The Complete Columbia Album Collection

~ Release by Igor Stravinsky (see all versions of this release, 1 available)

Tracklist

1CD: Le Sacre du printemps (1940)
2CD: Petrushka Suite (1940) / Scènes de ballet (1945) / Divertimento from Fairy's Kiss (1940-41)
3CD: The Firebird Suite (1946)
4CD: Symphony of Psalms (1946) / Symphony in 3 Movements (1946)
5CD: Concerto for Two Solo Pianos; Russian Music for Two Pianos (1945, 1947)
6CD: Orpheus (1949) / Mass (1949)
7CD: Duo concertant (1945) / Pastorale (1946) / Bloch: Baal Shem (1940)
8CD: Divertimento from "Le Baiser de la fée" (1947) / Danses concertantes (1947) / Concerto for Piano and Wind Instruments (1950)
9CD: Apollon musagète (1950) / Concerto in D Major "Basle Concerto" (1950)
10CD: Meet the Composer (1946)
11CD: Oedipus Rex (1951)
12CD: The Rake's Progress (1953) [disc 1]
#TitleRatingLength
1The Rake’s Progress: Act I. Prelude
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act I, Scene I. Prelude (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
0:30
2The Rake’s Progress: Act I, Scene 1. Duet and Trio: “The Woods Are Green” – Recitative: “Anne, My Dear” (Anne, Rakewell, Trulove)
bass vocals [Trulove]:
Norman Scott (operatic bass) (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act I, Scene I. "The Woods Are Green" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
recording of:
The Rake’s Progress: Act One, Scene 1. Recitative: “Anne, my dear” (Trulove, Anne, Rakewell) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
4:44
3The Rake’s Progress: Act I, Scene 1. Recitative: “Here I stand” – Aria: “Since It Is Not by Merit” (Rakewell)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act I, Scene I. "Here I Stand" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
2:42
4The Rake’s Progress: Act I, Scene 1. Recitative: “Tom Rakewell?” – Recitative: “Fair Lady, Gracious Gentlemen” – Quartet: “I Wished But Once” – Recitative: “I’ll Call the Coachman, Sir” (Shadow, Rakewell, Anne, Trulove)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
bass vocals [Trulove]:
Norman Scott (operatic bass) (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act I, Scene I. "Tom Rakewell?" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
recording of:
The Rake’s Progress: Act One, Scene 1. Recitative: “Fair lady, gracious gentlemen” (Shadow) / Quartet: “I wished but once” (Rakewell, Shadow, Anne, Trulove) (from 1953-03-01 until 1953-03-10)
part of:
The Rake's Progress: Act I
recording of:
The Rake’s Progress: Act One, Scene 1. Recitative: “I’ll call the coachman, sir” (Shadow, Trulove) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
7:34
5The Rake’s Progress: Act I, Scene 1. Duettino: “Farewell for Now” – Recitative: “All Is Ready, Sir” – Arioso: “Dear Father Truelove” – Terzettino: “Laughter and Light” (Anne, Rakewell, Trulove, Shadow)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
bass vocals [Trulove]:
Norman Scott (operatic bass) (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act I, Scene I. "Farewell for Now" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
recording of:
The Rake’s Progress: Act One, Scene 1. Arioso: “Dear father Trulove” (Rakewell) / Terzettino: “Laughter and light” (Rakewell, Anne, Trulove; Shadow) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
recording of:
The Rake’s Progress: Act One, Scene 1. Recitative: “All is ready, sir” (Shadow, Rakewell) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
5:10
6The Rake’s Progress: Act I, Scene 2. Chorus: “With Air Commanding and Weapon Handy” (Chorus)
choir vocals:
Chorus of the Metropolitan Opera Association (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act I, Scene II. "With Air Commanding" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
2:38
7The Rake’s Progress: Act I, Scene 2. Recitative and Scene: “Come, Tom” – Chorus: “Soon Dawn Will Glitter” – Recitative: “Sisters of Venus, Brothers of Mars” (Shadow, Rakewell, Mother Goose, Chorus)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
