100 Greatest 70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Can’t Get Enough
tecnico di registrazione e tecnico di missaggio:
Ron Nevison
tecnico:
Ron Fawcus (incarico: tape operator)
produttore:
Bad Company (British blues-rock supergroup)
basso :
Boz Burrell (English musician) (nel 1973-11)
batteria :
Simon Kirke (nel 1973-11)
chitarra :
Mick Ralphs (nel 1973-11)
chitarra [second guitar] e voce principale:
Paul Rodgers (nel 1973-11)
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1974)
registrata presso:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Regno Unito (nel 1973-11)
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Can’t Get Enough (nel 1973-11)
paroliere e compositore:
Mick Ralphs
editore:
Badco Music, Inc.
Bad Company3.554:13
2School’s Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:29
3Milk and Alcohol
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
registrazione di:
Milk and Alcohol (nel 1978-09)
autore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) e Gypie Mayo
editore:
Plangent Visions Music Ltd. e Rock Music Co., Ltd.
Dr. Feelgood4.22:49
4My Coo Ca Choo
produttore:
Peter Shelley (British 1970s pop singer/songwriter)
voce principale:
Peter Shelley (British 1970s pop singer/songwriter)
registrazione di:
My Coo Ca Choo
paroliere e compositore:
Peter Shelley (British 1970s pop singer/songwriter)
Alvin Stardust22:46
5Dixie Chicken
produttore:
Lowell George
voce:
Lowell George
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1973)
registrazione di:
Dixie Chicken
autore:
Lowell George e Martin Kibbee (singer-songwriter)
editore:
Naked Snake Music
Little Feat43:56
6Year of the Cat (single version)
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Al Stewart (UK folk singer/songwriter) (nel 1976)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
mixata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 13)
registrazione di:
Year of the Cat
autore:
Al Stewart (UK folk singer/songwriter) e Peter Wood (UK keyboardist/pianist)
editore:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:35
7Moondance
produttore:
Van Morrison
produttore esecutivo:
Lewis Merenstein
tecnico di missaggio:
Elliot Scheiner (nel 1969-12)
voce principale:
Van Morrison (nel 1969)
diritti fonografici (℗) detenuti da:
Exile Productions Ltd. (not for Label Release) (nel 1970) e Warner Bros. Records, Ltd. (UK holding, not for label use) (nel 1970)
è stato produttore per:
Inherit Productions
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (nel 1969)
mixata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti (nel 1969-12)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 226)
registrazione di:
Moondance (nel 1969)
paroliere e compositore:
Van Morrison
editore:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Chappell Music (UK), Van-Jan Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, Caledonia Soul Music (dal 1970 al 1971), WB Music Corp. (1929–2019) (dal 1970 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Van Morrison3.954:38
8Life’s Been Good
registrazione di:
Life’s Been Good
paroliere e compositore:
Joe Walsh (Eagles/James Gang)
editore:
Wow & Flutter Music
Joe Walsh44:39
9Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
Pretenders4.153:04
10Miss Judy’s Farm
produttore:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) e Glyn Johns
batteria :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
chitarra basso :
Ronnie Lane
pianoforte :
Ian McLagan
voce principale:
Rod Stewart
registrazione di:
Miss Judy’s Farm
autore:
Rod Stewart e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Faces3:40
11Easy to Slip
tecnico di registrazione e tecnico di missaggio:
Donn Landee
produttore:
Ted Templeman
batteria e percussione :
Richie Hayward
chitarra e voce principale:
Lowell George
chitarra basso :
Roy Estrada
percussione ospite :
Milt Holland
tastiera :
Bill Payne
voce di accompagnamento:
Roy Estrada e Richie Hayward
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
registrazione di:
Easy to Slip
autore:
Lowell George e Martin Kibbee (singer-songwriter)
editore:
Naked Snake Music
Little Feat53:21
12Slow Ride
diritti fonografici (℗) detenuti da:
Bearsville Records Inc. (nel 1975) e Rhino Records, Inc. (company credits only; not for release label use!) (nel 1976)
edit di:
Slow Ride (long version) di Foghat
registrazione di:
Slow Ride
paroliere e compositore:
Dave Peverett
editore:
Kohaw Music Inc. e WC Music Corp.
