Hits from the Screens

~ Uitgave van Various Artists (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1digitale media
#TitelArtiestWaarderingDuur
1Grease
technicus en mixer:
Karl Richardson
producent:
Albhy Galuten, Barry Gibb en Karl Richardson
gitaar:
Peter Frampton
achtergrondvocalen:
Barry Gibb
lead-vocalen:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
verzorgde het arrangement:
Albhy Galuten en Barry Gibb
fonografisch auteursrecht (℗):
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
deel van:
Billboard Year-End Hot 100 singles of 1978 (nummer: 11)
is een opname van:
Grease (Grease, 1978 film)
tekstschrijver en componist:
Barry Gibb
uitgever:
Careers–BMG Music Publishing, Inc. en Gibb Brothers Music
deel van:
Grease (1978 film)
Frankie Valli4.353:22
2St. Elmo’s Fire (Man in Motion)
producent:
David Foster (Canadian music producer, arranger and composer)
verzorgde het arrangeren van het instrument koperblazers [horns]:
David Foster (Canadian music producer, arranger and composer) en Jerry Hey
fonografisch auteursrecht (℗):
Columbia Pictures Industries, Inc. (in 1985) en John Parr Music Ltd. (in 2016)
deel van:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (nummer: 28) en TV Cream: Real 100 Best Singles Ever (nummer: 85)
is een opname van:
St. Elmo’s Fire
schrijver:
David Foster (Canadian music producer, arranger and composer) en John Parr
uitgever:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) en Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:12
3Glory of Love
technicus en mixer:
Terry Christian (US recording and mixing engineer) en John Guess
producent:
Michael Omartian
gastachtergrondvocalen:
Kenny Cetera
lead-vocalen:
Peter Cetera
fonografisch auteursrecht (℗):
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) en Warner Music International (trademark of Warner Music International the company) (in 1986)
opgenomen bij en gemixt bij:
Lion Share Studios in Los Angeles, California (Californië), Verenigde Staten
is een opname van:
Glory of Love
schrijver:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) en Diane Nini
uitgever:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (tot 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vanaf 2017-04-01 tot nu) en ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vanaf 2021-07-01 tot nu)
deel van:
The 59th Academy Award for Best Original Song (nummer: 2) en Academy Award for Best Original Song (nummer: 1986 nominee)
Peter Cetera4.24:18
4The Living Daylights
producent:
a‐ha (Norwegian synth‐pop band), John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Magne Furuholmen en Paul Waaktaar-Savoy (guitarist, songwriter and singer)
vocalen:
a‐ha (Norwegian synth‐pop band)
was dirigent:
John Barry (English score composer)
verzorgde het arrangement:
John Barry (English score composer)
is een opname van:
The Living Daylights
schrijver:
Pal Waaktaar (guitarist, songwriter and singer)
aanvullend componist:
John Barry (English score composer)
uitgever:
ATV Music en BMG Music
deel van:
James Bond themes
a‐ha44:14
5You Sexy Thing
producent:
Mickie Most (English record producer)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) en CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
is een opname van:
You Sexy Thing (in 1975)
schrijver:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) en Tony Wilson (bassist/songwriter, member of Hot Chocolate)
uitgever:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. en RAK Publishing Ltd
Hot Chocolate3.854:05
6Arthur’s Theme (Best That You Can Do)
aanvullend technicus:
John Guess, Lee Herschberg, Mark Linett en Richard Mullen
assisterend technicus:
Stuart Gitlin en Margaret Gwynne (engineer)
producent:
Michael Omartian
mixer:
Chet Himes
lead-vocalen:
Christopher Cross (US singer‐songwriter)
was dirigent:
Michael Omartian
verzorgde het arrangeren van het instrument snaarinstrumenten:
Michael Omartian
verzorgde het arrangement:
Christopher Cross (US singer‐songwriter), Rob Meurer en Michael Omartian
concertmeester:
Assa Drori
fonografisch auteursrecht (℗):
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
opgenomen bij en gemixt bij:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Californië), Verenigde Staten
deel van:
Paste: The 25 Greatest Yacht Rock Songs of All Time (nummer: 19)
is een opname van:
Arthur’s Theme (Best That You Can Do)
schrijver:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager en Christopher Cross (US singer‐songwriter)
uitgever:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) en ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
deel van:
The 54th Academy Award for Best Original Song (nummer: 1) en Academy Award for Best Original Song (nummer: 1981 winner)
Christopher Cross53:54
7Boogie Shoes
producent:
Harry Wayne Casey en Richard Finch
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) en Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2004)
deel van:
Billboard: The 500 Best Pop Songs (as of October 2023) (nummer: 324)
is een opname van:
Boogie Shoes
schrijver:
Harry Wayne Casey en Richard Finch
uitgever:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) en EMI Music Publishing Australia Pty Ltd (not for release label use!)