choir vocals:
Chorus of the Metropolitan Opera Association (from 1953-03-01 until 1953-03-10)
mezzo-soprano vocals [Mother Goose]:
Martha Lipton (mezzo soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act I, Scene II. "Come, Tom" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
recording of:
The Rake’s Progress: Act One, Scene 2. Chorus: “Soon dawn will glitter” (Whores, Roaring Boys) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
recording of:
The Rake’s Progress: Act One, Scene 2. Recitative: “Sisters of Venus, Brothers of Mars” (Shadow) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
5:34
8The Rake’s Progress: Act I, Scene 2. Cavatina: “Love, too Frequently Betrayed” – Chorus: “How Sad a Song” – Chorus: “The Sun Is Bright, the Grass Is Green” (Rakewell, Chorus, Mother Goose)
choir vocals:
Chorus of the Metropolitan Opera Association (from 1953-03-01 until 1953-03-10)
mezzo-soprano vocals [Mother Goose]:
Martha Lipton (mezzo soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act I, Scene II. "Love too Frequently Betrayed" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
recording of:
The Rake's Progress: Act I, Scene II. "The Sun Is Bright" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
recording of:
The Rake’s Progress: Act One, Scene 2. Chorus: “How sad a song” (Whores, Mother Goose) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
3:40
9The Rake’s Progress: Act I, Scene 2. Chorus: “Lanterloo, My Lady” (Chorus, Shadow)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
choir vocals:
Chorus of the Metropolitan Opera Association (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
2:35
10The Rake’s Progress: Act I, Scene 3. Recitative: “No Word from Tom” – Aria: “Quietly, Night” – Recitative: “My Father! Can I Desert Him” (Anne, Truelove)
bass vocals [Trulove]:
Norman Scott (operatic bass) (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act I, Scene III. "No Word From Tom" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
recording of:
The Rake’s Progress: Act One, Scene 2. Aria: “Quietly, night” (Anne; Trulove) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
recording of:
The Rake’s Progress: Act One, Scene 2. Recitative: “My father! Can I desert him” (Anne) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
5:31
11The Rake’s Progress: Act I, Scene 3. Cabaletta: “I Go, I Go to Him” (Anne)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act I, Scene III. "I Go to Him" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
2:40
12The Rake’s Progress: Act II, Scene 1. Aria: “Vary the Song, O London, Change!” – Recitative: O Nature, Green Unnatural Mother" – Aria (reprise): “Always the Quarry” (Rakewell)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act II, Scene I. "Vary the Song, O London, Change!" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
recording of:
The Rake’s Progress: Act Two, Scene 1. Aria (reprise): “Always the quarry that I stalk” (Rakewell) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
recording of:
The Rake’s Progress: Act Two, Scene 1. Recitative: “O Nature, green unnatural mother” (Rakewell) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
7:53
13The Rake’s Progress: Act II, Scene 1. Recitative: “Master, Are You Alone?” – Aria: “In Youth the Panting Slave” (Shadow, Rakewell)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act II, Scene I. "Master, Are You Alone" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
recording of:
The Rake’s Progress: Act Two, Scene 1. Aria: “In youth the panting slave pursues” (Shadow) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
4:47
14The Rake’s Progress: Act II, Scene 1. Duet‐Finale: “My Tale Shall Be Told” (Rakewell, Shadow)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act II, Scene I. "My Tale Shall Be Told" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
2:32
