The Box

~ Veröffentlichung von Chicago (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: CTA - Chicago
2▶CD: Chicago III - VII
3▶CD: Chicago VIII - Hot Streets
4▼CD: Chicago 13 - 18
Nr.TitelBewertungLänge
1Street Player (single edit)
Produzent(in):
Chicago (American pop rock/jazz fusion band) und Phil Ramone
Perkussion:
Airto Moreira (percussionist)
Synthesizer:
David “Hawk” Wolinski
Trompete:
Maynard Ferguson
Bearbeitung von:
Street Player (album version) von Chicago (American pop rock/jazz fusion band)
cover recording of:
Street Player
Verfasser(in):
Danny Seraphine und David “Hawk” Wolinski
54:25
2Must Have Been Crazy
Techniker(in):
Jim Boyer (producer/engineer)
Produzent(in):
Chicago (American pop rock/jazz fusion band) und Phil Ramone
Sologesang:
Donnie "Hot Licks" Dacus
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2003)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Must Have Been Crazy
Verfasser(in):
Donnie Dacus
3:24
3Manipulation
assistierende(r) Techniker(in):
Ricky DeLena, Karat Faye und Bill Freesh
Techniker(in):
Michael Carnévale (engineer)
Produzent(in):
Tom Dowd
aufgenommen bei und mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Manipulation
Texter und Komponist(in):
Robert Lamm
publisher:
Little Sacha Songs (in 1980)
3:30
4Thunder and Lightning
assistierende(r) Techniker(in):
Ricky DeLena, Karat Faye und Bill Freesh
Techniker(in):
Michael Carnévale (engineer)
Produzent(in):
Tom Dowd
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2003)
aufgenommen bei und mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Thunder and Lightning (in 1980)
Texter und Komponist(in):
Peter Cetera (in 1980) und Robert Lamm (in 1980)
Verfasser(in):
Danny Seraphine (in 1980)
publisher:
BMG Songs, Inc. (in 1980), Little Sacha Songs (in 1980) und Street Sense Music (in 1980)
3:32
5Song for You
assistierende(r) Techniker(in):
Ricky DeLena, Karat Faye und Bill Freesh
Techniker(in):
Michael Carnévale (engineer)
Produzent(in):
Tom Dowd
Sologesang:
Peter Cetera (in 1980)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1980) und Rhino Entertainment Company (not for release label use!) (in 2003)
aufgenommen bei und mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Song for You (in 1980)
Texter und Komponist(in):
Peter Cetera (in 1980)
publisher:
Double Virgo Music und BMG Songs, Inc. (in 1980)
3:42
6The American Dream
assistierende(r) Techniker(in):
Ricky DeLena, Karat Faye und Bill Freesh
Techniker(in):
Michael Carnévale (engineer)
Produzent(in):
Tom Dowd
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2003)
aufgenommen bei und mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The American Dream
Texter und Komponist(in):
James Pankow
publisher:
Make Me Smile Music (in 1980)
3:18
7Love Me Tomorrow
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Saiteninstrumente arranger:
Jeremy Lubbock
recording of:
Love Me Tomorrow
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Double Virgo Music, Foster Frees Music Inc., Irving Music, Inc. und Rondor Music (London) Ltd.
5:00
8Chains
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
recording of:
Chains
Verfasser(in):
Ian Thomas (Canadian singer/songwriter)
publisher:
Mark-Cain Music
3:23
9What You’re Missing (single edit)
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
recording of:
What You’re Missing
Verfasser(in):
Jay Gruska und Joseph Williams (vocalist for Toto, son of composer John Williams)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:31
10Hard to Say I’m Sorry / Get Away
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Jack Goudie, Lee Loughnane und Walter Parazaider
Mix:
Bill Schnee
Saiteninstrumente arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Jeremy Lubbock
arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Danny Seraphine
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982, in 2010)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Get Away
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Robert Lamm
publisher:
Double Virgo Music, Foster Frees Music Inc., Little Sacha Songs, Peermusic III, Ltd. (BMI), Primary Wave Lamm, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
Hard to Say I’m Sorry (Chicago song)
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Double Virgo Music (in 1982) und Foster Frees Music Inc. (in 1982)
recording of:
Hard to Say I’m Sorry / Get Away
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. und Little Sacha Songs
Medley von:
Hard to Say I’m Sorry (Chicago song)
Medley von:
Get Away
55:06
11Stay the Night