Foghat4.53:53
13Blitzkrieg Bop (2016 remastered version)
assistente tecnico:
Don Hünerberg
tecnico:
Rob Freeman (engineer)
produttore:
Craig Leon (musician, arranger, composer and producer)
produttore associato:
Thomas Erdelyi (Tommy Ramone)
batteria :
Tommy Ramone
chitarra :
Johnny Ramone
chitarra basso :
Dee Dee Ramone
voce principale:
Joey Ramone
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 25), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 64), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 92) e Indie 88: Top 500 Indie Rock Songs (numero: 93)
registrazione di:
Blitzkrieg Bop (nel 1976-01)
autore:
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman e John Cummings
editore:
Bleu Disque Music Co., Inc. (publisher) e Taco Tunes Inc.
Ramones4.652:14
14Wonderous Stories (2008 remastered version)
assistente tecnico:
David Richards (Swiss-based producer and engineer)
tecnico:
John Timperley
produttore:
Yes (British progressive rock band)
produttore esecutivo:
Brian Lane (producer)
batteria e percussione :
Alan White (Yes drummer) (dal 1976 al 1977)
chitarra basso :
Chris Squire (Yes bassist) (dal 1976 al 1977)
chitarra portoghese [Vachalia] e chitarra elettrica :
Steve Howe (dal 1976 al 1977)
moog [Polymoog] :
Rick Wakeman (dal 1976 al 1977)
voce di accompagnamento:
Steve Howe (dal 1976 al 1977) e Chris Squire (Yes bassist) (dal 1976 al 1977)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (dal 1976 al 1977)
arrangiatore:
Yes (British progressive rock band)
diritti fonografici (℗) detenuti da:
Atlantic (Warner Music imprint) (nel 1977), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977)
registrata presso:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton Vaud), Svizzera (dal 1976 al 1977)
registrazione parziale di:
Wonderous Stories (dal 1976 al 1977)
paroliere e compositore:
Jon Anderson (Yes/Jon & Vangelis)
editore:
Rondor Music (London) Ltd., Topographic Music (publisher), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e Topographic Music, Ltd. (nel 1977)
Yes4.353:49
15Smokin’ in the Boy’s Room
tecnico:
Michael Delugg
produttore:
Doug Morris (record executive) e Eric Stevens (producer active in the 1970s)
diritti fonografici (℗) detenuti da:
Big Tree Records (1970s/80s US) (nel 1973) e Warner Music International (trademark of Warner Music International the company) (nel 1973)
registrata presso:
Mediasound Studios in New York, New York, Stati Uniti
registrazione di:
Smokin’ in the Boys Room
autore:
Cub Koda e Michael Lutz
editore:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing e Walden Music, Inc.
Brownsville Station52:57
16Whole Lotta Love
produttore:
Mickie Most (English record producer)
arrangiatore:
John Cameron (British composer, arranger and conductor)
registrazione strumentale cover di:
Whole Lotta Love
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
C.C.S.53:33
17I Hear You Knocking
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
18Rainy Night in Georgia
produttore:
Arif Mardin
armonica (a bocca) :
Toots Thielemans (nel 1969)
basso :
Harold Cowart (il 1969-09-11)
batteria :
Ron Ziegler (drummer) (il 1969-09-11)
chitarra :
Cornell Dupree (nel 1969) e Jim O’Rourke (US musician & producer, b. 1969) (il 1969-09-11)
organo :
Billy Carter (organ, jazz) (il 1969-09-11)
pianoforte :
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (il 1969-09-11)
strumenti:
Cold Grits (nel 1969)
voce di accompagnamento:
The Sweet Inspirations (il 1969-09-11)
arrangiatore:
Arif Mardin
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1969-09-11)
pubblicazioni successive:
Rainy Night in Georgia di Brook Benton
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 498)
registrazione cover di:
Rainy Night in Georgia (il 1969-09-11)
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton43:49
19Love Don’t Live Here Anymore
registrazione di:
Love Don’t Live Here Anymore
paroliere e compositore:
Miles Gregory
editore:
Sony/ATV Ballad e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce4.53:52
20Right Place Wrong Time
Dr. John2:54
21I Want Your Love (edit version)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
I Want Your Love
paroliere e compositore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony/ATV Songs LLC e Warner Chappell Music Ltd. (no slash; used 1988–1996) (nel 1989)
Chic3:25
22I’m Every Woman
tecnico:
James Douglass (engineer)
produttore:
Arif Mardin
voce di accompagnamento:
Will Lee (US jazz/rock bassist) (nel 1978) e Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (nel 1978)
voce di accompagnamento e voce principale:
Chaka Khan (nel 1978)
arrangiatore archi , arrangiatore legni e arrangiatore ottoni :
Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 4)
registrazione di:
I’m Every Woman (nel 1978)
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:07
23We Are Family
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 444)
registrazione di:
We Are Family
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:37
24Disco Inferno
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977) e WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (nel 1977)
registrazione di:
Disco Inferno
autore:
Leroy Green (disco/soul songwriter) e Ron Kersey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. e Six Strings Music
The Trammps53:34
25You Sexy Thing
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:03
26Wear It Out
registrazione di:
Wear It Out
autore:
Charles Fearing, Rochelle Runnells e Robert Wright (disco/funk producer)
Stargard53:40
27Rock Your Baby
voce:
George McCrae
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrazione di:
Rock Your Baby
autore:
Harry Wayne Casey, Richard Finch e KC (Harry Wayne Casey of the Sunshine Band)
editore:
EMI Longitude Music e Peer Music (UK) Ltd.
