How It Feels to Be Free

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1I Want a Little Sugar in My Bowl
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Interpret(in):
Sam Ellis (House DJ)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (am 1967-01-05)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
4.42:32
2I Wish I Knew How It Would Feel to Be Free
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Mix:
Mark Hartry
vocals:
Nina Simone
conductor:
Sammy Lowe
arranger:
Sammy Lowe
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-06-15)
Teil von:
CBC Music: 10 Songs That Have Changed the World
cover recording of:
I Wish I Knew How It Would Feel to Be Free (am 1967-06-15)
Verfasser(in):
Billy Taylor (jazz/bop pianist) und Richard Lamb
publisher:
Duane Music Inc. und Westminster Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
4.353:08
3See Line Woman
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Produzent(in):
Hal Mooney
Klavier:
Nina Simone (in 1964)
vocals und conductor:
Nina Simone (in 1964)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
cover recording of:
See‐Line Woman (am 1964-03-21)
Verfasser(in):
George Bass und Nina Simone
basiert auf:
Sea Lion Woman
2.652:37
4Since I Fell for You
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
Since I Fell for You (am 1967-01-05)
Texter und Komponist(in):
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (beendet), Warner Bros., Inc. (not for release label use!) (beendet) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:50
5Turn Me On
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
cover recording of:
Turn Me On (am 1967-06-13)
Texter und Komponist(in):
John D. Loudermilk
publisher:
Loudermilk Music, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1961-08-09)
52:30
6Just Like Tom Thumb's Blues
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Bass [Fender bass]:
Gene A Perla
Gitarre:
Al Schackman und Stuart Scharf
Klavier und Sologesang:
Nina Simone
Perkussion und Schlagzeug:
Charles D. Alias
Hintergrundgesang:
Virdia Crawford und Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1969-01-08)
cover recording of:
Just Like Tom Thumb’s Blues (am 1969-01-08)
Texter und Komponist(in):
Bob Dylan (von 1965-06 bis 1965-07)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
34:52
7I Shall Be Released
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Bass [Fender bass] und E-Bass:
Gene A Perla
Gitarre:
Al Schackman
Klavier und Sologesang:
Nina Simone
Orgel:
Weldon J. Irvine, Jr.
Schlagzeug:
Don Alias
Schlagzeug [drums]:
Charles D. Alias
Hintergrundgesang und Hintergrundgesang [vocalist]:
Virdia Crawford und Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten
Bearbeitung von:
I Shall Be Released ('To Love Somebody' album version, with Nina Simone talking in the studio at the beginning) von Nina Simone
cover recording of:
I Shall Be Released (original lyrics) (von 1967-01-08 bis 1967-01-27)
Texter und Komponist(in):
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Dwarf Music (vom 1967 bis heute)
3.654:03
8Lilac Wine
Produzent(in):
Hal Mooney (am 1965-09-30)
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone (am 1965-09-30)
Kontrabass und Perkussion:
Lisle Atkinson
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Lilac Wine (am 1965-09-30)
Texter und Komponist(in):
James H. Shelton (composer of “Lilac Wine”)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4.54:15
9Seems I'm Never Tired of Loving You
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-10-01)
vocals:
Nina Simone (am 1968-10-01)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-10-01)
cover recording of:
Seems I'm Never Tired Lovin' You (am 1968-10-01)
Verfasser(in):
Carolyn Franklin und Shannon Stephens
43:01
10In the Dark
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
Romance in the Dark
Verfasser(in):
Sam Coslow
Komponist(in):
Auteur, Big Bill Broonzy, Bud Green und Gertrude Niesen
4.352:55
11Chilly Winds Don't Blow
Produzent(in):
Hal Mooney
recording of:
Chilly Winds Don’t Blow (von 1964-04-04 bis 1964-04-06)
Verfasser(in):
Hecky Krasnow und Bill Lovelock (songwriter)
basiert auf:
Chilly Winds (a.k.a. Lonesome Road Blues - catch-all work)
54:03
12I Got It Bad (and That Ain't Good)
Sologesang:
Nina Simone (in 1962)
vocals:
Nina Simone
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
44:04
13Funkier Than a Mosquito's Tweeter
cover recording of:
Funkier Than a Mosquito's Tweeter
Texter und Komponist(in):
Aillene Bullock
publisher:
United Artists Musikverlag (publisher) (in 1970)
5:06
14Sinnerman
Produzent(in):
Hal Mooney
cover recording of:
Sinnerman (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
[traditional] (special purpose artist)
basiert auf:
Oh Sinner Man (Bob Gibson's version)
4.8510:18

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