Artie Shaw

~ Release by Artie Shaw (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Frenesi
recording of:
Frenesí
lyricist and composer:
Alberto Domínguez
3:05
2Dancing in the Dark
recorded in:
Hollywood, Los Angeles, California, United States (on 1941-01-23)
alto saxophone:
Bus Bassey (on 1941-01-23) and Neely Plumb (on 1941-01-23)
cello:
Fred Goerner (on 1941-01-23)
clarinet:
Artie Shaw (on 1941-01-23)
double bass:
Jud DeNaut (on 1941-01-23)
drums (drum set):
Nick Fatool (on 1941-01-23)
electric guitar:
Al Hendrickson (on 1941-01-23)
piano:
Johnny Guarnieri (on 1941-01-23)
tenor saxophone:
Jerry Jerome (on 1941-01-23) and Les Robinson (on 1941-01-23)
trombone:
Vernon Brown (on 1941-01-23), Ray Conniff (on 1941-01-23) and Jack Jenney (American jazz trombonist) (on 1941-01-23)
trumpet:
Billy Butterfield (on 1941-01-23), Clyde Hurley (on 1941-01-23) and George Wendt (Swing trumpeter) (on 1941-01-23)
viola:
Keith Collins (viola) (on 1941-01-23) and Allan Harshman (violist) (on 1941-01-23)
violin:
Alex Beller (on 1941-01-23), Truman Boardman (on 1941-01-23), Bill Brower (on 1941-01-23), Ted Klages (on 1941-01-23), Eugene Lamas (on 1941-01-23) and Bob Morrow (on 1941-01-23)
orchestra:
Artie Shaw and His Orchestra (on 1941-01-23)
recording of:
Dancing in the Dark (on 1941-01-23)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
3:04
3Bill
2:39
4Time on My Hands
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-06-07)
alto saxophone:
Louis Prisby (on 1945-06-07) and Rudy Tanza (on 1945-06-07)
baritone saxophone:
Chuck Gentry (on 1945-06-07)
bass:
Morris Rayman (on 1945-06-07)
clarinet:
Artie Shaw (on 1945-06-07)
drums (drum set):
Lou Fromm (on 1945-06-07)
guitar:
Barney Kessel (on 1945-06-07)
piano:
Dodo Marmarosa (on 1945-06-07)
tenor saxophone:
Ralph Rosenlund (on 1945-06-07) and Jon Walton (on 1945-06-07)
trombone:
Gus Dixon (on 1945-06-07), Harry Rodgers (US big-band trombonist and arranger) (on 1945-06-07), Bob Swift (on 1945-06-07) and Ollie Wilson (on 1945-06-07)
trumpet:
Roy Eldridge (on 1945-06-07), Stan Fishelson (on 1945-06-07), Bernie Glow (on 1945-06-07) and George Schwartz (on 1945-06-07)
orchestra:
Artie Shaw and His Orchestra (on 1945-06-07)
recording of:
Time on My Hands
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
3:01
5Concerto for Clarinet
4:31
6Summit Ridge Drive3:24
7They Say
2:50
8I Poured My Heart Into a Song
3:27
9The Donkey Serenade
3:17
10All the Things You Are
recording of:
All the Things You Are (from “Very Warm for May”)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
3:17
11Star Dust
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-10-07)
alto saxophone:
Bus Bassey (on 1940-10-07) and Neely Plumb (on 1940-10-07)
cello:
F. Goerner (on 1940-10-07)
clarinet:
Artie Shaw (on 1940-10-07)
double bass and double bass [bass]:
Jud DeNaut (on 1940-10-07)
drums (drum set):
Nick Fatool (on 1940-10-07)
electric guitar and guitar:
Al Hendrickson (on 1940-10-07)
piano:
Johnny Guarnieri (on 1940-10-07)
tenor saxophone:
Jerry Jerome (on 1940-10-07) and Les Robinson (on 1940-10-07)
trombone:
Vernon Brown (on 1940-10-07) and Jack Jenney (American jazz trombonist) (on 1940-10-07)
trumpet:
Billy Butterfield (on 1940-10-07), J. Cathcart (on 1940-10-07) and George Wendt (Swing trumpeter) (on 1940-10-07)
viola:
A. Harshman (violist) (on 1940-10-07) and K. Collins (viola) (on 1940-10-07)
violin:
Al Beller (on 1940-10-07), B. Bower (on 1940-10-07), B. Morrow (on 1940-10-07), E. Lamas (on 1940-10-07), T. Boardman (on 1940-10-07) and T. Klages (on 1940-10-07)
orchestra:
Artie Shaw and His Orchestra (on 1940-10-07)
conductor:
Artie Shaw (on 1940-10-07)
instrumental recording of:
Stardust (the jazz standard) (on 1940-10-07)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
33:34
12It Had to Be You
2:33
13Lover Come Back to Me
3:28
14These Foolish Things Remind Me of You
3:15
15Blues in the Night
recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
3:19
16Begin the Beguine
recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
3:18
17Day in, Day Out
recording of:
Day In, Day Out
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
3:37
18Someone to Watch Over Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-17)
alto saxophone:
Louis Prisby (on 1945-07-17) and Rudy Tanza (on 1945-07-17)
baritone saxophone:
Chuck Gentry (on 1945-07-17)
bass:
Morris Rayman (on 1945-07-17)
clarinet:
Artie Shaw (on 1945-07-17)
drums (drum set):
Lou Fromm (on 1945-07-17)
guitar:
Barney Kessel (on 1945-07-17)
piano:
Dodo Marmarosa (on 1945-07-17)
tenor saxophone:
Ralph Rosenlund (on 1945-07-17) and Jon Walton (on 1945-07-17)
trombone:
Gus Dixon (on 1945-07-17), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-17), Bob Swift (on 1945-07-17) and Ollie Wilson (on 1945-07-17)
trumpet:
Roy Eldridge (on 1945-07-17), Stan Fishelson (on 1945-07-17), Bernie Glow (on 1945-07-17) and George Schwartz (on 1945-07-17)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-17)
recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1945-07-17)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
3:02
19They Can't Take That Away From Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-14)
alto saxophone:
Louis Prisby (on 1945-07-14) and Rudy Tanza (on 1945-07-14)
baritone saxophone:
Chuck Gentry (on 1945-07-14)
bass:
Morris Rayman (on 1945-07-14)
clarinet:
Artie Shaw (on 1945-07-14)
drums (drum set):
Lou Fromm (on 1945-07-14)
guitar:
Barney Kessel (on 1945-07-14)
piano:
Dodo Marmarosa (on 1945-07-14)
tenor saxophone:
Ralph Rosenlund (on 1945-07-14) and Jon Walton (on 1945-07-14)
trombone:
Gus Dixon (on 1945-07-14), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-14), Bob Swift (on 1945-07-14) and Ollie Wilson (on 1945-07-14)
trumpet:
Roy Eldridge (on 1945-07-14), Stan Fishelson (on 1945-07-14), Bernie Glow (on 1945-07-14) and George Schwartz (on 1945-07-14)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-14)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:43
20Thanks for Ev'rything
3:18