Die kompletten Werke, Volume 35: Werke für Tasteninstrumente

~ Release by Johann Sebastian Bach; Michael Behringer, Joseph Payne (see all versions of this release, 43 available)

Tracklist

1▶CD: Clavier‐Büchlein für Anna Magdalena Bach 1725
2▼CD: Clavier‐Büchlein für Anna Magdalena Bach 1725
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1Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “So oft ich meine Tobackspfeife”, BWV 515
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Aria “ Schaffs mit mir, Gott, nach deinem Willen”, BWV 515a (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 20b), Bach-Werke-Verzeichnis (number: BWV 515) and Bach-Werke-Verzeichnis (number: BWV 515a)
Johann Sebastian Bach0:45
2Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “So oft ich meine Tobackspfeife”, BWV 515a
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
baritone vocals:
Johannes-Christoph Happel
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Aria “ Schaffs mit mir, Gott, nach deinem Willen”, BWV 515a (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 20b), Bach-Werke-Verzeichnis (number: BWV 515) and Bach-Werke-Verzeichnis (number: BWV 515a)
Johann Sebastian Bach2:23
3Clavier‐büchlein für Anna Magdalena Bach 1725: Menuet G‐Dur fair par Mons. Böhm, BWV deest
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Menuet G-Dur (from 1999-09 until 1999-10)
composer:
Georg Böhm (German organist and composer)
part of:
Georg Böhm, Sämtliche Werke (number: 12)
Johann Sebastian Bach1:22
4Clavier‐büchlein für Anna Magdalena Bach 1725: Musette D‐Dur, BWV Anh. 126
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Musette in D major, BWV Anh. 126 (from 1999-09 until 1999-10)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 22) and Bach-Werke-Verzeichnis (number: BWV Anh. 126)
Johann Sebastian Bach0:38
5Clavier‐büchlein für Anna Magdalena Bach 1725: Marche Es‐Dur, BWV Anh. 127
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Marche Es-dur, BWV Anh. 127 (from 1999-09 until 1999-10)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Repertorium Carl Philipp Emanuel Bach (BR‑CPEB) (number: BR‑CPEB A‑Juv 6.3), Notebook for Anna Magdalena Bach (1725) (number: 23), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 127) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 127)
Johann Sebastian Bach1:24
6Clavier‐büchlein für Anna Magdalena Bach 1725: (Polonaise) d‐Moll, BWV Anh. 128
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Polonaise d-Moll, BWV Anh. 128 (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 24), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 128) and Bach-Werke-Verzeichnis (number: BWV Anh. 128)
Johann Sebastian Bach1:11
7Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “Bist du bei mir”, BWV 508
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1999-09 until 1999-10)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach2:18
8Clavier‐büchlein für Anna Magdalena Bach 1725: Aria G‐Dur, BWV 988/1
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach5:34
9Clavier‐büchlein für Anna Magdalena Bach 1725: Solo per il Cembalo: Allegro, BWV Anh. 129
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Keyboard Sonata in E-flat major, Wq. 65 no. 7, BWV Anh. 129, H. 16: I. Allegro moderato (from 1999-09 until 1999-10)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Keyboard Sonata in E-flat major, Wq. 65 no. 7, BWV Anh. 129, H. 16
Johann Sebastian Bach2:55
10Clavier‐büchlein für Anna Magdalena Bach 1725: Polonaise G‐Dur, BWV Anh. 130
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Polonaise, BWV Anh. 130 (from 1999-09 until 1999-10)
composer:
Johann Adolf Hasse (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 28), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 130 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 130)
Johann Sebastian Bach1:44
11Clavier‐büchlein für Anna Magdalena Bach 1725: Präludium C‐Dur, BWV 846/1
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (from 1999-02 until 1999-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:19
12Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: I. Allemande
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: I. Allemande (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach4:57
13Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: II. Courante
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: II. Courante (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach1:52
14Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: III. Sarabande
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: III. Sarabande (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach3:38
15Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: IV. Menuet 1
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: IV. Menuet I (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach1:09
16Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: V. Menuet 2
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: V. Menuet II - Menuet I da capo (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach1:20
17Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: VI. Gigue
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: VI. Gigue (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach3:34
18Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 2 pour le Clavessin, BWV 813: I. Allemande
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite no. 2 c-Moll, BWV 813: I. Allemande (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach3:14
19Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 2 pour le Clavessin, BWV 813: II. Courante
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite no. 2 c-Moll, BWV 813: II. Courante (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach1:57
20Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 2 pour le Clavessin, BWV 813: III. Sarabande
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite no. 2 c-Moll, BWV 813: III. Sarabande (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach4:03
21Clavier‐büchlein für Anna Magdalena Bach 1725: (Satz ohne Bez.) F‐Dur, BWV Anh. 131
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
March in F, BWV Anh. 131 (from 1999-09 until 1999-10)
composer:
Johann Christian Bach (German composer, son of JSB)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johann Christian Bach, Thematic catalog (number: W. A22), Notebook for Anna Magdalena Bach (1725) (number: 32), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 131 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 131)
Johann Sebastian Bach0:40
22Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “Warum betrübst du dich”, BWV 516
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Aria “Warum betrübst du dich”, BWV 516 (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 33) and Bach-Werke-Verzeichnis (number: BWV 516)
Johann Sebastian Bach1:27
23Clavier‐büchlein für Anna Magdalena Bach 1725: Recitativo “Ich habe genug!” aus, BWV 82
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug" (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach1:07
24Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “Schlummert ein, ihr matten Augen” aus, BWV 82
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach6:45
25Clavier‐büchlein für Anna Magdalena Bach 1725: Choral “Schaffs mit mir, Gott”, BWV 514
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Choral “Schaffs mit mir, Gott”, BWV 514 (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Benjamin Schmolck
part of:
Notebook for Anna Magdalena Bach (1725) (number: 35), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 514), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 514) and Bach Compendium (number: BC F 216)
Johann Sebastian Bach0:57
26Clavier‐büchlein für Anna Magdalena Bach 1725: Menuet d‐Moll, BWV Anh. 132
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Menuett in d-Moll, BWV Anh. 132 (from 1999-09 until 1999-10)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 36), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 132) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 132)
Johann Sebastian Bach0:57
27Clavier‐büchlein für Anna Magdalena Bach 1725: Aria di Giovannini “Willst du dein Herz mir schenken”, BWV 518
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (attribution doubtful) (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/An/13), Notebook for Anna Magdalena Bach (1725) (number: 37), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 518), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 518) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 518)
Johann Sebastian Bach2:23
28Clavier‐büchlein für Anna Magdalena Bach 1725: Choral “Dir, dir, Jehova will ich singen”, BWV 299
organ:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach) (from 1999-09 until 1999-10)
lyricist:
Bartholomäus Crasselius (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39a), Breitkopf 389 Choralgesänge (number: 67) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 299 [1])
adaptations:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo)
Johann Sebastian Bach0:54
29Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “Dir, dir, Jehova will ich singen”, BWV 299
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo) (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Bartholomäus Crasselius (German hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39b), Bach Compendium (number: BC F 250) and Bach-Werke-Verzeichnis (number: BWV 452)
adaptation of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach)
Johann Sebastian Bach2:17
30Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “Wie wohl ist mir, o Fruend der Seelen”, BWV 517
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: “Wie wohl ist mir, o Freund der Seelen”, BWV 517 (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Wolfgang Christoph Dessler (in 1692)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 40) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 517)
Johann Sebastian Bach1:27
31Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “Gedenke doch, mein Geist, zurücke”, BWV 509
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VI , Gedenke doch mein Geist, BWV 509 (attribution doubtful) (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 41) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 509)
Johann Sebastian Bach1:15
32Clavier‐büchlein für Anna Magdalena Bach 1725: Choral “O Ewigekeit, du Donnerwort”, BWV 513
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
O Ewigkeit, du Donnerwort, BWV 513 (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1642)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 42), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 513) and Bach Compendium (number: BC F 218)
Johann Sebastian Bach1:17
3▶CD: Klavierbüchlein für Wilhelm Friedemann Bach
4▶CD: Klavierbüchlein für Wilhelm Friedemann Bach