Released

~ Release by Nina Simone (see all versions of this release, 2 available)

Tracklist

1CD
#TitleRatingLength
1The Backlash Blues
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
recording of:
Backlash Blues (on 1967-01-05)
lyricist:
Langston Hughes
composer:
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) and Rolls Royce Music (publisher; do NOT use as release label)
4.652:31
2Blues for Mama
recording engineer:
Mickey Crofford (on 1966-12-22) and Ray Hall (engineer) (on 1966-12-22)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1966-12-22)
recording of:
Blues for Mama (on 1966-12-22)
writer:
Abbey Lincoln and Nina Simone
publisher:
Ninandy Music (publisher; do NOT use as release label)
43:59
3Go to Hell
cover recording of:
Go to Hell (on 1967-06-21)
writer:
Morris Bailey (Philadelphia-based composer, producer, saxophonist)
3.52:49
4I Shall Be Released
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set):
Don Alias
drums (drum set) [drums]:
Charles D. Alias
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
piano and lead vocals:
Nina Simone
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
edit of:
I Shall Be Released ('To Love Somebody' album version, with Nina Simone talking in the studio at the beginning) by Nina Simone
cover recording of:
I Shall Be Released (original lyrics) (from 1967-01-08 until 1967-01-27)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
3.653:54
5It Be’s That Way Sometimes32:58
6I Want a Little Sugar in My Bowl
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
performer:
Sam Ellis (House DJ)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (on 1967-01-05)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
4.42:33
7My Man’s Gone Now
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (on 1967-01-05)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
34:16
8Why? (The King of Love Is Dead)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-04-07)
producer:
Joe René
piano and lead vocals:
Nina Simone (on 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Westbury Music Fair in Westbury, New York, United States (on 1968-04-07)
edit of:
Why? (The King of Love Is Dead) (live, 1968‐04‐07: Westbury Music Fair, Long Island, NY, USA, unabridged version) by Nina Simone
live recording of:
Why? (The King of Love Is Dead) (on 1968-04-07)
lyricist and composer:
Gene Taylor (US jazz bassist)
dedicated to:
Dr. Martin Luther King (group)
part of:
Martin Luther King Suite
55:43
9I Wish I Knew How It Would Feel to Be Free
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
mixer:
Mark Hartry
vocals:
Nina Simone
conductor:
Sammy Lowe
arranger:
Sammy Lowe
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-06-15)
part of:
CBC Music: 10 Songs That Have Changed the World
cover recording of:
I Wish I Knew How It Would Feel to Be Free (on 1967-06-15)
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
4.353:08
10Do What You Gotta Do
recording engineer:
Ray Hall (engineer) (on 1968-06-24)
artist & repertoire support:
Tom Berman
producer:
Joe René
drums (drum set) and timpani:
Bernard “Pretty” Purdie
electric bass guitar:
Jerry Jemmott (on 1968-06-24)
guitar:
Eric Gale (on 1968-06-24), Carl Lynch (on 1968-06-24) and Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (on 1968-06-24)
organ:
Ernest Hayes (American pianist, organist and arranger) (on 1968-06-24)
percussion, tambourine and vibraphone:
Specs Powell (on 1968-06-24)
piano:
Paul Griffin (American pianist, session musician) (on 1968-06-24) and Nina Simone (on 1968-06-24)
trombone:
Garnett Brown (on 1968-06-24)
trumpet:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (on 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (on 1968-06-24) and Joe Shepley (on 1968-06-24)
lead vocals:
Nina Simone (on 1968-06-24)
conductor:
Horace Ott (on 1968-06-24)
arranger:
Horace Ott
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-06-24)
edit of:
Do What You Gotta Do (1968 version, full length) by Nina Simone
cover recording of:
Do What You Gotta Do (on 1968-06-24)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) and Sosahamu Music Inc. (publisher; do NOT use as release label)
3.53:02
11Do I Move You?
recording engineer:
Mickey Crofford (on 1966-12-19) and Ray Hall (engineer) (on 1966-12-19)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1966-12-19)
recording of:
Do I Move You? (on 1966-12-19)
lyricist and composer:
Nina Simone
4.652:47
12In the Dark
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
cover recording of:
Romance in the Dark