KC and the Sunshine Band4.352:12
8I Want to Know What Love Is
aanvullend technicus:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla en Howie Lindeman
assisterend technicus:
Bobby Cohen (engineer), Tim Crich en Scott “Abada” Mabuchi
technicus:
Frank Filipetti
producent:
Mick Jones (Foreigner/Spooky Tooth, worked in France) en Alex Sadkin
aanvullend keyboard:
Tom Bailey (Thompson Twins)
basgitaar:
Rick Wills
drumstel:
Dennis Elliott
elektrische gitaar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
aanvullende vocalen:
Jennifer Holliday
achtergrondvocalen:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) en Rick Wills
koor:
The New Jersey Mass Choir
lead-vocalen:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
fonografisch auteursrecht (℗):
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) en Rhino Entertainment Company (not for release label use!) (in 2009)
aanvullend opgenomen bij:
Right Track Recording in Manhattan, New York, New York, Verenigde Staten
opgenomen bij:
The Hit Factory in Manhattan, New York, New York, Verenigde Staten
gemixt bij:
Right Track Recording in Manhattan, New York, New York, Verenigde Staten
deel van:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (nummer: 205) en Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (nummer: 476)
is een opname van:
I Want to Know What Love Is
tekstschrijver en componist:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
uitgever:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (tot 2014-12-31) en Fujipacific Music, Inc. (vanaf 2015-01-01 tot nu)
Foreigner3.955:05
9Never Ending Story
producent:
Giorgio Moroder
achtergrondvocalen:
Beth Andersen (US pop vocalist)
lead-vocalen:
Limahl
uitvoerend artiest:
Limahl
fonografisch auteursrecht (℗):
Neue Constantin Film Productions GmbH
is een opname van:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
tekstschrijver:
Keith Forsey (drummer, producer and songwriter)
componist:
Giorgio Moroder
uitgever:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (tot 2019-05-28) en WC Music Corp. (vanaf 2019-05-28 tot nu)
Limahl3.353:30
10True
producent:
Steve Jolley, Spandau Ballet en Tony Swain (songwriter, producer)
uitvoerend artiest:
Spandau Ballet
fonografisch auteursrecht (℗):
Chrysalis (in 1983) en Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
videoclips:
True van Spandau Ballet
is een opname van:
True
tekstschrijver en componist:
Gary Kemp
uitgever:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. en Reformation Publishing Inc.
