The Masterworks (Brilliant Classics compilation)

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Annotation

note. This jewel boxed compilation and the 2004 edition do not use the same recordings for all works.

Farringdons on the South Bank and assorted Covent Garden retailers routinely sold the individual parts of this collection so they should probably be listed separately too.

Individual barcodes:

“Volume” 1: 5028421977713 (CDs 1-3)
“Volume” 2: 5028421977744 (CDs 4-5)
“Volume” 3: 5028421977768 (CDs 6-7)
“Volume” 4: 5028421977782 (CDs 8-10)
“Volume” 5: 5028421777115 (CDs 11-12)
“Volume” 6: 5028421777139 (CDs 13-15)
“Volume” 7: 5028421777160 (CD 16)
“Volume” 8: 5028421777177 (CDs 17-18)
“Volume” 9: 5028421777191 (CDs 19-20)
“Volume” 10: 5028421777214 (CDs 21-23)
“Volume” 11: 5028421777245 (CD 24)
“Volume” 12: 5028421777252 (CDs 25-26)
“Volume” 13: 5028421777276 (CD 27)
“Volume” 14: 5028421777283 (CD 28)
“Volume” 15: 5028421777290 (CD 29)
“Volume” 16: 5028421777306 (CDs 30-31)
“Volume” 17: 5028421777320 (CDs 32-34)
“Volume” 18: 5028421777351 (CD 35)
“Volume” 19: 5028421777368 (CD 36)
“Volume” 20: 5028421777375 (CD 37)
“Volume” 21: 5028421777382 (CD 38)
“Volume” 22: 5028421777399 (CD 39)
“Volume” 23: 5028421777405 (CD 40)

Annotation last modified on 2020-04-14 15:48 UTC.

Tracklist

1▶CD: Jephtha, CD 1
2▶CD: Jephtha, CD 2
3▶CD: Jephtha, CD 3
4▶CD: Judas Maccabaeus, CD 1
5▶CD: Judas Maccabaeus, CD 2
6▶CD: Solomon, CD 1
7▶CD: Solomon, CD 2
8▶CD: Belsazar, CD 1
9▶CD: Belsazar, CD 2
10▶CD: Belsazar, CD 3
11▶CD: Messiah, CD 1
12▼CD: Messiah, CD 2
#TitleRatingLength
1Messiah: Part II. Chorus "Surely he haath borne out grieves"
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
3:15
2Messiah: Part II. Chorus "And with his stripes we are healed"
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:39
3Messiah: Part II. Chorus "All we like sheep"
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
3:31
4Messiah: Part II. Recitative "All they that see Him" (tenor)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:46
5Messiah: Part II. Chorus "He trusted in God"
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
2:02
6Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:54
7Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
1:45
8Messiah: Part II. Recitative "He was cut off out of the land" (tenor)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:24
9Messiah: Part II. Aria "But thou didst not leave" (tenor)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
2:38
10Messiah: Part II. Chorus "Lift up your heads"
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
3:13
11Messiah: Part II. Recitative "Unto which of the angels" (tenor)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:19
12Messiah: Part II. Chorus "Let all the angels of God worship Him"
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:18
13Messiah: Part II. Aria "Thou art gone up on high" (alto)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
3:20
14Messiah: Part II. Chorus "The Lord gave the word"
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:08
15Messiah: Part II. Aria "How beautiful are the feet" (soprano)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
3:02
16Messiah: Part II. Chorus "Their sound is gone out"
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
1:14
17Messiah: Part II. "Why do the nations?" (bass)
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
bass vocals and solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
2:58
18Messiah: Part II. Chorus "Let us break their bonds asunder"
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:52
19Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:17
20Messiah: Part II. Aria "Thou shalt break them" (tenor)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
2:16
21Messiah: Part II. Chorus "Hallelujah!"
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
bass vocals:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale (in 1970-07)
contralto vocals:
Yvonne Minton (mezzo-soprano)
soprano vocals:
Margaret Price (soprano)
tenor vocals:
Alexander Young (tenor)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
3:38
22Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano)
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo soprano vocals and soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
7:18
23Messiah: Part III. Chorus "Since by man came death"
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
1:59
24Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
0:43
25Messiah: Part III. Aria "The trumpet shall sound" (bass)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
8:44
26Messiah: Part III. Recitative "Then shall be brought to pass" (alto)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
0:20
27Messiah: Part III. Duet "O death, where is thy sting" (alto & soprano)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
1:11
28Messiah: Part III. Chorus "But thanks be to God"
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
2:25
29Messiah: Part III. Aria "If God be for us" (soprano)
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
5:30
30Messiah: Part III. Chorus "Worthy is the Lamb...Amen"
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
bass vocals:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale (in 1970-07)
contralto vocals:
Yvonne Minton (mezzo-soprano)
soprano vocals:
Margaret Price (soprano)
tenor vocals:
Alexander Young (tenor)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
6:44
13▶CD: Brockes Passion, CD 1
14▶CD: Brockes Passion, CD 2
15▶CD: Brockes Passion, CD 3
16▶CD: Johannes Passion
17▶CD: Acis & Galatea, CD 1
18▶CD: Acis & Galatea, CD 2
19▶CD: Imeneo, CD 1
20▶CD: Imeneo, CD 2
21▶CD: Faramondo, CD 1
22▶CD: Faramondo, CD 2
23▶CD: Faramondo, CD 3
24▶CD: Coronation Anthems
25▶CD: Italien Cantatas, CD 1
26▶CD: Italian Cantatas, CD 2
27▶CD: German Arias
28▶CD: Water Music
29▶CD: Music for the Royal Fireworks
30▶CD: Concerti grossi, op. 3 / Concerti a due cori, CD 1
31▶CD: Concerti grossi, op. 3 / Concerti a due cori, CD 2
32▶CD: Organ Concertos, CD 1
33▶CD: Organ Concertos, CD 2
34▶CD: Organ Concertos, CD 3
35▶CD: Complete Chamber Music, Volume 1: Flute Sonatas
36▶CD: Complete Chamber Music, Volume 2: Violin & Oboe Sonatas
37▶CD: Complete Chamber Music, Volume 3: Trio Sonatas, op. 2
38▶CD: Complete Chamber Music, Volume 4: Trio Sonatas, op. 5
39▶CD: Complete Chamber Music, Volume 5: Trio Sonatas for 2 Violins & Basso Continuo
40▶CD: Complete Chamber Music, Volume 6: Recorder Sonatas