Jazz on My Way

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone3.853:37
2Conception
double bass:
Gene Ramey (on 1947-02-18)
drums (drum set):
Art Blakey (on 1947-02-18)
tenor saxophone:
Stan Getz (on 1947-02-18)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-02-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1947-02-18)
live recording of:
Conception (on 1950-02-18)
composer:
George Shearing (British jazz pianist)
recording of:
Conception
composer:
George Shearing (British jazz pianist)
Miles Davis44:08
3It Might as Well Be Spring
alto saxophone:
Russell Procope (on 1946-01-09)
bass and double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1946-01-09)
clarinet:
Buster Bailey (clarinetist) (on 1946-01-09)
drums (drum set):
Bill Beason (on 1946-01-09)
piano:
Billy Kyle (on 1946-01-09)
trumpet:
Clarence Brereton (on 1946-01-09)
vocals:
Sarah Vaughan (on 1946-01-09)
cover recording of:
It Might as Well Be Spring (State Fair) (on 1946-01-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
Sarah Vaughan3:00
4What a Difference a Day Makes
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.252:29
5Salt Peanuts
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-05-11)
double bass:
Curley Russell (on 1945-05-11)
drums (drum set):
Sid Catlett (on 1945-05-11)
piano:
Al Haig (on 1945-05-11)
trumpet:
Dizzy Gillespie (on 1945-05-11)
vocals:
Dizzy Gillespie (on 1945-05-11) and Sarah Vaughan (on 1945-05-11)
orchestra:
Dizzy Gillespie and His All Stars (on 1945-05-11)
recording of:
Salt Peanuts (on 1945-05-11)
composer:
Kenny Clarke and Dizzy Gillespie
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Dizzy Gillespie’s All‐Star Quintet3:17
6Rhythm Rhapsody
recorded in:
Chicago, Illinois, United States (on 1937-08-10)
double bass:
Quinn Wilson (jazz bassist, tubist) (on 1937-08-10)
drums (drum set):
Oliver Coleman (on 1937-08-10)
guitar:
Hurley Ramey (on 1937-08-10)
piano:
Earl Hines (jazz pianist and bandleader) (on 1937-08-10)
reeds:
Leroy Harris (on 1937-08-10), Willie Randall (on 1937-08-10) and Leon Washington (on 1937-08-10)
trombone:
Ed Fant (on 1937-08-10), Ken Stewart (trombone) (on 1937-08-10) and Louis Taylor (on 1937-08-10)
trumpet:
Ray Nance (on 1937-08-10) and Leon Scott (on 1937-08-10)
orchestra:
Earl Hines and His Orchestra (on 1937-08-10)
Earl Hines and His Orchestra3:03
7Fidgety Feet
banjo:
Charlie Dixon (Jazz banjoist) (on 1927-03-19)
drums (drum set):
Kaiser Marshall (on 1927-03-19)
piano:
Fletcher Henderson (on 1927-03-19)
reeds:
Buster Bailey (clarinetist) (on 1927-03-19), Coleman Hawkins (on 1927-03-19) and Don Redman (on 1927-03-19)
trombone:
Jimmy Harrison (on 1927-03-19) and Benny Morton (on 1927-03-19)
trumpet:
Tommy Ladnier (American jazz trumpeter) (on 1927-03-19), Joe Smith (American jazz trumpeter/cornetist) (on 1927-03-19) and Russell Smith (US jazz trumpeter) (on 1927-03-19)
tuba [brass bass]:
June Cole (on 1927-03-19)
recording of:
Fidgety Feet (on 1927-03-19)
composer:
Nick LaRocca and Larry Shields
Fletcher Henderson and His Orchestra2:58
8Bossa Nova U.S.A.
Quincy Jones3:00
9Baby, Won’t You Say You Love Me?
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-02-02)
cover recording of:
Baby, Won’t You Say You Love Me? (on 1950-02-02)
writer:
Mack Gordon and Josef Myrow
Ella Fitzgerald2:57
10Blue Monk
recorded in:
Paris, Île-de-France, France (on 1967-11-03)
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1967-11-03)
double bass [bass]:
Larry Gales (on 1967-11-03)
drums (drum set):
Ben Riley (American jazz drummer) (on 1967-11-03)
piano:
Thelonious Monk (on 1967-11-03)
tenor saxophone:
Johnny Griffin (on 1967-11-03) and Charlie Rouse (on 1967-11-03)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1967-11-03)
trumpet:
Ray Copeland (US jazz trumpeter) (on 1967-11-03) and Clark Terry (American swing trumpeter) (on 1967-11-03)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1967-11-03)
live recording of:
Blue Monk (on 1967-11-03)
publisher:
Thelonious Monk
composer:
Thelonious Monk
recording of:
Blue Monk
publisher:
Thelonious Monk
composer:
Thelonious Monk
Thelonious Monk5:19
11Panacea
Woody Herman3:22
12Just Friends
Sonny Stitt & Red Holloway6:14
13Seven Come Eleven
recorded in:
New York, New York, United States (on 1944-01-05)
double bass:
Slam Stewart (on 1944-01-05)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1944-01-05)
piano:
Art Tatum (US jazz pianist) (on 1944-01-05)
instrumental recording of:
Moonglow (on 1944-01-05)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Red Norvo4:12
14Moonglow
recorded in:
New York, New York, United States (on 1944-01-05)
double bass:
Slam Stewart (on 1944-01-05)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1944-01-05)
piano:
Art Tatum (US jazz pianist) (on 1944-01-05)
instrumental recording of:
Moonglow (on 1944-01-05)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Art Tatum2:37
15Can’t Help Lovin’ That Man
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, Volume I)
Lena Horne2:45
16Ornithology
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1946-03-28)
double bass:
Vic McMillan (on 1946-03-28)
drums (drum set):
Roy Porter (on 1946-03-28)
guitar:
Arvin Garrison (on 1946-03-28)
piano:
Dodo Marmarosa (on 1946-03-28)
tenor saxophone:
Lucky Thompson (on 1946-03-28)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-03-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-28)
recording of:
Ornithology (on 1946-03-28)
composer:
Benny Harris and Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Charlie Parker2:58
17Begin the Beguine
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Claude Bowen (on 1938-07-24), John Best (jazz trumpeter) (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
recorded at and engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
instrumental recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Artie Shaw33:13
18Jersey Bounce
recording of:
Jersey Bounce
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson (US songwriter) and Bobby Plater
Benny Goodman and His Orchestra3:09