Arias by Bach, Handel and Mozart

~ Release by Aksel Rykkvin (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Jauchzet Gott in allen Landen, BWV 51: Jauchzet Gott in allen Landen
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach?:??
2Also hat Gott die Welt geliebt, BWV 68: Mein gläubiges Herze
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach?:??
3Joshua, HWV 64: Happy, Oh Thrice Happy We
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
partial recording of:
Joshua, HWV 64: Act III
composer:
George Frideric Handel (German‐British baroque composer) (from 1747-07-19 until 1747-08-19)
librettist:
Thomas Morell
part of:
Joshua, HWV 64
George Frideric Handel?:??
4Alcina, HWV 34: Chi m'insegna il caro padre?
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Alcina, HWV 34: Atto I, Scena III, X. Aria “Chi m’insegna il caro padre?” (Oberto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto I
George Frideric Handel?:??
5Alcina, HWV 34: Barbara! io ben lo so
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Alcina, HWV 34: Atto III, Scena VI, XVI. Aria “Barbara! lo ben lo so” (Oberto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto III
George Frideric Handel?:??
6Rinaldo, HWV 7: Lascia ch'io pianga
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel?:??
7St. John Passion, BWV 245: Ich folge dir gleichfalls
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:24
8Ode for the Birthday of Queen Anne, HWV 74: Eternal Source of Light Divine
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “Eternal Source of Light Divine”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
George Frideric Handel?:??
9Bist du bei mir, BWV 508
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach?:??
10Messiah, HWV 56: How Beautiful are the Feet of Them
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel?:??
11Messiah, HWV 56: Thou Art Gone Up on High
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel?:??
12Samson, HWV 57: Let the Bright Seraphim in Burning Row
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
George Frideric Handel?:??
13Magnificat in D Major, BWV 243: Quia Respexit
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach?:??
14Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: No. 9, Angenehmer Zephyrus
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": IX. Aria (Sopran) "Angenehmer Zephyrus"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach?:??
15Joshua, HWV 64: Oh! Had I Jubal's Lyre
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Joshua, HWV 64: Act III, no. 56. "Oh! had I Jubal's lyre" (Achsah)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747-07-19 until 1747-08-19)
librettist:
Thomas Morell
part of:
Joshua, HWV 64: Act III
George Frideric Handel?:??
16Le nozze di Figaro, K. 492: Voi, che sapete che cosa e amor
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
17Le nozze di Figaro, K. 492: Non so più cosa son, cosa faccio
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
18Exsultate jubilate, K. 165: Alleluia
solo treble vocals:
Aksel Rykkvin (Previously boy soprano, now baritone)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart?:??