15The Rake’s Progress: Act II, Scene 2. Introduction – Recitative: “How Strange” – Arioso: “O Heart Be Stronger” (Anne)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act II, Scene II. "How Strange!" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
recording of:
The Rake’s Progress: Act Two, Scene 2. [Introduction] (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
5:06
16The Rake’s Progress: Act II, Scene 2. Duet: “Anne! Here!” – Recitative: “My Love, Am I to Remain in Here for Ever?” (Rakewell, Anne, Baba)
contralto vocals [Baba the Turk]:
Blanche Thebom (mezzo-soprano) (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act II, Scene II. "Anne! Here!" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
recording of:
The Rake’s Progress: Act Two, Scene 2. Recitative: “My love, am I to remain in here for ever?” (Baba; Anne, Rakewell) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
3:22
17The Rake’s Progress: Act II, Scene 2. Trio: “Could It Then Have Been Known” – Finale: “I Have Not Run Away” (Anne, Rakewell, Baba)
contralto vocals [Baba the Turk]:
Blanche Thebom (mezzo-soprano) (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act II, Scene II. "Could It Then Have Been Known" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
recording of:
The Rake’s Progress: Act Two, Scene 2. Finale: “I have not run away” (Baba, Rakewell, Voices, Town People) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
6:04
13CD: The Rake's Progress (1953) [disc 2]
14CD: Pulcinella (1952)
15CD: Symphony in C (1952) / Cantata (1952)
16CD: The Soldier's Tale Suite (1954) / Octet for Wind Instruments (1954) / Symphonies of Wind Instruments (1951)
17CD: Chamber Works 1911-1954 Conducted by the Composer (1954-55)
18CD: The Fairy's Kiss (1955)
19CD: Perséphone (1957)
20CD: Agon (1957) / Canticum sacrum (1957)
21CD: Threni (1959)
22CD: Stravinsky Conducts 1960: The Rite of Spring (1960) / Petrushka (1960)
23CD: Charles Rosen Plays Stravinsky & Schoenberg (1960)
24CD: Stravinsky Conducts 1961: Movements for Piano and Orchestra, Octet, The Soldier’s Tale
25CD: Gesualdo: Madrigals; Stravinsky: Monumentum pro Gesualdo di Venosa (1960-61)
26CD: The Nightingale (1960)
27CD: The Firebird (complete ballet) (1961)
28CD: Concerto in D & Symphony in 3 Movements (1961)
29CD: Works for Two Pianos and Four Hands (1961)
30CD: The Flood (1962) / Mass (1960)
31CD: Les Noces (1959) Renard & Rag-Time (1962)
32CD: Oedipus Rex (1962)
33CD: Symphony of Psalms (1963) / Symphony in C Major (1962)
34CD: Orpheus & Apollon musagète (1964)
35CD: Stravinsky Conducts Favorite Short Pieces (1962-63)
36CD: Stravinsky Conducts Ballet Music (1963-64)
37CD: Stravinsky Conducts His Choral Music (1962-63)
38CD: The Rake's Progress (1964) [disc 1]
39CD: The Rake's Progress (1964) [disc 2]
40CD: The Fairy's Kiss (1965)
41CD: Meeting at the Summit: Benny Goodman Plays Jazz-Classics with Leonard Bernstein, Aaron Copland, Morton Gould & Igor Stravinsky (1963, 1965)
42CD: Pulcinella (1965)
43CD: Perséphone (1966)
44CD: Symphony in E-Flat Major, Op. 1 (1966)
45CD: Mavra (1964) / Les Noces (1965)
46CD: Stravinsky Conducts Cantata, Mass, In Memoriam Dylan Thomas and Other Works (1964-67)
47CD: Firebird Suite (1967) / Petrushka Suite (1960, 1967)
48CD: Capriccio for Piano and Orchestra (1966) / Concerto for Piano and Wind Instruments (1964)
49CD: Pulcinella Suite (1965) / Scherzo fantastique (1962) / Fireworks & Scherzo à la russe (1963)
50CD: The New Stravinsky: Huxley Variations (1966) / Abraham and Isaac (1967, 1969) / Requiem Canticles (1966)
51CD: Songs (1964-1968)
52CD: Danses concertantes (1967) / 4 Norwegian Moods (1963) / Ode (1964) / Concerto in D (1963)
53CD: Stravinsky Conducts Music for Chamber and Jazz Ensembles (1964-65) / Bonus: Stravinsky in Rehearsal
54CD: Symphony of Wind Instruments (1966) / Les Noces (1973) / Chant du Rossignol (1967)
55CD: Tashi Plays Stravinsky (1976)
56CD: The Soldier's Tale [Narrated by Jeremy Irons] (1961, 1967, 2005)