additional producer:
- Scott Litt
- producer:
- Pat Collier and Katrina and the Waves
- bass guitar:
- Vince de la Cruz
- drums (drum set) and percussion:
- Alex Cooper
- guest brass [Rumour Brass Section]:
- Ray Beavis, Dick Hanson and John "Irish" Earl
- guest organ:
- Nick Glennie‐Smith
- guitar [lead guitar]:
- Kimberley Rew
- guitar [rhythm guitar] and lead vocals:
- Katrina Leskanich
- background vocals:
- Alex Cooper , Vince de la Cruz and Kimberley Rew
- brass arranger:
- Eamon Fitzpatrick
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1985)
- recorded at:
- Alaska Studios in London , England, United Kingdom and Greenhouse Studio in London , England, United Kingdom
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 91) and Billboard: The 500 Best Pop Songs (number: 378)
- recording of:
- Walking on Sunshine
- lyricist:
- Kimberley Rew (in 1983)
- composer:
- Kimberley Rew
- publisher:
- EMI Music Publishing , Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc.
| Katrina and the Waves | 3.95 | 3:59 |
| 10 | Talking in Your Sleep | The Romantics | 4 | 3:52 |
| 11 | All the Way From Memphis | Mott the Hoople | 5 | 5:03 |
| 12 | Great Balls of Fire | Jerry Lee Lewis | | 1:52 |
| 13 | You Drive Me Crazy | Shakin’ Stevens | | 2:52 |
| 14 | Be‐Bop‐A‐Lula | Gene Vincent | 4.35 | 2:35 |
| 15 | Hang On Sloopy | The McCoys | 3 | 3:51 |
| 16 | Johnny B. Goode- producer:
- Leonard & Phil Chess
- double bass:
- Willie Dixon (on 1958-01-06)
- drums (drum set):
- Jasper Thomas (on 1958-01-06)
- guitar and lead vocals:
- Chuck Berry (on 1958-01-06)
- piano:
- Johnnie Johnson (on 1958-01-06)
- recorded at:
- Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1958 (number: 1), NME: 50 Greatest Guitar Riffs of All Time (number: 3), Rolling Stone: 500 Greatest Songs of All Time (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Johnny B. Goode (on 1958-01-06)
- lyricist and composer:
- Chuck Berry (in 1955)
- publisher:
- Arc Music , Arc Music Corp. , Isalee Music, Jewel Music Publishing Co. Ltd. and ロックンロール ミュージック
- part of:
- Back to the Future: the Musical
| Chuck Berry | 4.2 | 2:41 |
| 17 | Jailhouse Rock | Elvis Presley | 3.55 | 2:35 |
| 18 | The Heart of Rock ’n’ Roll | Huey Lewis & the News | 4 | 4:06 |
| 19 | Addicted to Love | Robert Palmer | 4 | 4:26 |
| 20 | La Grange- engineer:
- Robin Gibb, Terry Manning and Robin Brian
- producer:
- Bill Ham
- mixer and editor:
- Terry Manning
- bass guitar:
- Dusty Hill
- drums (drum set):
- Rube Beard
- electric guitar, guitar and lead vocals:
- Billy Gibbons
- recorded at:
- Ardent Studios in Memphis, Tennessee, United States, Brian studios in Memphis, Tennessee, United States and Robin Hood Studios in Tyler, Texas, United States
- recording of:
- La Grange
- writer:
- Frank Beard , Billy Gibbons and Dusty Hill
- publisher:
- Hamstein Music Company , Music of Stage Three, Songs of Mosaic and Stage Three Songs
- is based on:
- Boogie Chillen’
| ZZ Top | 4.65 | 3:52 |
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