Sunday Morning Classics

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleRatingLength
1Mr. Bojangles
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-09)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
phonographic copyright (℗) by:
BMG Music (in 1971)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-09)
cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
3.54:59
2Peace Of Mind (1994 remastered)
recording engineer:
Ray Hall (engineer) (on 1968-06-24)
drums (drum set) and timpani:
Bernard “Pretty” Purdie
electric bass guitar:
Jerry Jemmott (on 1968-06-24)
guitar:
Eric Gale (on 1968-06-24), Carl Lynch (on 1968-06-24) and Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (on 1968-06-24)
organ:
Ernest Hayes (American pianist, organist and arranger) (on 1968-06-24)
percussion, tambourine and vibraphone:
Specs Powell (on 1968-06-24)
piano:
Paul Griffin (American pianist, session musician) (on 1968-06-24) and Nina Simone (on 1968-06-24)
trombone:
Garnett Brown (on 1968-06-24)
trumpet:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (on 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (on 1968-06-24) and Joe Shepley (on 1968-06-24)
lead vocals:
Nina Simone (on 1968-06-24)
conductor:
Horace Ott (on 1968-06-24)
arranger:
Horace Ott
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-06-24)
cover recording of:
Peace of Mind (on 1968-06-24)
lyricist and composer:
Millard Delbert Woods
2:36
3Angel of the Morning
lead vocals:
Nina Simone
vocals:
Nina Simone
phonographic copyright (℗) by:
BMG Music (in 1971)
edit of:
Angel of the Morning by Nina Simone
cover recording of:
Angel of the Morning
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. and Unichappell Music
3:18
4Baltimore
electric bass guitar:
Gary King (jazz bassist, arranger and songwriter)
membranophone:
Jimmy Madison
piano:
Al Schackman
cover recording of:
Baltimore
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Six Pictures Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Hightree Music (in 1977)
34:36
5Blues for Mama
recording engineer:
Mickey Crofford (on 1966-12-22) and Ray Hall (engineer) (on 1966-12-22)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1966-12-22)
recording of:
Blues for Mama (on 1966-12-22)
writer:
Abbey Lincoln and Nina Simone
publisher:
Ninandy Music (publisher; do NOT use as release label)
43:56
6Day and Night
recording engineer:
Mickey Crofford (on 1966-12-19) and Ray Hall (engineer) (on 1966-12-19)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1966-12-19)
recording of:
Day and Night
writer:
Rudy Stevenson
32:32
7Do I Move You?
recording engineer:
Mickey Crofford (on 1966-12-19) and Ray Hall (engineer) (on 1966-12-19)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1966-12-19)
recording of:
Do I Move You? (on 1966-12-19)
lyricist and composer:
Nina Simone
4.652:44
8The Family
electric guitar:
Jerry Friedman (guitar, session musician)
piano:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
cover recording of:
The Family
writer:
John Hurley and Ronnie Wilkins
2.654:57
9I Want a Little Sugar In My Bowl
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
performer:
Sam Ellis (House DJ)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (on 1967-01-05)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
4.42:30
10I Wish I Knew How It Would Feel to Be Free
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
mixer:
Mark Hartry
vocals:
Nina Simone
conductor:
Sammy Lowe
arranger:
Sammy Lowe
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-06-15)
part of:
CBC Music: 10 Songs That Have Changed the World
cover recording of:
I Wish I Knew How It Would Feel to Be Free (on 1967-06-15)
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
4.353:06
11In the Dark
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
cover recording of:
Romance in the Dark
writer:
Sam Coslow
composer:
Auteur, Big Bill Broonzy, Bud Green and Gertrude Niesen
4.352:55
12Let It Be Me
recording engineer:
Ed Begley (sound engineer in RCA Victor)
executive producer:
Bruce Somerfeld
producer:
Nat Shapiro, Nina Simone and Harold Wheeler
other instruments [harmonizing] and background vocals:
Sam Waymon
piano and lead vocals:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
produced for:
C.F.N.S. Production
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-09)
cover recording of:
Let It Be Me (from 1971-02-02 until 1971-02-09)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Je t’appartiens
3:26
13The Look of Love
engineer:
Ray Hall (engineer) (on 1967-06-15)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Bernard “Pretty” Purdie (on 1967-06-15)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1967-06-15)
electric guitar:
Eric Gale (on 1967-06-15) and Rudy Stevenson (on 1967-06-15)
harpsichord and piano:
Ernest Hayes (American pianist, organist and arranger) (on 1967-06-15)
