Erato – 50 CD Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Baroque Concertos
2▶CD: J.S. Bach Orchestral Suites 1–4, BWV 1066–1069
3▶CD: J.S. Bach: Organ Works
4▶CD: Berlioz: Overtures
5▶CD: Bizet: Carmen (excerpts)
6▶CD: Boulez: Le visage nuptial, Le soleil des eaux, Figures, Doubles, Prismes
7▶CD: Brahms: Trios opp. 40 & 114
8▶CD: Campra: Requiem
9▶CD: Canteloube: Chants d’Auvergne (excerpts), Emmanuel: Chansons bourguignonnes (excerpts)
10▼CD: Charpentier: Médée (excerpts), In Nativitatem Domini Canticum (excerpts), Purcell: Dido and Aeneas (excerpts)
#TitleArtistRatingLength
1Médée, H491: Prologue: Overture
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Prologue. Ouverture
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier1:58
2Médée, H491: Prologue: Passepied (Chorus)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Prologue. Passepied
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier2:38
3Médée, H491: Acte I, Scène 6: "Que d'épais bataillons" (Chorus)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Acte I, Scène VI. "Que d'épais bataillons, sur nos rêves descendent"
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier4:34
4Médée, H491: Acte I, Scène 6: Rondeau des Corinthiens
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Acte I, Scène VI. Rondeau des Corinthiens
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier1:15
5Médée, H491: Acte I, Scène 6: "Quel bonheur suit la tendresse" (Corinthien, Argien)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Acte I, Scène VI. "Quel bonheur suit la tendresse"
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier2:46
6Médée, H491: Acte I, Scène 6: "Que d'épais bataillons" (reprise) (Chorus)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Acte I, Scène VI. "Que d'épais" (reprise)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier1:40
7Médée, H491: Acte I, Scène 6: Entr'acte
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Acte I, Scène VI. Entr'acte
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier0:38
8Médée, H491: Acte III, Scène 5-7: "Noires filles du Stix" (Médée)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Acte III, Scène V. "Noires filles du Stix"
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier1:22
9Médée, H491: Acte III, Scène 5-7: "L'Enfer obéit à ta voix" (Chorus, Médée)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Acte III, Scène VI. "L'Enfer obéit à ta voix"
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier1:49
10Médée, H491: Acte III, Scène 5-7: "Je voy le don fatal qu'exige ma rivale" (Médée, Chorus)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Acte III, Scène VII. "Je vois le don fatal"
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier0:48
11Médée, H491: Acte III, Scène 5-7: Premier Air pour les Démons
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Acte III, Scène VII. Premier Air pour les Démons
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier1:34
12Médée, H491: Acte III, Scène 5-7: "Dieu du Cocyte et des Royaumes sombres" (Médée, Chorus)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Acte III, Scène VII. "Dieu du Cocyte & des Royaumes sombres"
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier3:45
13Médée, H491: Acte III, Scène 5-7: Seconde entrée des Démons (Chorus, Médée)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Ateliers Berthier in Paris, Île-de-France, France (from 1994-05-03 until 1994-05-12)
recording of:
Médée: Acte III, Scène VII. Seconde entrée des Démons
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier2:39
14In Nativitatem Domini Canticum, H416: Nuit
orchestra:
Les Arts Florissants (French baroque ensemble) (from 1994-05-03 until 1994-05-12)
conductor:
William Christie (harpsichordist and conductor) (from 1994-05-03 until 1999-05-12)
recording of:
Un Oratorio de Noël: In nativitatem Domini canticum, H. 416 La Nuit
composer:
Marc‐Antoine Charpentier (composer)
part of:
In nativitatem Domini canticum, H. 416
Marc‐Antoine Charpentier4:12
15In Nativitatem Domini Canticum, H416: Réveil des bergers
orchestra:
Les Arts Florissants (French baroque ensemble) (from 1994-05-03 until 1994-05-12)
conductor:
William Christie (harpsichordist and conductor) (from 1994-05-03 until 1999-05-12)
recording of:
Un Oratorio de Noël: In nativitatem Domini canticum, H. 416: Reveil des bergers
composer:
Marc‐Antoine Charpentier (composer)
part of:
Un Oratorio de Noël: In nativitatem Domini canticum, H. 416 Deuxième Partie
Marc‐Antoine Charpentier0:16
16In Nativitatem Domini Canticum, H416: Chorus pastorum. "Cœli aperti sunt" (Chorus)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 1994-05-03 until 1994-05-12)