writer:
Sam Coslow
composer:
Auteur, Big Bill Broonzy, Bud Green and Gertrude Niesen
4.352:57
13The Look of Love
engineer:
Ray Hall (engineer) (on 1967-06-15)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Bernard “Pretty” Purdie (on 1967-06-15)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1967-06-15)
electric guitar:
Eric Gale (on 1967-06-15) and Rudy Stevenson (on 1967-06-15)
harpsichord and piano:
Ernest Hayes (American pianist, organist and arranger) (on 1967-06-15)
vocals:
Nina Simone (on 1967-06-15)
conductor:
Sammy Lowe (on 1969-06-15)
arranger:
Sammy Lowe
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1967-06-15)
cover recording of:
The Look of Love (on 1967-06-15)
lyricist:
Hal David
writer:
Burt Bacharach and Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
3.252:25
14Since I Fell for You
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
cover recording of:
Since I Fell for You (on 1967-01-05)
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:52
15Mr. Bojangles
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-09)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
phonographic copyright (℗) by:
BMG Music (in 1971)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-09)
cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
3.55:04
16Just Like a Woman
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-12)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-12)
cover recording of:
Just Like a Woman
lyricist and composer:
Bob Dylan (on 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons and Dwarf Music (from 1966 to present)
54:54
17Turn Me On
phonographic copyright (℗) by:
BMG Music (in 1967)
cover recording of:
Turn Me On (on 1967-06-13)
lyricist and composer:
John D. Loudermilk
publisher:
Loudermilk Music, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1961-08-09)
52:28
18Nobody’s Fault But Mine
recording engineer:
Ray Hall (engineer)
piano:
Nina Simone (on 1968-09-16)
vocals:
Nina Simone (on 1968-09-16)
arranger:
Nina Simone
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-09-16)
cover recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song) (on 1968-09-16)
lyricist, composer and arranger:
Blind Willie Johnson
previously attributed to:
[traditional] (special purpose artist)
43:01
19Ain’t Got No, I Got Life (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-05-13)
producer:
Joe René
drums (drum set):
Buck Clarke (on 1968-05-13)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-05-13)
electric guitar:
Rudy Stevenson (on 1968-05-13)
organ:
Sam Waymon (on 1968-05-13)
piano and lead vocals:
Nina Simone (on 1968-05-13)
phonographic copyright (℗) by:
BMG Ariola (company mostly named as distributor in Europe) (in 1968) and BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-05-13)
edit of:
Ain’t Got No / I Got Life (’Nuff Said’ version without overdubs and with studio banter at the end (“It’s groovy”)) by Nina Simone
cover recording of:
Ain’t Got No, I Got Life (on 1968-05-13)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
42:14
20I Loves You Porgy (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-04-07)
producer:
Joe René
drums (drum set):
Buck Clarke (on 1968-04-07)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-04-07)
electric guitar:
Rudy Stevenson (on 1968-04-07)
instruments:
Sam Waymon (on 1968-04-07)
piano and lead vocals:
Nina Simone (on 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Westbury Music Fair in Westbury, New York, United States (on 1968-04-07)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1968-04-07)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
cover recording of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene III
3:31
21Gin House Blues (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-04-07)
producer:
Joe René
drums (drum set):
Buck Clarke (on 1968-04-07)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-04-07)
electric guitar:
Rudy Stevenson (on 1968-04-07)
instruments:
Sam Waymon (on 1968-04-07)
piano and lead vocals:
Nina Simone (on 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Westbury Music Fair in Westbury, New York, United States (on 1968-04-07)
live cover recording of:
Gin House Blues (on 1968-04-07)
composer:
Fletcher Henderson (in 1925) and Henry Troy (in 1925)
publisher:
Carlin Music Corp
3:12

Credits

Release

manufactured in:EC (Europe)
copyrighted (©) by and phonographic copyright (℗) by:BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1996)
Discogs:https://www.discogs.com/release/3457917 [info]