George McCrae3.253:20
28Undercover Angel
Alan O’Day3:31
29Do What You Wanna Do (edit)
T‐Connection33:32
30Spacer
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
registrazione di:
Spacer
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
Sheila33:47
31(Shake Shake Shake) Shake Your Booty
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
T.K. Records (Miami‐based disco label) (dal 1976 a oggi) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1976)
registrazione di:
(Shake, Shake, Shake) Shake Your Booty
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, Harrick Music, Inc. (BMI) e Longitude Music Co.
KC and the Sunshine Band4.53:06
32Haven’t Stopped Dancing Yet
registrazione di:
I Haven’t Stopped Dancing Yet
compositore:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
editore:
Buckwheat Music, Old Eye Music e Wizard (Bahamas) Ltd.
Gonzalez4:12
33Dancing in the City
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1978)
registrazione di:
Dancing in the City (nel 1978)
autore:
Kit Hain e Julian Marshall
editore:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) e Rondor Music (London) Ltd.
Marshall Hain3:47
34Until You Come Back to Me (That’s What I Am Going to Do)
tecnico:
Lew Hahn
produttore:
Aretha Franklin, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
basso :
Chuck Rainey (American bassist) (il 1973-09-07)
batteria :
Bernard “Pretty” Purdie (il 1973-09-07)
chitarra :
Hugh McCracken (il 1973-09-07)
flauto solista :
Joe Farrell (il 1973-09-07)
organo :
Richard Tee (il 1973-09-07)
pianoforte e voce principale:
Aretha Franklin (il 1973-09-07)
pianoforte elettrico :
Donny Hathaway (il 1973-09-07)
sintetizzatore :
Ken Bichel (keyboardist) (il 1973-09-07)
voce di accompagnamento:
Margaret Branch (il 1973-09-07), Ann S. Clark (il 1973-09-07) e Pat Smith (soul vocalist) (il 1973-09-07)
arrangiatore:
Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1974)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1973-09-07)
registrazione di:
Until You Come Back to Me (That’s What I’m Gonna Do) (il 1973-09-07)
autore:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul e Stevie Wonder
editore:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau e Stone Agate Music
Aretha Franklin4.353:26
35Midnight at the Oasis
tecnico:
Lee Herschberg e Donn Landee
produttore:
Joe Boyd (US producer, founder of Hannibal Records) e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
David Nichtern
chitarra basso :
Freebo
chitarra elettrica :
Amos Garrett
pianoforte :
Mark T. Jordan
voce:
Maria Muldaur
voce parlata:
Greg Prestopino
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Midnight at the Oasis
paroliere e compositore:
David Nichtern
editore:
Space Potato Music (nel 1974)
Maria Muldaur43:48
36The Rubberband Man
The Spinners4.653:33
37Tainted Love
tecnico:
Mike Stavrou (producer/engineer) e Gary Ulmer
produttore:
Marc Bolan e Gloria Jones (US singer/songwriter, known for “Tainted Love”)
registrazione di:
Tainted Love (nel 1976)
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gloria Jones32:43
38A Song for You
registrazione cover di:
A Song for You
paroliere e compositore:
Leon Russell
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Donny Hathaway45:26
39Love Hit Me
registrazione di:
Love Hit Me
paroliere e compositore:
J. Vincent Edwards
editore:
Sony/ATV Music Publishing (UK) Ltd.