Spandau Ballet3.655:28
11Baby, I Love Your Way
is een cover-opname van:
Baby, I Love Your Way
tekstschrijver en componist:
Peter Frampton
uitgever:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division en Yamaha Music EH(CM)
Big Mountain34:10
12Goldfinger
technicus:
John Richards (engineer)
producent:
John Barry (English score composer) en George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocalen:
Shirley Bassey (Welsh singer) (in 1964-07)
was dirigent:
John Barry (English score composer) (in 1964-07)
verzorgde het arrangement:
John Barry (English score composer)
fonografisch auteursrecht (℗):
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) en United Artists Corporation (in 1964)
opgenomen bij:
CTS Studios in Wembley, Brent, London (Greater London), England, Verenigd Koninkrijk (in 1964-07)
is een opname van:
Goldfinger (in 1964-07)
tekstschrijver:
Leslie Bricusse en Anthony Newley (English actor, singer, songwriter, and filmmaker)
componist:
John Barry (English score composer)
uitgever:
EMI United Partnership Ltd. en Sony/ATV Songs LLC
deel van:
James Bond themes
deel van:
Goldfinger
Shirley Bassey4.252:49
13Disco Inferno
fonografisch auteursrecht (℗):
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) en WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1977)
is een opname van:
Disco Inferno
schrijver:
Leroy Green (disco/soul songwriter) en Ron Kersey
uitgever:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. en Six Strings Music
The Trammps53:34
14Drive
opnametechnicus:
Nigel Green (engineer)
producent:
The Cars en Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bas:
Benjamin Orr (co-lead singer for The Cars)
drumstel:
David Robinson (US rock drummer)
gitaar:
Elliot Easton en Ric Ocasek
keyboard:
Greg Hawkes
vocalen:
Elliot Easton, Greg Hawkes, Ric Ocasek en Benjamin Orr (co-lead singer for The Cars)
fonografisch auteursrecht (℗):
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) en WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
opgenomen bij:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Verenigd Koninkrijk
gemixt bij:
Electric Lady Studios in Greenwich Village, New York, New York, Verenigde Staten
videoclips:
Drive van The Cars
is een opname van:
Drive
uitgever:
Ric Ocasek
tekstschrijver en componist:
Ric Ocasek
uitgever:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) en Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
15Mustang Sally
opgenomen in:
Muscle Shoals, Alabama, Verenigde Staten (op 1966-10-13)
technicus:
Tom Dowd en Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producent:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) en Jerry Wexler
drumstel:
Roger Hawkins (van 1966-10-13 tot 1966-10-14)
elektrische basgitaar [electric bass]:
Tommy Cogbill (van 1966-10-13 tot 1966-10-14)
gitaar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (van 1966-10-13 tot 1966-10-14)
gitaar [lead guitar]:
Lincoln "Chips" Moman (van 1966-10-13 tot 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (van 1966-10-13 tot 1966-10-14)
tenorsaxofoon:
Gilbert Caples (van 1966-10-13 tot 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (van 1966-10-13 tot 1966-10-14) en Eddie Logan (van 1966-10-13 tot 1966-10-14)
trompet:
Gene “Bowlegs” Miller (American trumpeter) (van 1966-10-13 tot 1966-10-14)
vocalen:
Wilson Pickett (van 1966-10-13 tot 1966-10-14)
opgenomen bij:
Fame Studios in Muscle Shoals, Alabama, Verenigde Staten (van 1966-10-13 tot 1966-10-14)
deel van:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (nummer: 434)
is een cover-opname van:
Mustang Sally (van 1966-10-13 tot 1966-10-14)
tekstschrijver en componist:
Sir Mack Rice
uitgever:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. en フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:07
16Pure Shores
geprogrammeerd door:
Sean Spuehler
producent:
William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
vocalen:
Melanie Blatt en Shaznay Lewis
fonografisch auteursrecht (℗):
Warner Music UK Limited (not for release label use!) (in 2000)
deel van:
The Downloader’s Music Source Book (nummer: 380)
is een opname van:
Pure Shores
componist:
Shaznay Lewis en William Orbit (English musician, composer and record producer)
All Saints3.654:29
17La bamba
producent:
Mitchell Froom
uitvoerend artiest:
Los Lobos (Chicano rock band)
verzorgde het arrangement:
Ritchie Valens
fonografisch auteursrecht (℗):
FFRR Records Ltd. (company name, NOT a label!) (in 1987) en Slash Records (company, do not use as release label!) (in 1987)
is een cover-opname van:
La bamba (additional lyrics by Ritchie Valens)
aanvullend tekstschrijver:
Ritchie Valens
tekstschrijver en componist:
[traditional] ([traditioneel], special purpose artist)
verzorgde het arrangement:
Ritchie Valens
uitgever:
Carlin Music Corporation, EMI Longitude Music en M.P.A. (M.P.A.)