vocals:
Nina Simone (on 1967-06-15)
conductor:
Sammy Lowe (on 1969-06-15)
arranger:
Sammy Lowe
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1967-06-15)
cover recording of:
The Look of Love (on 1967-06-15)
lyricist:
Hal David
writer:
Burt Bacharach and Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
3.252:21
14I Shall Be Released
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set):
Don Alias
drums (drum set) [drums]:
Charles D. Alias
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
piano and lead vocals:
Nina Simone
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
edit of:
I Shall Be Released ('To Love Somebody' album version, with Nina Simone talking in the studio at the beginning) by Nina Simone
cover recording of:
I Shall Be Released (original lyrics) (from 1967-01-08 until 1967-01-27)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
3.653:52
15Nobody’s Fault But Mine
recording engineer:
Ray Hall (engineer)
piano:
Nina Simone (on 1968-09-16)
vocals:
Nina Simone (on 1968-09-16)
arranger:
Nina Simone
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-09-16)
cover recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song) (on 1968-09-16)
lyricist, composer and arranger:
Blind Willie Johnson
previously attributed to:
[traditional] (special purpose artist)
42:57
16Since I Fell for You
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
cover recording of:
Since I Fell for You (on 1967-01-05)
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:50
17Turn Me On
phonographic copyright (℗) by:
BMG Music (in 1967)
cover recording of:
Turn Me On (on 1967-06-13)
lyricist and composer:
John D. Loudermilk
publisher:
Loudermilk Music, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1961-08-09)
52:23
18Backlash Blues
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
recording of:
Backlash Blues (on 1967-01-05)
lyricist:
Langston Hughes
composer:
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) and Rolls Royce Music (publisher; do NOT use as release label)
4.652:28
19Ain’t Got No – I Got Life (from the Musical Production “Hair”) (live)
drums (drum set):
Buck Clarke (on 1968-05-13)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-05-13)
electric guitar:
Rudy Stevenson (on 1968-05-13)
organ:
Sam Waymon (on 1968-05-13)
piano:
Nina Simone (on 1968-05-13)
vocals:
Nina Simone (on 1968-05-13)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1968-05-13)
cover recording of:
Ain’t Got No, I Got Life (on 1968-05-13)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
2:17
20To Love Somebody
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Don Alias (in 1967)
piano and lead vocals:
Nina Simone (in 1967)
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-12-20)
cover recording of:
To Love Somebody (on 1967-12-20)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
42:38
21Whatever I Am (You Made Me)
phonographic copyright (℗) by:
BMG Music (in 1970)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1969-08-25 until 1969-08-26)
cover recording of:
Whatever I Am (You Made Me) (from 1969-08-25 until 1969-08-26)
lyricist and composer:
Willie Dixon
publisher:
Jewel Music Publ. (publisher; do NOT use as release label)
43:03
22Save Me
engineer:
Ray Hall (engineer) (on 1969-08-26)
producer:
Andy Stroud (former husband of Nina Simone.)
electric bass guitar:
Jerry Jemmott (on 1969-08-26)
electric guitar:
Eric Gale (on 1969-08-26)
keyboard:
Weldon Irvine (on 1969-08-26) and Richard Tee (on 1969-08-26)
percussion:
Roger “Montego Joe” Sanders (on 1969-08-26)
piano:
Nina Simone (on 1969-08-26)
vocals:
Nina Simone (on 1969-08-26)
conductor:
Weldon Irvine (on 1969-08-26) and Nina Simone (on 1969-08-26)
arranger:
Weldon Irvine and Nina Simone
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1969-08-26)
cover recording of:
Save Me (Aretha Franklin song) (on 1969-08-26)
writer:
Aretha Franklin, Carolyn Franklin and Curtis Ousley
publisher:
Kilynn Music and Pronto Music (publisher)
43:22
23To Be Young, Gifted and Black (live)
engineer:
Ray Hall (engineer) (from 1969-08-25 until 1969-08-26)
phonographic copyright (℗) by:
BMG Music (in 1969)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1969-08-25 until 1969-08-26)
recording of:
To Be Young, Gifted and Black (from 1969-08-25 until 1969-08-26)
lyricist:
Weldon Irvine
composer:
Nina Simone
32:49
24Turn! Turn! Turn! (To Everything There Is a Season) (alternate version)
recording engineer:
Ray Hall (engineer)
background vocals:
Virdia Crawford and Doris Willingham
lead vocals:
Nina Simone
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1969-01-08)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season) (on 1969-01-08)
lyricist:
[traditional] (special purpose artist)
composer:
Pete Seeger (in 1959)
publisher:
Melody Trails and TRO Essex Music Ltd.