Maxine Nightingale32:47
40Clean Up Woman
tecnico:
Willie Clarke
produttore:
Willie Clarke e Clarence Reid
arrangiatore archi e arrangiatore corno :
Mike Lewis (US composer, arranger and producer)
arrangiatore strumenti:
Little Beaver
registrazione di:
Clean Up Woman
autore:
Willie Clarke e Clarence Reid
editore:
EMI Longitude Music
Betty Wright52:47
41Hooked on a Feeling
produttore:
Bengt Palmers
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (nel 1973) e EMI Records Group (nel 1973)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 284)
registrazione di:
Hooked on a Feeling
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:53
42Lonely Boy
assistente tecnico:
Dennis Kirk e Greg Ladanyi
tecnico:
Val Garay
produttore:
Peter Asher
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1976-03 al 1976-10)
batteria e campana [Sleigh] :
Michael Botts (dal 1976-03 al 1976-10)
battimani :
Peter Asher (dal 1976-03 al 1976-10) e Andrew Gold (dal 1976-03 al 1976-10)
campanaccio , pianoforte e tamburello :
Andrew Gold (dal 1976-03 al 1976-10)
chitarra :
Dan Dugmore (dal 1976-03 al 1976-10)
chitarra [Lead Guitar] :
Waddy (dal 1976-03 al 1976-10)
pianoforte elettrico e sintetizzatore [Arp String Ensemble] :
Brock Walsh (singer, producer, songwriter) (dal 1976-03 al 1976-10)
voce:
Andrew Gold (dal 1976-03 al 1976-10)
voce di accompagnamento:
Linda Ronstadt (dal 1976-03 al 1976-10)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1976-03 al 1976-10)
registrazione di:
Lonely Boy (dal 1976-03 al 1976-10)
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold44:25
43Magic
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974, nel 1975, nel 2003)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 41)
registrazione di:
Magic
autore:
Billy Lyall e David Paton (of Pilot)
editore:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Robbins Music Corp. Ltd.
Pilot4.753:06
44Feels Like the First Time
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977)
registrazione di:
Feels Like the First Time
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Music (publisher) (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3:13
45She’s Gone
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 413)
registrazione di:
She’s Gone
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates4.53:24
46If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:56
47Baby I’m‐a Want You
voce principale:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972)
registrazione di:
Baby I’m‐a Want You
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher) e Screen Gems–EMI Music Ltd.
Bread42:31
48Mr Radio
tecnico:
Peter Olliff e Roger Wake (engineer)
produttore:
Jeff Lynne e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
batteria e percussione :
Bev Bevan (English rock drummer) (dal 1970-11-18 al 1971-06)
corno francese :
Bill Hunt (UK keyboards, horn player) (dal 1970-11-18 al 1971-06)
pianoforte :
Jeff Lynne (dal 1970-11-18 al 1971-06)
violino :
Steve Woolam (dal 1970-11-18 al 1971-06)
violoncello :
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (il 1970-11-18)
voce:
Jeff Lynne (dal 1970-11-18 al 1971-06)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971, nel 2005)
registrata presso:
Philips Studios in London (Greater London), England, Regno Unito (dal 1970-11-18 al 1971-06)
registrazione di:
Mr. Radio (dal 1970-11-18 al 1971-06)
paroliere e compositore:
Jeff Lynne
Electric Light Orchestra3:54
49It’s a Beautiful Day
Liverpool Express2:13
50At Home He’s a Tourist
tecnico di registrazione:
Edwin Cross (nel 1979) e Davy Phee (nel 1979)
tecnico:
Rick Walton
tecnico aggiunto:
Edwin Cross e Davy Phee
produttore:
Andy Gill (guitarist and record producer), Jon King (vocalist in Gang of Four) e Rob Warr
batteria :
Hugo Burnham (drummer) (nel 1979)
chitarra :
Andy Gill (guitarist and record producer) (nel 1979)
chitarra basso :
Dave Allen (UK bassist for Gang of Four/Shriekback/Low Pop Suicide) (nel 1979)
voce principale:
Jon King (vocalist in Gang of Four) (nel 1979)
arrangiatore:
Gang of Four (English post‐punk band)
registrata presso:
The Workhouse in London (Greater London), England, Regno Unito (nel 1979)
registrazione di:
At Home He’s a Tourist (nel 1979)
autore:
Dave Allen (UK bassist for Gang of Four/Shriekback/Low Pop Suicide), Hugo Burnham (drummer), Andy Gill (guitarist and record producer) e Jon King (vocalist in Gang of Four)
editore:
Bug Music (music publishing), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Publishing Ltd.