conductor:
William Christie (harpsichordist and conductor) (from 1994-05-03 until 1999-05-12)
recording of:
Un Oratorio de Noël: In nativitatem Domini canticum, H. 416: Chorus pastorum
composer:
Marc‐Antoine Charpentier (composer)
part of:
Un Oratorio de Noël: In nativitatem Domini canticum, H. 416 Deuxième Partie
Marc‐Antoine Charpentier0:13
17In Nativitatem Domini Canticum, H416: Récit de l'Ange. "Nolite timere pastores" (L'Ange)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 1994-05-03 until 1994-05-12)
conductor:
William Christie (harpsichordist and conductor) (from 1994-05-03 until 1999-05-12)
recording of:
Un Oratorio de Noël: In nativitatem Domini canticum, H. 416: Récit de l'Ange
composer:
Marc‐Antoine Charpentier (composer)
part of:
Un Oratorio de Noël: In nativitatem Domini canticum, H. 416 Deuxième Partie
Marc‐Antoine Charpentier2:40
18In Nativitatem Domini Canticum, H416: Chœur des anges. "Gloria in altissimis Deo" (Chorus)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 1994-05-03 until 1994-05-12)
conductor:
William Christie (harpsichordist and conductor) (from 1994-05-03 until 1999-05-12)
recording of:
Un Oratorio de Noël: In nativitatem Domini canticum, H. 416: Choeur des anges
composer:
Marc‐Antoine Charpentier (composer)
part of:
Un Oratorio de Noël: In nativitatem Domini canticum, H. 416 Deuxième Partie
Marc‐Antoine Charpentier2:21
19Dido and Aeneas, Z626: Act I: Overture
Henry Purcell1:50
20Dido and Aeneas, Z626: Act I: "Shake the cloud from off your brow" (Belinda, Chorus)
choir vocals:
Les Arts Florissants (French baroque ensemble)
soprano vocals:
Sophie Marin-Degor (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:03
21Dido and Aeneas, Z626: Act I: "Ah Belinda, I am press'd with torment" (Dido)
soprano vocals:
Véronique Gens (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:38
22Dido and Aeneas, Z626: Act I: "Grief increases by concealing" ... "When monarchs unite, how happy their state" (Belinda, Dido, Chorus)
choir vocals:
Les Arts Florissants (French baroque ensemble)
soprano vocals:
Véronique Gens (soprano) and Sophie Marin-Degor (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:46
23Dido and Aeneas, Z626: Act I: The Triumphing Dance
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:10
24Dido and Aeneas, Z626: Act III, Scene 1: "Come away, fellow sailors" (Sailor, Chorus) - The Sailors' Dance
choir vocals:
Les Arts Florissants (French baroque ensemble)
tenor vocals:
Jean-Paul Fouchécourt (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:21
25Dido and Aeneas, Z626: Act III, Scene 1: The Witches' Dance
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:38
26Dido and Aeneas, Z626: Act III, Scene 2: "When I am laid in earth" (Dido)
soprano vocals:
Véronique Gens (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:54
11▶CD: Charpentier: 9 leçons de ténèbres (excerpts)
12▶CD: Chausson·Roussel: String Quartets
13▶CD: Chopin: Études
14▶CD: Couperin: Harpsichord Works
15▶CD: Dukas: L’Apprenti Sorcier, La Péri (excerpts), Symphony in C major
16▶CD: Fauré·Duruflé: Requiems
17▶CD: Franck: Organ Works
18▶CD: Ravel·Gershwin: Piano Concertos
19▶CD: Gluck: Iphigénie en Aulide (highlights)
20▶CD: Handel: Organ Concertos HWV 289, 290–294 & 311
21▶CD: Tomasi·Honegger·Milhaud·Jolivet: Concertos
22▶CD: Liszt: Missa choralis·Via crucis
23▶CD: Lully: Te Deum·Dies irae
24▶CD: Messiaen: Couleurs de la cité céleste·Et exspecto resurrectionem mortuorum·L’Ascension
25▶CD: Messiaen: Méditations sur le mystère de la Sainte Trinité
26▶CD: Milhaud: Symphony 4 & 8 “Rhodanienne”·Piano Concerto 4·Ballade
27▶CD: Monteverdi·D’India·Charpentier·Landi: Vocal Works
28▶CD: Monteverdi: Selvamorale e spirituale (excerpts)
29▶CD: Mozart: Flute and Harp Concerto·Clarinet Concerto
30▶CD: Mozart: Le nozze di Figaro (highlights)
31▶CD: Mozart: Requiem
32▶CD: Poulenc·Duruflé·Alain
33▶CD: Prokofiev: Symphony 5 & 7
34▶CD: Purcell: King Arthur (excerpts)
35▶CD: Rameau: La Guirlande
36▶CD: Rimsky‐Korsakov: Scheherazade·Tsar Saltan
37▶CD: Roussel: Bacchus et Ariane – Suites 1 & 2· Le Festin de l’araignée
38▶CD: Schubert: Piano Sonata D894·Fantasy D940
39▶CD: Shostakovich: Symphony No. 15·Rayok
40▶CD: Tchaikovsky·Sibelius: Violin Concertos
41▶CD: Stradella: San Giovanni Battista
42▶CD: Stravinsky: Pulcinella·Le Chant du Rossignol
43▶CD: Tartini: Violon Sonatas
44▶CD: Tchaikovsky·Mussorgsky·Glinka·Glazunov: Orchestral Works
45▶CD: Vivaldi: Flute Concertos
46▶CD: Choral Works
47▶CD: J.S. Bach·D. Scarlatti·Handel·Soler: Harpsichord Music
48▶CD: Virtuoso Arias
49▶CD: French Operetta Arias
50▶CD: Tristan et Iseult