32:24
25Suzanne
bass:
Gene A Perla
drums (drum set):
Don Alias
guitar:
Al Schackman
organ:
Weldon Irvine
piano and lead vocals:
Nina Simone
background vocals:
Jennies Durham and Doris Willingham
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1969-01-08)
cover recording of:
Suzanne (English original song by Leonard Cohen) (on 1969-01-08)
lyricist:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. and Writers Workshop Ltd.
35:11
26Just Like a Woman
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-12)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-12)
cover recording of:
Just Like a Woman
lyricist and composer:
Bob Dylan (on 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons and Dwarf Music (from 1966 to present)
54:50
27Here Comes the Sun
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-17)
producer:
Nat Shapiro and Harold Wheeler
lead vocals:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-17)
edit of:
Here Comes the Sun by Nina Simone
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
part of:
Reprise
4.43:32
28I’ll Look Around
recording engineer:
Ray Hall (engineer)
piano:
Nina Simone (on 1968-09-16)
vocals:
Nina Simone (on 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-09-16)
cover recording of:
I’ll Look Around (on 1968-09-16)
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Universal/MCA Music Ltd. (not for release label use!)
55:09
29That’s All I Want From You (album version)
electric bass guitar:
Gary King (jazz bassist, arranger and songwriter)
membranophone:
Jimmy Madison
cover recording of:
That’s All I Want From You
lyricist and composer:
M. Rotha (Austrian composer and lyricist)
3.52:53
30Poppies
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Pete Spargo
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1972-02-01 until 1972-02-10)
recording of:
Poppies
writer:
Lennie Bleecher and Jeremy Wind (Charles Stewart Richey)
24:44
31Tell It Like It Is
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
phonographic copyright (℗) by:
BMG Music (in 1971)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (in 1971-02)
cover recording of:
Tell It Like It Is
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
43:49
32The Times They Are a‐Changin’
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set) and timpani:
Bernard “Pretty” Purdie
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
percussion:
Charles D. Alias
piano and lead vocals:
Nina Simone
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1969-01-13)
cover recording of:
The Times They Are A‐Changin’ (on 1969-01-13)
lyricist and composer:
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
35:53
33Just Like Tom Thumb’s Blues
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass]:
Gene A Perla
drums (drum set) and percussion:
Charles D. Alias
guitar:
Al Schackman and Stuart Scharf
piano and lead vocals:
Nina Simone
background vocals:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1969-01-08)
cover recording of:
Just Like Tom Thumb’s Blues (on 1969-01-08)
lyricist and composer:
Bob Dylan (from 1965-06 until 1965-07)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
34:47
34Jelly Roll
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (in 1971-02)
58:11
35Tanywey
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-09)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-09)
43:26
36Obeah Woman (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor)
executive producer:
Bruce Somerfeld
producer:
Nina Simone
acoustic guitar, bass, classical guitar [Spanish guitar] and sitar:
Avram Schackman
other instruments [Guinee Kuna], other instruments [Madagascar harp], other instruments [Mama-Likembi] and other instruments [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
piano and lead vocals:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1973-06-28)
live cover recording of:
Obeah Man (Obeah Man) (on 1973-06-28)
lyricist and composer:
Exuma
6:21
37My Man’s Gone Now
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (on 1967-01-05)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
34:16
38Backlash Blues (2005 remix)
recorded at:
Westbury Music Fair in Westbury, New York, United States (on 1968-04-07)