Gang of Four53:31
51Every 1’s a Winner
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Infinity Records Inc. (nel 1978)
registrazione di:
Every 1’s a Winner
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated) e RAK Music Publishing Ltd.
Hot Chocolate4.154:04
52Goodbye Girl
batteria :
Mike Botts
chitarra acustica , chitarra basso e pianoforte :
David Gates (singer/songwriter, lead singer of Bread)
chitarra elettrica :
Dean Parks (American session guitarist)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1977)
registrazione di:
Goodbye Girl
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
Universal Music Publishing (use ONLY if no country‐specific information is available)
David Gates2:44
53I’d Love You to Want Me
registrazione di:
I’d Love You to Want Me
paroliere e compositore:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
editore:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo2.54:01
54Journey
registrazione di:
The Journey
paroliere e compositore:
Duncan Browne (English singer-songwriter)
Duncan Browne53:16
55Outdoor Miner
produttore:
Mike Thorne (UK producer & keyboardist)
registrazione di:
Outdoor Miner
autore:
Graham Lewis (bassist in Wire) e Colin Newman (UK vocalist / songwriter)
Wire52:51
56Cindy Incidentally
assistente tecnico:
Phil Chapman (engineer)
tecnico e produttore:
Glyn Johns
batteria :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
chitarra basso :
Ronnie Lane
pianoforte :
Ian McLagan
voce principale:
Rod Stewart
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Cindy Incidentally
editore:
Rod Stewart BMI - United States of America
autore:
Ian McLagan, Rod Stewart e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
Faces42:38
57Breezin
registrazione cover di:
Breezin’
compositore:
Bobby Womack
editore:
Unart Music Corp. (conclusa), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson5:21
58Sundown
assistente tecnico:
Chris Skene
produttore:
Lenny Waronker
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
Terry Clements e Gordon Lightfoot
chitarra basso :
John Stockfish
chitarra elettrica :
Red Shea
diritti fonografici (℗) detenuti da:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text), Reprise Records (nel 1974, nel 1975) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1974)
registrazione di:
Sundown
paroliere e compositore:
Gordon Lightfoot
editore:
Moose Music e WB Music Corp. (1929–2019)
Gordon Lightfoot4.853:34
59The Mexican (edit)
registrazione di:
The Mexican
paroliere e compositore:
Alan Shacklock
compositore aggiunto:
Ennio Morricone (Italian classical and score composer)
Babe Ruth3:27
60Vehicle
produttore:
Bob Destocki e Frank Rand
registrazione di:
Vehicle
paroliere e compositore:
Jim Peterik
editore:
Bald Medusa Music Company
The Ides of March32:58
61Baker Street (edit)
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:08
62Tiger Feet
co-produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
esecutore:
Mud (UK glam rock band)
diritti fonografici (℗) detenuti da:
RAK (nel 1974)
registrazione di:
Tiger Feet
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) e BMG Music Publishing Ltd.
