Come Into the Cool

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Summertime
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-18)
Geige / Violine:
Victor Arno (am 1957-08-18)
Gitarre:
Tony Rizzi (am 1957-08-18)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-08-18)
Kontrabass:
Joe Mondragon (am 1957-08-18)
Posaune:
Buddy Childers (American jazz trumpeter & composer) (am 1957-08-18)
Schlagzeug:
Alvin Stoller (am 1957-08-18)
Trompete:
Louis Armstrong (am 1957-08-18) und Frank Beach (trombone, trumpet) (am 1957-08-18)
Waldhorn:
Vincent DeRosa (am 1957-08-18)
vocals:
Louis Armstrong (am 1957-08-18) und Ella Fitzgerald (American jazz singer) (am 1957-08-18)
Orchester:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (am 1957-08-18)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1957-08-18)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong3.754:55
2Take the a Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington5:32
3If I Were a Bell
Klavier:
Red Garland (am 1956-10-26)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-10-26)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-10-26)
Tenorsaxophon:
John Coltrane (am 1956-10-26)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-10-26)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1956-10-26)
instrumental cover recording of:
If I Were a Bell (Guys and Dolls) (am 1956-10-26)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Teil von:
Guys and Dolls (1955 musical film)
Miles Davis38:20
4Night Train
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-12-15 bis 1962-12-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1962-12-15 bis 1962-12-16)
Kontrabass:
Ray Brown (jazz bassist) (von 1962-12-15 bis 1962-12-16)
Schlagzeug:
Ed Thigpen (von 1962-12-15 bis 1962-12-16)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (von 1962-12-15 bis 1962-12-16)
Komponist(in):
Jimmy Forrest
basiert auf:
Happy Go Lucky Local
Oscar Peterson4:50
5Girl From Ipanema
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz & Astrud Gilberto5:11
6My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.853:36
7West End Blues
recording of:
West End Blues (Armstrong recording)
Komponist(in):
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
Arrangement von:
West End Blues (original instrumental)
Louis Armstrong3:11
8Strange Fruit
recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday3:12
9Mas Que Nada
Sérgio Mendes2:39
10Mad About the Boy
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1961-12-04)
Klavier:
Jack Wilson (jazz pianist) (am 1961-12-04)
Posaune:
Billy Byers (am 1961-12-04)
Trompete:
Joe Newman (US jazz trumpeter) (am 1961-12-04)
vocals:
Dinah Washington
Orchester:
Quincy Jones and His Orchestra (am 1961-12-04)
arranger:
Quincy Jones (am 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
Dinah Washington52:45
11April in Paris
Produzent(in):
Norman Granz
alto saxophone:
Bill Graham (US jazz saxophonist) (am 1955-07-26) und Marshall Royal (am 1955-07-26)
alto saxophone, Klarinette, flute und Tenorsaxophon:
Frank Wess (am 1955-07-26)
baritone saxophone und Bassklarinette:
Charlie Fowlkes (baritone saxophonist) (am 1955-07-26)
Gitarre:
Freddie Green (am 1955-07-26)
Klarinette und Tenorsaxophon:
Frank Foster (saxophonist) (am 1955-07-26)
Klavier:
Count Basie (pianist) (am 1955-07-26)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1955-07-26)
Posaune:
Henry Coker (jazz trombonist) (am 1955-07-26), Bill Hughes (jazz trombonist) (am 1955-07-26) und Benny Powell (jazz trombonist) (am 1955-07-26)
Schlagzeug:
Sonny Payne (am 1955-07-26)
Trompete:
Wendell Culley (jazz trumpeter) (am 1955-07-26), Reunald Jones (am 1955-07-26), Thad Jones (American jazz trumpeter) (am 1955-07-26) und Joe Newman (US jazz trumpeter) (am 1955-07-26)
arranger:
Wild Bill Davis
instrumental cover recording of:
April in Paris (am 1955-07-26)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Count Basie3:48
12Sidewinder
Lee Morgan10:21
13Take Five
Dave Brubeck7:03
14Desafinado
Bassgitarre:
Gene Byrd (jazz lyrical bassist) (am 1962-02-13)
Gitarre:
Charlie Byrd (am 1962-02-13) und Gene Byrd (jazz lyrical bassist) (am 1962-02-13)
Kontrabass:
Keter Betts (am 1962-02-13)
Perkussion:
Buddy Deppenschmidt (American jazz drummer) (am 1962-02-13) und Bill Reichenbach (jazz drummer) (am 1962-02-13)
Tenorsaxophon:
Stan Getz (am 1962-02-13)
Trompete:
Charlie Byrd (am 1962-02-13)
arranger:
Antônio Carlos Jobim und Newton Mendonça
aufgenommen bei:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., Vereinigte Staaten (am 1962-02-13)
instrumental cover recording of:
Desafinado (am 1962-02-13)
Texter:
Newton Mendonça
Komponist(in):
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Stan Getz5:49
15Cantaloupe Island
recording engineer:
Rudy van Gelder (am 1964-06-17)
Produzent(in):
Alfred Lion und Michael Cuscuna (in 1999: Aufgabe: Reissue produced by)
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (am 1964-06-17)
Kontrabass:
Ron Carter (US jazz double-bassist) (am 1964-06-17)
Kornett:
Freddie Hubbard (am 1964-06-17)
Schlagzeug:
Tony Williams (American jazz drummer) (am 1964-06-17)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1964-06-17)
recording of:
Cantaloupe Island (am 1964-06-17)
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Company
Herbie Hancock4.855:33
2▶CD

Nennungen

Veröffentlichung

ASIN:UK: B000QUCPM0 [Info]