versie van:
La bamba
Los Lobos4.152:54
18Street Life (edit)Randy Crawford4:49
19The Rose
aanvullend producent:
Bill Gazecki
producent:
Paul A. Rothchild
lead-vocalen:
Bette Midler (in 1979)
vocalen:
Bette Midler (in 1979)
verzorgde het arrangeren van het instrument snaarinstrumenten:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
verzorgde het arrangement:
Paul A. Rothchild
fonografisch auteursrecht (℗):
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
is een opname van:
The Rose (in 1979)
tekstschrijver en componist:
Amanda McBroom
uitgever:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) en ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:35
20Blitzkrieg Bop (single version)Ramones2:12
21Stand by Me
opgenomen in:
New York, New York, Verenigde Staten (op 1960-10-27)
producent:
Leiber and Stoller (songwriting team)
vocalen:
Ben E. King (op 1960-10-27)
was dirigent:
Stan Applebaum (US composer, arranger and conductor) (op 1960-10-27)
verzorgde het arrangement:
Stan Applebaum (US composer, arranger and conductor)
fonografisch auteursrecht (℗):
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) en Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
deel van:
Dave Marsh: The Best of the Top 40 Singles: 1961 (nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (nummer: 131) en BILLIONS CLUB
is een opname van:
Stand by Me (op 1960-10-27)
uitgever:
Mike Stoller
schrijver:
Ben E. King, Jerry Leiber en Mike Stoller
uitgever:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music en Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
22Everybody Needs Somebody to Love
producent:
Bob Tischler
basgitaar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drumstel:
Willie "Too Big" Hall
gitaar:
Steve Cropper en Matt Murphy (US blues guitarist)
keyboard:
Murphy Dunne
saxofoon:
Tom “Bones” Malone (US trombonist) en Lou Marini
trompet:
Al Rubin
vocalen:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) en Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
arrangeerde de achtergrondvocalen:
Paul Schaffer (pianist, bandleader, Dave Letterman's sidekick)
fonografisch auteursrecht (℗):
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) en WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
is een cover-opname van:
Everybody Needs Somebody to Love
schrijver:
Bert Russell Berns, Solomon Burke en Jerry Wexler
uitgever:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC en Musical Lights Tokyo
The Blues Brothers4.33:25
23She’s Gone
opgenomen in:
New York, New York, Verenigde Staten (in 1973)
producent:
Arif Mardin
bas:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drumstel:
Bernard “Pretty” Purdie (in 1973)
elektrische gitaar, mellotron en synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
elektrische piano:
Daryl Hall (in 1973)
gitaar:
John Oates (in 1973)
percussie:
Ralph MacDonald (in 1973)
tenorsaxofoon:
Joe Farrell (in 1973)
lead-vocalen:
Daryl Hall (in 1973) en John Oates (in 1973)
fonografisch auteursrecht (℗):
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
deel van:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (nummer: 336)
is een opname van:
She’s Gone (in 1973)
tekstschrijver en componist:
Daryl Hall en John Oates
uitgever:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) en ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:15
24For What It’s Worth
producent:
Charles Greene (producer) en Brian Stone (producer)
achtergrondvocalen:
Richie Furay en Dewey Martin
vocalen:
Stephen Stills
fonografisch auteursrecht (℗):
