| # | Title | Artist | Rating | Length |
|---|
| 1 | Makes Me Wonder | Maroon 5 | 3.5 | 3:33 |
| 2 | Silencio | David Bisbal | | 3:32 |
| 3 | Vayamos compañeros | Marquess | | 3:03 |
| 4 | Put Your Records On | Corinne Bailey Rae | 3.65 | 3:35 |
| 5 | Kiss You Off | Scissor Sisters | | 5:05 |
| 6 | Save Tonight | Eagle‐Eye Cherry | | 3:55 |
| 7 | Don't Matter | Akon | | 4:12 |
| 8 | Nine Million Bicycles | Katie Melua | 3.2 | 3:16 |
| 9 | Down on My Knees- phonographic copyright (℗) by:
- Polydor (in 2006)
| Ayọ | | 4:00 |
| 10 | Change | Joy Denalane; Lupe Fiasco | | 4:18 |
| 11 | Forever Yours | Sunrise Avenue | 3 | 3:24 |
| 12 | Black Eyed Boy | Texas | | 3:11 |
| 13 | Breakfast at Tiffany’s | Deep Blue Something | 3.7 | 4:19 |
| 14 | Rehab- assistant recording engineer:
- Jesse Gladstone and Mike Makowski
- recording engineer:
- Vaughan Merrick and Mark Ronson
- miscellaneous support:
- Isobel Griffiths (task: contractor / orchestra)
- engineer:
- Dom Morley
- producer:
- Mark Ronson
- assistant mixer:
- Matt Paul
- mixer:
- Tom Elmhirst
- alto saxophone:
- Chris Davies and Andy Mackintosh
- baritone saxophone:
- Dave Bishop and Ian Hendrickson-Smith
- bass guitar:
- Nick Movshon
- cello:
- John Heley , Joely Koos and Anthony Pleeth
- drums (drum set):
- Homer Steinweiss
- electric piano, handclaps and piano and piano:
- Victor Axelrod
- guitar:
- Thomas Brenneck and Binky Griptite
- handclaps:
- Vaughan Merrick and Mark Ronson
- harp:
- Helen Tunstall
- percussion:
- Frank Ricotti
- tenor saxophone:
- Mike Smith , Neal Sugarman and Jamie Talbot
- trombone:
- Richard Edwards
- trumpet:
- Dave Guy and Steve Sidwell
- viola:
- Rachel Bolt , Jonathan Thorne , Bruce White and Katie Wilkinson
- violin:
- Mark Berrow , Elizabeth Edwards , Peter Hanson , Boguslaw Kostecki , Perry Montague‐Mason , Everton Nelson , Tom Pigott‐Smith , Jonathan Rees, Chris Tombling and Warren Zielinski
- conductor:
- Chris Elliott
- strings arranger:
- Chris Elliott
- wind instruments arranger:
- Gabriel Roth and Mark Ronson
- arranger:
- Gabriel Roth
- recorded at:
- Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis in London , England, United Kingdom
- part of:
- Amazon – Best Songs of 2007: Editor Picks (number: 57), Billboard: The 500 Best Pop Songs (number: 73) and Indie 88: Top 500 Indie Rock Songs (number: 419)
- recording of:
- Rehab
- lyricist and composer:
- Amy Winehouse
- publisher:
- EMI Music Publishing
| Amy Winehouse | 4.15 | 3:33 |
| 15 | Black Horse and the Cherry Tree | KT Tunstall | | 2:52 |
| 16 | How to Save a Life | The Fray | 4.2 | 4:24 |
| 17 | The Limit to Your Love | Feist | | 4:23 |
| 18 | Take A Message | Remy Shand | | 4:03 |
| 19 | Different Places | Gentleman | | 3:57 |
| 20 | Bitch- drum machine [drum/loop] programming:
- Geza X
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer:
- Jim Ebert and Geza X
- producer:
- Geza X
- mixer:
- Jim Ebert
- acoustic guitar, electric guitar and background vocals:
- Meredith Brooks
- bass and fretless bass:
- Paul Bushnell
- drums (drum set):
- Josh Freese
- keyboard [keyboards]:
- David Ricketts
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1997)
- recorded at:
- City Lab Sound Design in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- Bitch
- writer:
- Meredith Brooks and Shelly Peiken
- publisher:
- Bug Music , Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
| Meredith Brooks | 3.85 | 4:10 |
| 21 | Dancing in the Moonlight | Toploader | 4.5 | 3:46 |
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