Cecilia & Friends Sing Out

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Enhanced CD
#TitleArtistRatingLength
1Don Giovanni: Atto I. Champagne Aria
producer:
Michael Woolcock (producer)
baritone vocals [Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1996-10-05 until 1996-10-07)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1996-10-05 until 1996-10-07)
conductor:
Solti (Sir Georg Solti, conductor) (from 1996-10-05 until 1996-10-07)
balance engineer:
Neil Hutchinson (sound engineer) (from 1996-10-05 until 1996-10-07) and James Lock (James Locke, engineer) (from 1996-10-05 until 1996-10-07)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1996-10-05 until 1996-10-07)
live recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1996-10-05 until 1996-10-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1997)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:22
2Don Giovanni: Atto I. “Don Ottavio son morta” … “Or sai chi l'onore” (excerpt)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
partial recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:24
3Don Giovanni: Atto II. Don Giovanni's Descent Into Hell
baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
partial recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:22
4I Lombardi: Atto II. “La mia letizia infondere”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi2:00
5I Lombardi: Atto IV. “In cielo benedetto”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
I Lombardi: Atto IV. N°16 “In cielo benedetto” (Oronte, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto IV (Il santo sepolcro)
Giuseppe Verdi2:06
6L'elisir d'amore: Atto I. “Una parola, o Adina” (excerpt)
choir vocals:
Chœur de l’Opéra de Lyon
soprano vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Evelino Pidò (conductor)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Una parola, o Adina” (Nemorino, Adina)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:30
7L'elisir d'amore: Atto II. “Una furtiva lagrima” (alternative version)
choir vocals:
Chœur de l’Opéra de Lyon
tenor vocals:
Roberto Alagna (tenor)
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Evelino Pidò (conductor)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:45
8Malinconia, ninfa gentile
piano:
James Levine (US conductor and pianist)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
recording of:
Quindici composizione da camera per canto e pianoforte: No. 10. Malinconia, ninfa gentile
lyricist:
Ippolito Pindemonte
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Quindici composizione da camera per canto e pianoforte
Vincenzo Bellini1:16
9La danza (Tarantella napoletana)
piano:
James Levine (US conductor and pianist)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
lyricist:
Carlo Pepoli (Italian librettist, 19th c.)
composer:
Gioachino Rossini (composer)
part of:
Soirées musicales
Gioachino Rossini3:00
10Rusalka: Act I. “O Silver Moon” (excerpt)
soprano vocals:
Renée Fleming (soprano)
orchestra:
London Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
partial recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák3:32
11Le nozze di Figaro: Atto II. “Dove sono”
soprano vocals:
Renée Fleming (soprano)
orchestra:
London Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:16
12Dichterliebe: “Am leuchtenden Sommermorgen”
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
baritone vocals:
Matthias Goerne (baritone)
recording of:
Dichterliebe, op. 48: XII. Am leuchtenden Sommermorgen
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann2:32
13Die Walküre: Akt III. Feuermusik (excerpt)
bass-baritone vocals:
Robert Hale (US bass-baritone)
orchestra:
The Cleveland Orchestra
conductor:
Christoph von Dohnányi (German conductor)
partial recording of:
Die Walküre, WWV 86B: Akt III
composer and librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B
Richard Wagner4:04
14Die Walküre: Akt III. Prelude; The Ride of the Valkyries
contralto vocals:
Vera Little and Helen Watts (contralto)
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano)
soprano vocals:
Helga Dernesch (Austrian soprano and mezzo‐soprano), Claudia Hellmann (contralto), Berit Lindholm (soprano), Vera Schlosser and Marilyn Tyler (soprano)
vocals:
Vera Schlosser (in 1965-11)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1965-11)
conductor:
Sir Georg Solti (conductor) (in 1965-11)
partial recording of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!" (in 1965-11)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
Richard Wagner8:30
15La traviata: Atto I. “Sempre libera”
soprano vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Georg Solti (conductor)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:54
16Elijah: Part 1. “O thou who makest” … “Is not his word like a fire”
baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
choir vocals:
Edinburgh Festival Chorus
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Paul Daniel (conductor)
recording of:
Elijah, op. 70: Air (Elijah) - "Is not His word like a fire?"
composer:
Felix Mendelssohn (composer)
librettist:
Julius Schubring
translator:
William Bartholomew
part of:
Elijah, op. 70, Part I (with English libretto by William Bartholomew)
Felix Mendelssohn5:04
17Elijah: Part 1. “As God the lord Sabaoth liveth”
baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
choir vocals:
Edinburgh Festival Chorus
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Paul Daniel (conductor)
recording of:
Elijah, op. 70: Introduction (Elijah) - "As God the Lord of Israel Liveth"
composer:
Felix Mendelssohn (composer)
librettist:
Julius Schubring
translator:
William Bartholomew
part of:
Elijah, op. 70, Part I (with English libretto by William Bartholomew)
Felix Mendelssohn4:39
Data tracks
18[data track]
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