live recording of:
Backlash Blues (on 1968-04-07)
lyricist:
Langston Hughes
composer:
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) and Rolls Royce Music (publisher; do NOT use as release label)
3:31
39Sunday in Savannah
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-04-07)
producer:
Joe René
piano and lead vocals:
Nina Simone (on 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Westbury Music Fair in Westbury, New York, United States (on 1968-04-07)
edit of:
Sunday in Savannah (live, 1968‐04‐07: Westbury Music Fair, Long Island, NY, USA) by Nina Simone
live cover recording of:
Sunday in Savannah (on 1968-04-07)
lyricist and composer:
Hugh M. MacKay
part of:
Martin Luther King Suite
3:16
40I Loves You Porgy (From “Porgy and Bess”) (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-04-07)
producer:
Joe René
drums (drum set):
Buck Clarke (on 1968-04-07)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-04-07)
electric guitar:
Rudy Stevenson (on 1968-04-07)
instruments:
Sam Waymon (on 1968-04-07)
piano and lead vocals:
Nina Simone (on 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Westbury Music Fair in Westbury, New York, United States (on 1968-04-07)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1968-04-07)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
cover recording of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene III
3:29
41Do What You Gotta Do
recording engineer:
Ray Hall (engineer) (on 1968-06-24)
artist & repertoire support:
Tom Berman
producer:
Joe René
drums (drum set) and timpani:
Bernard “Pretty” Purdie
electric bass guitar:
Jerry Jemmott (on 1968-06-24)
guitar:
Eric Gale (on 1968-06-24), Carl Lynch (on 1968-06-24) and Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (on 1968-06-24)
organ:
Ernest Hayes (American pianist, organist and arranger) (on 1968-06-24)
percussion, tambourine and vibraphone:
Specs Powell (on 1968-06-24)
piano:
Paul Griffin (American pianist, session musician) (on 1968-06-24) and Nina Simone (on 1968-06-24)
trombone:
Garnett Brown (on 1968-06-24)
trumpet:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (on 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (on 1968-06-24) and Joe Shepley (on 1968-06-24)
lead vocals:
Nina Simone (on 1968-06-24)
conductor:
Horace Ott (on 1968-06-24)
arranger:
Horace Ott
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-06-24)
edit of:
Do What You Gotta Do (1968 version, full length) by Nina Simone
cover recording of:
Do What You Gotta Do (on 1968-06-24)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) and Sosahamu Music Inc. (publisher; do NOT use as release label)
3.52:59
42In the Morning
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (on 1968-05-13)
producer:
Joe René
piano:
Nina Simone
vocals:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-05-13)
cover recording of:
In the Morning (aka “Morning of My Life”) (on 1968-05-13)
lyricist and composer:
Barry Gibb (in 1965)
publisher:
Bramsdene Music Corporation, Campbell Connelly, Campbell Connelly & Co. Ltd., Careers–BMG Music Publishing, Inc., Connelly Musikverlag, Gibb Brothers Music, Norman Whiteley Ltd., Penjane Music (Australia) Pty. Limited and Plymouth Music Co., Inc.
2:41
43O‐o‐h Child (remastered)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-09)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-09)
cover recording of:
O‐o‐h Child
lyricist and composer:
Stan Vincent (1960s/70s pop songwriter)
publisher:
Flamingo Music, Kama Sutra Music Inc. (USA branch), Stan Vincent Music, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
43:15
44Come Ye
drums (drum set):
Buck Clarke (on 1968-04-07)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-04-07)
electric guitar:
Rudy Stevenson (on 1968-04-07)
instruments:
Sam Waymon (on 1968-04-07)
piano:
Nina Simone (on 1968-04-07)
vocals:
Nina Simone (on 1968-04-07)
recorded at:
Westbury Music Fair in Westbury, New York, United States (on 1968-04-07)
live recording of:
Come Ye (Nina Simone) (on 1968-04-07)
lyricist and composer:
Nina Simone
3:46
45I Get Along Without You Very Well (Except Sometimes)
recording engineer:
Ray Hall (engineer)
piano:
Nina Simone (on 1968-09-16)
vocals:
Nina Simone (on 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-09-16)
cover recording of:
I Get Along Without You Very Well (on 1968-09-16)
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
34:54
46Who Knows Where the Time Goes (live)
guitar:
Emile Latimer (on 1969-10-26)
organ:
Weldon Irvine (on 1969-10-26)
piano:
Nina Simone (on 1969-10-26)
vocals:
Nina Simone (on 1969-10-26)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1969-10-26)
edit of:
Who Knows Where the Time Goes (live, 1969‐10‐26: Philharmonic Hall, New York City, NY, USA) by Nina Simone
live cover recording of:
Who Knows Where the Time Goes? (on 1969-10-26)
lyricist and composer:
Sandy Denny
publisher:
Irving Music (BMI), Strawberry Music (Strawbs) and Winckler Musikforlag
4:57
47Why Must Your Love Well Be so Dry
42:19
48Seems I’m Never Tired Lovin’ You
recording engineer:
Ray Hall (engineer)
piano:
Nina Simone (on 1968-10-01)
vocals:
Nina Simone (on 1968-10-01)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-10-01)
cover recording of:
Seems I'm Never Tired Lovin' You (on 1968-10-01)
writer:
Carolyn Franklin and Shannon Stephens
42:59
49The Man With The Horn
recording engineer:
Ray Hall (engineer)
piano:
Nina Simone (on 1968-09-16)
vocals:
Nina Simone (on 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-09-16)
cover recording of:
Man With a Horn (on 1968-09-16)
lyricist:
Eddie DeLange
composer:
Jack Jenney (American jazz trombonist) and Bonnie Lake
43:39
50The Human Touch (1994 remastered)
recording engineer:
Ray Hall (engineer)
piano:
Nina Simone (on 1968-10-01)
vocals:
Nina Simone (on 1968-10-01)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-10-01)
42:07
51Mississippi Goddam (unedited version from original live concert)
drums (drum set):
Buck Clarke (on 1968-04-07)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-04-07)
electric guitar:
Rudy Stevenson (on 1968-04-07)
instruments:
Sam Waymon (on 1968-04-07)
piano:
Nina Simone (on 1968-04-07)
vocals:
Nina Simone (on 1968-04-07)
recorded at:
Westbury Music Fair in Westbury, New York, United States (on 1968-04-07)
live recording of:
Mississippi Goddam (on 1968-04-07)
lyricist and composer:
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
part of:
Martin Luther King Suite
6:52
52Westwind
bongos:
Don Alias (on 1969-10-26)
congas:
Jumma Santos (on 1969-10-26)
vocals:
Nina Simone (on 1969-10-26)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1969-10-26)
edit of:
Westwind (live, 1969‐10‐26: Philharmonic Hall, New York City, NY, USA) by Nina Simone
live cover recording of:
West Wind (on 1969-10-26)
writer:
William Salter and Caiphus Semenya (South African musician and composer)
publisher:
Editions ESPERANCE
8:46
53Funkier Than a Mosquito’s Tweeter
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-06-24)
executive producer:
Bruce Somerfeld
producer:
Nina Simone
bass:
Gene A Perla (on 1971-06-24)
guitar:
David Spinozza (on 1971-06-24)
other instruments [Guinee Kuna], other instruments [Madagascar harp], other instruments [Mama-Likembi] and other instruments [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.) (on 1971-06-24)
piano and lead vocals:
Nina Simone (on 1971-06-24)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-06-24)
edit of:
Funkier Than a Mosquito’s Tweeter (‘It Is Finished’ recording without the added applause) by Nina Simone
cover recording of:
Funkier Than a Mosquito's Tweeter (on 1971-06-24)
lyricist and composer:
Aillene Bullock
publisher:
United Artists Musikverlag (publisher) (in 1970)
2.655:15
54No Opportunity Necessary, No Experience Needed
recording engineer:
Ed Begley (sound engineer in RCA Victor)
engineer:
Edwin Begley (sound engineer in RCA Victor)
bongos:
Don Alias (on 1969-10-26)
congas:
Jumma Santos (on 1969-10-26)
guitar:
Emile Latimer (on 1969-10-26) and Tommy Smith (guitar) (on 1969-10-26)
organ:
Weldon Irvine (on 1969-10-26)
lead vocals:
Nina Simone (on 1969-10-26)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States
live cover recording of:
No Opportunity Necessary, No Experience Needed (on 1969-10-26)
lyricist and composer:
Richie Havens
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Nicklewhistle Music
4:49

Credits

Release

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