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Stay the Night (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Songs, Inc., Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
43:48
12We Can Stop the Hurtin’
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Hintergrundgesang:
Richard Marx und Donny Osmond
Horn arranger:
James Pankow
recording of:
We Can Stop the Hurtin’
Texter und Komponist(in):
J. Parker (written by credit)
publisher:
Cheeky Kid Music (in 1984), Fin de Siècle Musique (US work publisher) (in 1984) und JSH Music (in 1984)
4:11
13Hard Habit to Break
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
Sologesang:
Peter Cetera (in 1984) und Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hard Habit to Break (in 1984)
Verfasser(in):
Steve Kipner (in 1984) und John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
44:44
14Along Comes a Woman (single version)
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 1985)
recording of:
Along Comes a Woman
Verfasser(in):
Peter Cetera (in 1984) und Mark Goldenberg (in 1984)
publisher:
BMG Music Publishing Ltd., MCA Music Ltd., Double Virgo Music (in 1984), Fleedleedle Music (in 1984) und Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1984)
3:47
15You’re the Inspiration
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You’re the Inspiration (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
53:49
16Good for Nothing
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
aufgenommen bei und mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Good for Nothing
Verfasser(in):
David Foster (Canadian music producer, arranger and composer), Robert Lamm und Richard Marx
3:38
17If She Would Have Been Faithful…
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Laura Livingston
Sologesang:
Jason Scheff (in 1986)
arranger:
David Foster (Canadian music producer, arranger and composer) und Steve Kipner
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986, in 2010)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
If She Would Have Been Faithful... (in 1986)
Verfasser(in):
Randy Goodrum (in 1986) und Steve Kipner (in 1986)
publisher:
Bocu Music Ltd., CBS Songs Ltd., MCA Music Ltd., April Music Inc. (in 1985), California Phase Music (in 1985) und Stephen A. Kipner Music (in 1985)
3:53
18Forever
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
recording of:
Forever
Verfasser(in):
Bill Gable und Robert Lamm
publisher:
Island Music Ltd., Fin de Siècle Musique (US work publisher) (in 1986) und Idle Speculation Music (in 1986)
5:21
19Will You Still Love Me? (single version)
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Will You Still Love Me? (Chicago song) (in 1986)
Verfasser(in):
Richard Baskin (in 1986), David Foster (Canadian music producer, arranger and composer) (in 1986) und Tom Keane (keyboards, of The Keane Brothers) (in 1986)
publisher:
Masonmack Music, MCA Music Ltd., Peermusic III, Ltd. (BMI), Songs of Universal, Inc. (BMI), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Air Bear Music (in 1986), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1986), Warm Springs Music (in 1986) und Young Millionaires Club Music (in 1986)
44:11
20Niagara Falls
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
recording of:
Niagara Falls
Verfasser(in):
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) und Steve Kipner
publisher:
Bocu Music Ltd., CBS Songs Ltd., April Music Inc. (in 1985), Blackwood Music Inc. (1953-02-07–1987-12-30) (in 1985), Sin-Drome Music (in 1985) und Stephen A. Kipner Music (in 1985)
3:42
5▶CD: Chicago 19 - Heart Of, Volume II
6▶DVD-Video: Special Archival Bonus DVD

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
gedruckt in:Vereinigte Staaten
art direction:Hugh Brown (US art director and photographer)
Fotografie:Greg Allen (LA-based graphic designer and photographer)
Hugh Brown (US art director and photographer)
michaelochsarchives.com
Andy Strauss (photographer)
Produzent(in):Chicago (American pop rock/jazz fusion band)
David McLees
Gary Peterson (producer, Rhino Records)
remastering:David Donnelly
design:Nancy L. Hopkins
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Warner Strategic Marketing (in 2003)
mixed at:Columbia Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969-08)
Columbia Studios in New York, New York, Vereinigte Staaten (in 1969-08)
remastered at:DNA Mastering (Studio City) in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/4590306 [Info]
ASIN:DE: B0000AN315 [Info]

Veröffentlichungsgruppe

Wikidata:Q7719563 [Info]