AM Gold: 1973

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Date Discrepancy: Discogs claims that this was released in 1996.

Anmerkung zuletzt geändert am 2012-07-11 03:17 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Delta Dawn
Produzent(in):
Tom Catalano
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973)
cover recording of:
Delta Dawn
Verfasser(in):
Larry Collins und Alex Harvey (American country singer of the early 70s)
publisher:
Big Ax Music, EMI April Music Inc., EMI Catalogue, EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Helen Reddy3:10
2Bad, Bad Leroy Brown
vocals:
Jim Croce (am 1972-06-02)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1972-06-02)
recording of:
Bad, Bad Leroy Brown (am 1972-06-02)
Texter und Komponist(in):
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce52:59
3Tie a Yellow Ribbon Round the Ole Oak Tree
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 52)
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
Verfasser(in):
Lawrence Russell Brown (lyricist) und Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. und peermusic (“Peermusic—the global independent”)
Tony Orlando & Dawn53:23
4Shambala
recording of:
Shambala
Texter und Komponist(in):
Daniel Moore (producer, songwriter and vocalist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Three Dog Night4.353:28
5Drift Away
recording of:
Drift Away
Texter und Komponist(in):
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray3:52
6Call Me (Come Back Home)
Techniker(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
Produzent(in):
Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
baritone saxophone:
James Mitchell (US saxophonist/arranger)
E-Bass:
Leroy Hodges
Gitarre:
Mabon Hodges (“Teenie”, soul guitarist)
Klavier:
Archie Turner
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan und Andrew Love
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
Saiteninstrumente arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) und James Mitchell (US saxophonist/arranger)
aufgenommen bei:
Royal Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Call Me (Come Back Home)
Komponist(in):
Al Green (US soul singer, songwriter, pastor and record producer), Al Jackson, Jr. (Booker T & The MGs drummer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music und Irving Music, Inc.
Al Green4.53:03
7Don’t Let Me Be Lonely Tonight
recording of:
Don’t Let Me Be Lonely Tonight
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated), EMI April Music Inc. und EMI Blackwood Music Inc.
James Taylor3:08
8Until You Come Back to Me (That’s What I’m Gonna Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-flute:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau und Stone Agate Music
Aretha Franklin4.353:26
9You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:18
10Hello It’s Me
recording of:
Hello, It’s Me
Texter und Komponist(in):
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren4:25
11The Morning After
Techniker(in):
Arnie Rosenberg
Produzent(in):
Carl Maduri
arranger:
Joe Hudson (US composer, string arranger and conductor)
phonographisches Urheberrecht (℗) von:
20th Century-Fox Record Corporation (in 1972) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
The Morning After (from "The Poseidon Adventure")
Verfasser(in):
Joel Hirschhorn (songwriter) und Al Kasha (composer, songwriter and arranger)
publisher:
Fox Fanfare Music und Twentieth Century Music Corp.
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1972 winner)
Maureen McGovern52:19
12Ain’t No Woman (Like the One I Got)
Four Tops3:27
13Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:23
14Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:15
15Midnight Train to Georgia
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 432) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 470)
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:36
16Diamond Girl
recording of:
Diamond Girl
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
Seals & Crofts53:52
17Touch Me in the Morning
Produzent(in):
Tom Baird (Motown producer) und Michael Masser
arranger:
Tom Baird (Motown producer) und Gene Page
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
Touch Me in the Morning
Verfasser(in):
Michael Masser und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross3.53:28
18The Cover of “Rolling Stone”
Produzent(in):
Ron Haffkine
recording of:
The Cover of “Rolling Stone”
Texter und Komponist(in):
Shel Silverstein
publisher:
Evil Eye Music Inc.
Dr. Hook2:53
19My Maria
recording of:
My Maria
Verfasser(in):
Daniel Moore (producer, songwriter and vocalist) und B.W. Stevenson
B.W. Stevenson52:25
20Wildflower
recording of:
Wildflower
Texter:
Thomas David Richardson (lyricist of Canadian band Skylark’s “Wildflower”)
Komponist(in):
Douglas Fraser Edwards
publisher:
Edsel Music (pub, affiliated to SOCAN), Inaudible Music (pub, affiliated to SOCAN), Kobalt Music Copyrights SARL, Kobalt Music Publishing Ltd. (UK), Nettwerk Songs Publishing Ltd., Nettwerk Tunes, Songs of Kobalt Music Publishing und Summerless Music Inc. (pub, affiliated to SOCAN)
Skylark54:09
21All I Know
Art Garfunkel3:19

Nennungen

Veröffentlichungsgruppe

Teil von:AM Gold (Time-Life Music) (Nummer: 3) (Reihenfolge: 3)