The New Collector’s Edition

~ Release by Ralph Vaughan Williams (see all versions of this release, 2 available)

Annotation

A 30-CD collection including CD wallets with a variety of paintings used as cover art, and a 16-page booklet.

Annotation last modified on 2024-08-01 10:40 UTC.

Tracklist

1▶CD: A Sea Symphony
2▶CD: A London Symphony / Symphony no. 8
3▶CD: A Pastoral Symphony / Symphony no. 4
4▶CD: Oboe Concerto / Symphony no. 5
5▶CD: Symphonies nos. 6 & 9
6▶CD: Serenade to Music / Partita for double string orchestra / Sinfonia antartica
7▶CD: The Wasps / Prelude and Fugue / Piano Concerto
8▼CD: Piano Concerto / Job: A Masque for Dancing
#TitleRatingLength
1Piano Concerto in C major: I. Toccata: Allegro moderato -
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
piano:
Victor Babin (Russian-American pianist and composer) (from 1968-12-01 until 1968-12-02) and Vitya Vronsky (from 1968-12-01 until 1968-12-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-12-01 until 1968-12-02)
conductor:
Sir Adrian Boult (conductor) (from 1968-12-01 until 1968-12-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-01 until 1968-12-02)
recording of:
Concerto for Two Pianos and Orchestra in C major: I. Toccata: Allegro moderato (from 1968-12-01 until 1968-12-02)
composer:
Ralph Vaughan Williams (English composer) (in 1926)
arranger:
Joseph Cooper (pianist and broadcaster) (in 1946) and Ralph Vaughan Williams (English composer) (in 1946)
arrangement of:
Piano Concerto in C major: I. Toccata
part of:
Concerto for Two Pianos and Orchestra in C major
6:05
2Piano Concerto in C major: II. Romanza: Lento -
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
piano:
Victor Babin (Russian-American pianist and composer) (from 1968-12-01 until 1968-12-02) and Vitya Vronsky (from 1968-12-01 until 1968-12-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-12-01 until 1968-12-02)
conductor:
Sir Adrian Boult (conductor) (from 1968-12-01 until 1968-12-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-01 until 1968-12-02)
recording of:
Concerto for Two Pianos and Orchestra in C major: II. Romanza: lento (from 1968-12-01 until 1968-12-02)
composer:
Ralph Vaughan Williams (English composer) (in 1926)
arranger:
Joseph Cooper (pianist and broadcaster) (in 1946) and Ralph Vaughan Williams (English composer) (in 1946)
arrangement of:
Piano Concerto in C major: II. Romanza
part of:
Concerto for Two Pianos and Orchestra in C major
9:17
3Piano Concerto in C major: III. Fugue cromatica (Allegro)
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
piano:
Victor Babin (Russian-American pianist and composer) (from 1968-12-01 until 1968-12-02) and Vitya Vronsky (from 1968-12-01 until 1968-12-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-12-01 until 1968-12-02)
conductor:
Sir Adrian Boult (conductor) (from 1968-12-01 until 1968-12-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-01 until 1968-12-02)
partial recording of:
Concerto for Two Pianos and Orchestra in C major: III. Fuga chromatica con finale alla tedesca: Allegro (from 1968-12-01 until 1968-12-02)
composer:
Ralph Vaughan Williams (English composer) (in 1931)
arranger:
Joseph Cooper (pianist and broadcaster) (in 1946) and Ralph Vaughan Williams (English composer) (in 1946)
arrangement of:
Piano Concerto in C major: III. Fuga chromatica con Finale alla Tedesca
part of:
Concerto for Two Pianos and Orchestra in C major
4:40
4Piano Concerto in C major: III. con finale alla tedesca
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
piano:
Victor Babin (Russian-American pianist and composer) (from 1968-12-01 until 1968-12-02) and Vitya Vronsky (from 1968-12-01 until 1968-12-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-12-01 until 1968-12-02)
conductor:
Sir Adrian Boult (conductor) (from 1968-12-01 until 1968-12-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-01 until 1968-12-02)
partial recording of:
Concerto for Two Pianos and Orchestra in C major: III. Fuga chromatica con finale alla tedesca: Allegro (from 1968-12-01 until 1968-12-02)
composer:
Ralph Vaughan Williams (English composer) (in 1931)