Warner Music International (trademark of Warner Music International the company) (in 1967) en Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
deel van:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (nummer: 63)
is een opname van:
For What It’s Worth (op 1966-12-05)
tekstschrijver en componist:
Stephen Stills
uitgever:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East en Ten‐East Music (BMI)
Buffalo Springfield4.252:34
25(Sittin’ on) The Dock of the Bay
producent:
Jerry Bruckheimer, Steve Cropper en Don Simpson (American film producer, screenwriter, and actor)
basgitaar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (van 1967-11-22 tot 1967-12-07)
drumstel:
Al Jackson, Jr. (Booker T & The MGs drummer) (van 1967-11-22 tot 1967-12-07)
gitaar:
Steve Cropper (van 1967-11-22 tot 1967-12-07)
keyboard:
Isaac Hayes (van 1967-11-22 tot 1967-12-07) en Booker T. Jones (van 1967-11-22 tot 1967-12-07)
trompet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (van 1967-11-22 tot 1967-12-07)
fluiten:
Otis Redding (van 1967-11-22 tot 1967-12-07)
vocalen:
Otis Redding (van 1967-11-22 tot 1967-12-07)
fonografisch auteursrecht (℗):
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) en Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
deel van:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (nummer: 44) en Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (nummer: 45)
is een opname van:
(Sittin’ on) the Dock of the Bay (van 1967-11-22 tot 1967-12-07)
schrijver:
Steve Cropper en Otis Redding
uitgever:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) en Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
is een opname van:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
componist:
Steve Cropper en Otis Redding
verzorgde het arrangement:
Oliver Lake
arrangement van:
(Sittin’ on) the Dock of the Bay
Otis Redding4.452:44
26Calling You
keyboard (als gast):
Niklas Medin, Pål Svenre en Esbjörn Svensson
snaarinstrumenten (als gast):
Stockholms Nya Kammarorkester (Stockholm Chamber Orchestra)
gastvocalen:
Jevetta Steele
Christian Falk & Jevetta Steele4:33
27From Russia With Love
producent:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead-vocalen:
Matt Monro
was dirigent:
John Barry (English score composer)
verzorgde het arrangement:
John Barry (English score composer)
is een opname van:
From Russia With Love
tekstschrijver en componist:
Lionel Bart
uitgever:
EMI United Partnership Ltd.
deel van:
James Bond themes
deel van:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro3.352:35
28Respect
opnametechnicus:
Tom Dowd
producent:
Jerry Wexler
baritonsaxofoon:
Willie Bridges (op 1967-02-14)
bas:
Tommy Cogbill (op 1967-02-14)
drumstel:
Roger Hawkins (op 1967-02-14)
gitaar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (op 1967-02-14)
piano:
Dewey "Spooner" Oldham (op 1967-02-14)
tenorsaxofoon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (op 1967-02-14) en King Curtis (saxophonist) (op 1967-02-14)
trompet:
Melvin Lastie (op 1967-02-14)
vocalen:
Aretha Franklin (op 1967-02-14)
fonografisch auteursrecht (℗):
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
opgenomen bij:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Verenigde Staten (op 1967-02-14)
is een cover-opname van:
Respect (op 1967-02-14)
tekstschrijver en componist:
Otis Redding
uitgever:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell en Warner/Chappell North America
Aretha Franklin2:26
29Gloria
is een opname van:
Gloria (English version)
tekstschrijver en componist:
Giancarlo Bigazzi, Umberto Tozzi en Trevor Veitch
uitgever:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) en Sugar Song Publications, Inc.
