100 Hits: Summer

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Club Tropicana
Techniker(in):
Tony Taverner
Produzent(in):
Steve Brown (engineer/music producer) und George Michael
Gitarre:
Andrew Ridgeley
Horn:
Roddy Lorimer und Ian Ritchie
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug:
Trevor Morell (drummer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
Musikvideos:
Club Tropicana (music video) von Wham! (British pop-duo)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 63)
recording of:
Club Tropicana
Texter und Komponist(in):
George Michael und Andrew Ridgeley
publisher:
Morrison Leahy Music Ltd.
Wham!3.84:32
2Conga
Miami Sound Machine4:14
3Let’s Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams3.64:18
4Rain or Shine
recording of:
Rain or Shine
Verfasser(in):
Billy Livsey und Peter Sinfield
Five Star4:00
5Waiting for a Star to Fall
drum machine-Programmierung:
George Merrill
Produzent(in):
Arif Mardin
assistierende(r) Mix:
Jim Dineen
Mix:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
Bassgitarre, Klavier und Synthesizer:
George Merrill
Gitarre:
John Goux
Schlagzeug:
Denny Fongheiser und Michael Jochum
Synthesizer [Crowning touch]:
Joe Mardin
vocals:
George Merrill und Shannon Rubicam
zusätzlich vocals:
Susan Boyd
phonographisches Urheberrecht (℗) von:
BMG Music (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Waiting for a Star to Fall
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (vom 1987 bis heute) und Irving Music (BMI) (vom 1987 bis heute)
Boy Meets Girl3.254:34
6Can You Feel It
Produzent(in):
The Jacksons (formerly “The Jackson 5”)
Bass:
Nathan Watts
Gitarre:
Tito Jackson und David Williams (session guitarist and songwriter)
Keyboard:
Ronnie Foster, Greg Phillinganes und Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Vibraphon [vibes]:
Gary L. Coleman (US percussionist)
Chorgesang:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade und Gregory Wright
Sologesang:
Michael Jackson (“King of Pop”) und Randy Jackson (brother of Michael and Janet)
Saiteninstrumente arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Can You Feel It
Verfasser(in):
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
MJ: The Musical
The Jackson 54.353:51
7I’m So Excited
Produzent(in):
Richard Perry (producer)
Bassgitarre:
Nathan East
Gitarre:
George Doering und Lee Ritenour
Keyboard [keyboards] und Synthesizer:
Michael Boddicker und Greg Phillinganes
Klavier:
William D. “Smitty” Smith (organist/keyboardist)
Schlagzeug:
John “JR” Robinson (session drummer)
Hintergrundgesang:
June Pointer und Ruth Pointer
Sologesang:
Anita Pointer
phonographisches Urheberrecht (℗) von:
BMG Music (in 1982)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 5) (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 258)
recording of:
I’m So Excited
Verfasser(in):
Anita Pointer, June Pointer, Ruth Pointer und Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. und SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (bis 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Pointer Sisters4.83:54
8I’m in the Mood for Dancing
recording of:
I’m in the Mood for Dancing
Verfasser(in):
Ben Findon (songwriter and producer), Mike Myers (UK producer/songwriter) und Bob Puzey
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Songs of Windswept Pacific
The Nolans4.53:19
9Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Bangles3.753:56
10Give It Up
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
Verfasser(in):
Deborah Carter (writer, backing vocalist) und Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.34:06
11Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:44
12The Lion Sleeps Tonight
phonographisches Urheberrecht (℗) von:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
Musikvideos:
The Lion Sleeps Tonight von Tight Fit
cover recording of:
The Lion Sleeps Tonight
Texter:
George David Weiss (in 1961)
Verfasser(in):
Luigi Creatore, Hugo Peretti und Albert Stanton (pseudonym for Al Brackman)
Komponist(in):
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) und Memory Lane Music Ltd.
basiert auf:
Mbube
basiert auf:
Wimoweh
Version von:
Wimoweh
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (2019 film soundtrack)
Tight Fit3.653:16
13Break My Stride
Schlagzeug-Programmierung:
John Gilston (in 1983)
Produzent(in):
Peter Bunetta, Rick Chudacoff und Bill Elliott (keyboardist/composer)
Analoger Synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) und Matthew Wilder (in 1983)
drum machine [Oberheim DMX], Perkussion und Schlagzeug:
Peter Bunetta (in 1983)
Gitarre:
Dennis Herring (in 1983)
Hintergrundgesang:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) und Matthew Wilder (in 1983)
Sologesang:
Matthew Wilder (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
Pasha Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 39)
recording of:
Break My Stride (in 1983)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:02
14My Favourite Waste of Time
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
Musikvideos:
My Favourite Waste of Time von Owen Paul
cover recording of:
My Favourite Waste of Time
Texter und Komponist(in):
Marshall Crenshaw
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music Ltd., Warner Brothers (publisher, not an imprint) und Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
recording of:
My Favourite Waste of Time
Texter und Komponist(in):
Marshall Crenshaw
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music Ltd., Warner Brothers (publisher, not an imprint) und Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Owen Paul3.353:28
15Wherever I Lay My Hat (That’s My Home)
Produzent(in):
Laurie Latham
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Wherever I Lay My Hat (That’s My Home)
Verfasser(in):
Marvin Gaye, Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd.
Parodieversion von:
Wherever I Lay
Paul Young54:12
16The First Picture of You
The Lotus Eaters3:40
17I Want Candy
Produzent(in):
Kenny Laguna
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 8) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 86)
cover recording of:
I Want Candy (in 1982)
Verfasser(in):
Bert Russell Berns, Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) und Richard Gottehrer (American songwriter and music executive)
publisher:
Downtown Music Publishing LLC (PRS-affiliated), Sloopy II Music, Sony/ATV Songs LLC und Wren Music Co.
Bow Wow Wow42:45
18Live It Up
Mental as Anything3:48
19Fantastic Day
Produzent(in):
Bob Sargeant
recording of:
Fantastic Day
Texter und Komponist(in):
Nick Heyward
Haircut One Hundred2.53:14
20Islands in the Stream
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
vocals:
Dolly Parton und Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dolly Parton & Kenny Rogers44:09
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Veröffentlichungsgruppe

Teil von:100 Hits (UK Demon Music Group) (Reihenfolge: 28)