arranger:
Joseph Cooper (pianist and broadcaster) (in 1946) and Ralph Vaughan Williams (English composer) (in 1946)
arrangement of:
Piano Concerto in C major: III. Fuga chromatica con Finale alla Tedesca
part of:
Concerto for Two Pianos and Orchestra in C major
6:00
5Job: A Masque for Dancing: Scene I. Introduction -
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 1: Introduction (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
5:29
6Job: A Masque for Dancing: Scene I. Saraband of the Sons of God
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 1: Saraband of the Sons of God (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
3:45
7Job: A Masque for Dancing: Scene II. Satan's Dance of Triumph
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 2: Satan's Dance of Triumph (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
3:28
8Job: A Masque for Dancing: Scene III. Minuet of the Sons of Job and their Wives
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 3: Minuet of the Sons of Job and Their Wives (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
4:00
9Job: A Masque for Dancing: Scene IV. Job's Dream -
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 4: Job's Dream (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
4:17
10Job: A Masque for Dancing: Scene V. Dance of the Three Messengers
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 5: Dance of the Three Messengers (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
4:41
11Job: A Masque for Dancing: Scene VI. Dance of Job's Comforters -
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 6: Dance of Job's Comforters (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
4:50
12Job: A Masque for Dancing: Scene VII. Eilhu's Dance of Youth and Beauty -
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 7: Elihu's Dance of Youth and Beauty (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
3:47
13Job: A Masque for Dancing: Scene VII. Pavane of the Sons of the Morning
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 7: Pavane of the Sons of the Morning (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
2:11
14Job: A Masque for Dancing: Scene VIII. Galliard of the Sons of the Morning -
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 8: Galliard of the Sons of the Morning (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
2:21
15Job: A Masque for Dancing: Scene VIII. Altar Dance -
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 8: Altar Dance (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
2:48
16Job: A Masque for Dancing: Scene IX. Epilogue
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 9: Epilogue (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
2:44
9▶CD: Serenade to Music / English Folk Songs / Fantasia on ‘Greensleeves’ / The Lark Ascending…
10▶CD: Fantasia on a Theme by Thomas Tallis / English Folk Songs / Concerto grosso / Tuba Concerto…
11▶CD: Serenade to Music / Old King Cole / Five Mystical Songs…
12▶CD: Variations for Orchestra / Concerto accademico / String Quartet no. 1…
13▶CD: Violin Sonata / Phantasy Quintet / Six Studies in English Folk Song / String Quartet no. 2…
14▶CD: Toward the Unknown Region / Dona nobis pacem / Fantasia on the Old 104th Psalm Tune / Magnificat
15▶CD: An Oxford Elegy / Flos campi Suite / Sancta Civitas…
16▶CD: Five Tudor Portraits / Benedicite / Five Variants of ‘Dives and Lazarus’…
17▶CD: Fantasia on Christmas Carols / Hodie
18▶CD: Fantasia on Christmas Carols / In Windsor Forest / Songs of Travel / On Wenlock Edge
19▶CD: Mass in G minor / Three Preludes Founded on Welsh Hymn Tunes / Songs…
20▶CD: Four Hymns / Merciless Beauty / Ten Blake Songs / On Wenlock Edge
21▶CD: The House of Life / Songs of Travel
22▶CD: Songs
23▶CD: Folksong Arrangements / A Song of Thanksgiving
24▶CD: Epithalamion / Riders to the Sea
25▶CD: Hugh the Drover (beginning)
26▶CD: Hugh the Drover (end)
27▶CD: Sir John in Love (beginning)
28▶CD: Sir John in Love (end)
29▶CD: The Pilgrim's Progress (beginning)
30▶CD: The Pilgrim's Progress (end) / Sir Adrian in rehearsal