vertaalde versie van:
Gloria (original Italian version)
Laura Branigan4:51
30Alfie
is een opname van:
Alfie (in 1965)
tekstschrijver:
Hal David (in 1965)
componist:
Burt Bacharach (in 1965)
subuitgever:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
uitgever:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell en Sony/ATV Harmony
deel van:
The 39th Academy Award for Best Original Song (nummer: 2)
Cilla Black2:40
31Don’t Let Go (Love)
producent:
Organized Noize (Atlanta hip-hop production group)
fonografisch auteursrecht (℗):
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1997)
is een opname van:
Don't Let Go (Love)
schrijver:
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) en Rico Wade
En Vogue44:52
32Chariots of Fire: Chariots of Fire
Johan Stengård4:21
33When a Man Loves a Woman
opgenomen in:
Muscle Shoals, Alabama, Verenigde Staten (op 1966-02-17)
vocalen:
Percy Sledge (op 1966-02-17)
is een opname van:
When a Man Loves a Woman
schrijver:
Calvin Lewis, Percy Sledge en Andrew Wright (US keyboardist)
uitgever:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vanaf 1966 tot nu), Quinvy Music Publishing Company, Inc. (vanaf 1966 tot nu), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vanaf 1966 tot nu), Pronto (BMI‐affiliated publishing company) (in 1972) en Quinvy (record company and publisher) (in 1972)
Percy Sledge2:54
34Le Freak
fonografisch auteursrecht (℗):
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
is een opname van:
Le Freak (in 1978)
schrijver:
Bernard Edwards (American bassist and record producer) en Nile Rodgers
uitgever:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) en Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:30
35Now We Are Free (from “Gladiator”)
Becky Taylor4:51
36Could It Be I’m Falling in Love
opnametechnicus:
Joe Tarsia (engineer)
producent:
Thom Bell (keyboards, songwriter, producer)
bas:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
drumstel:
Earl Young (in 1973)
percussie [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
achtergrondvocalen:
Yvette Benson (in 1973), Carla Benton (in 1973) en Barbara Ingram (in 1973)
baritonvocalen:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
basvocalen:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
tenorvocalen:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) en Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
was dirigent:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixte:
Joe Tarsia (engineer)
verzorgde het arrangement:
Thom Bell (keyboards, songwriter, producer)
fonografisch auteursrecht (℗):
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
opgenomen bij:
Sigma Sound Studios in Philadelphia, Pennsylvania, Verenigde Staten (in 1973)
gemixt bij:
Sigma Sound Studios in Philadelphia, Pennsylvania, Verenigde Staten
deel van:
Billboard: The 500 Best Pop Songs (as of October 2023) (nummer: 221)
is een opname van:
Could It Be I’m Falling in Love (in 1973)
schrijver:
Melvin Steals en Mervin Steals
uitgever:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America en Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:09
37Unchained Melody
is een cover-opname van:
Unchained Melody
uitgever:
Hy Zaret
tekstschrijver:
Hy Zaret
componist:
Alex North (US composer)
subuitgever:
日音 Synch事業部 (NICHION, INC. Synch Division)
uitgever:
Frank Music Corp. (beëindigd), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing en Unchained Melody Publishing, LLC
deel van:
The 28th Academy Award for Best Original Song (nummer: 2)
Sonny & Cher33:55
38We’re Not Gonna Take It
opnametechnicus en mixer:
Geoff Workman
assisterend technicus:
Gary McGachan
technicus:
John Agnello (engineer & producer), Greg Laney en Geoff Workman
producent:
Tom Werman
basgitaar:
Mark Mendoza (Twisted Sister bassist)
drumstel:
A.J. Pero
elektrische gitaar:
Jay Jay French en Eddie Ojeda
achtergrondvocalen:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero en Dee Snider
lead-vocalen:
Dee Snider
verzorgde het arrangement:
Twisted Sister en Tom Werman
opgenomen bij:
Cherokee Studios in Hollywood, Los Angeles, California (Californië), Verenigde Staten (van 1984-02 tot 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Verenigde Staten (van 1984-02 tot 1984-03) en Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Californië), Verenigde Staten (van 1984-02 tot 1984-03)
gemixt bij:
Cherokee Studios in Hollywood, Los Angeles, California (Californië), Verenigde Staten
deel van:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (nummer: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (nummer: 47) en Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (nummer: 81)
is een opname van:
We’re Not Gonna Take It
tekstschrijver en componist:
Dee Snider
uitgever:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) en Universal Tunes
deel van:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (nummer: 7)
Twisted Sister4.353:40
39What a Wonderful World
Etta Cameron3:24
40Windmills of Your Mind
Noel Harrison2:21

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