Mud53:50
63I Saw the Light
produttore:
Todd Rundgren
strumenti e voce:
Todd Rundgren
arrangiatore:
Todd Rundgren
diritti fonografici (℗) detenuti da:
Bearsville Records (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 452)
registrazione di:
I Saw the Light
paroliere e compositore:
Todd Rundgren
editore:
Earmark Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Todd Rundgren53:03
64Cat’s in the Cradle
registrazione di:
Cat’s in the Cradle
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin33:43
65Summer Breeze
produttore:
Louie Shelton
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1972)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 10)
registrazione di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.353:25
66My Best Friend’s Girl
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer), Jay Faires e Tricia Holloway
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978, nel 1979)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
registrazione di:
My Best Friend’s Girl (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd e Lido Music (not for release label use!) (nel 1978)
The Cars4.353:43
67I Can’t Tell the Bottom From the Top
registrazione cover di:
I Can't Tell the Bottom From the Top
compositore:
Guy Fletcher (keyboardist) e Doug Flett (songwriter)
The Hollies3:52
68Years May Come Years May GoHerman’s Hermits33:39
69How Long
registrazione di:
How Long
paroliere e compositore:
J.D. Souther
JD Souther3:23
70Showdown
tecnico:
Denny Bridges e John Middleton (engineer)
produttore:
Jeff Lynne
basso e voce di accompagnamento:
Michael d’Albuquerque (nel 1973-04)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1973-04)
chitarra e voce principale:
Jeff Lynne (nel 1973-04)
moog e pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1973-04)
violino :
Wilfred Gibson (UK violinist) (nel 1973-04)
violoncello :
Mike Edwards (English Cellist that was a member of ELO) (nel 1973-04) e Colin Walker (English Cellist that was a member of ELO) (nel 1973-04)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973, nel 2005, nel 2011), Jet Records (nel 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1973-04)
registrazione di:
Showdown (nel 1973-04)
scritta a:
Birmingham, West Midlands, England, Regno Unito
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.54:12
71Chuck E’s in Love
tecnico:
Loyd Clifft e Lee Herschberg
tecnico aggiunto:
Tom Knox e Roger Nichols (US mastering, recording engineer and producer)
produttore:
Russ Titelman e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
voce:
Rickie Lee Jones
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1979)
registrata presso:
The Burbank Studios in Burbank, California, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Chuck E.’s in Love
paroliere e compositore:
Rickie Lee Jones
editore:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:30
72I Love a Rainy Night
registrazione di:
I Love a Rainy Night
autore:
David Malloy (American country music and pop songwriter, record producer and A&R executive), Eddie Rabbitt (US country singer & songwriter) e Even Stevens (singer / songwriter)
Eddie Rabbitt43:11
73One Way Rag
tecnico e produttore:
Bob Porter (American record producer) e Alan White (Yes drummer)
registrazione di:
One Way Rag
autore:
Ken Craddock e Colin Gibson
Alan White54:08
74I’ve Been Drinking
pianoforte :
Nick Hopkins (pianist and organist)
voce di accompagnamento:
Madeline Bell
registrazione di:
I’ve Been Drinking (dal 1968-05-14 al 1968-05-26)
autore:
Johnny Mercer e Doris Tauber
arrangiatore:
Jeff Beck (English rock guitarist) e Rod Stewart
arrangiamento di:
Drinking Again
Jeff Beck3:21
75California Man
produttore:
Jeff Lynne e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
basso :
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (il 1971-12-19)
batteria e percussione :
Bev Bevan (English rock drummer) (il 1971-12-19)
chitarra e voce principale:
Jeff Lynne (il 1971-12-19) e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (il 1971-12-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 2005)
registrazione di:
California Man (il 1971-12-19)
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Anne-Rachel Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), Intersong Music, Jet Music Ltd. (British branch), United Artists Music Co., Inc. e United Artists Music Ltd.
The Move53:37
76O Lucky Man!
Alan Price2:20
77Jesus Was a Cross Maker
produttore:
John Beck (producer & member of The Leaves), Henry Lewy e Jim Pons
chitarra e voce principale:
Judee Sill
voce di accompagnamento:
Rita Coolidge, Venetta Fields e Clydie King
orchestratore:
Don Bagley e Bob Harris (pianist/songwriter, played keyboards with Frank Zappa in May–Aug 1971)
registrazione di:
Jesus Was a Crossmaker
paroliere e compositore:
Judee Sill
editore:
EMI Blackwood Music Inc.
Judee Sill3:27
78Wuthering Heights
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel) (dal 1977-07 al 1977-08)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (dal 1977-07 al 1977-08)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978), EMI America Records, Inc. (holding – file NO releases here!) (nel 1982) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 18)
registrazione di:
Wuthering Heights (dal 1977-07 al 1977-08)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush (il 1977-03-05)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1978 a oggi)
Kate Bush44:27
79California Dreamin’
Eddie Hazel6:11
80The Rose
produttore:
Paul A. Rothchild
produttore aggiunto:
Bill Gazecki
voce:
Bette Midler (nel 1979)
voce principale:
Bette Midler (nel 1979)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore:
Paul A. Rothchild
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrazione di:
The Rose (nel 1979)
paroliere e compositore:
Amanda McBroom
editore:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:41
81Sheena Is a Punk Rocker
assistente tecnico:
Don Berman
tecnico:
Ed Stasium (US record producer & audio engineer)
produttore:
Tony Bongiovi e Thomas Erdelyi (Tommy Ramone)
batteria :
Tommy Ramone
chitarra :
Johnny Ramone
chitarra basso :
Dee Dee Ramone
voce principale:
Joey Ramone
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977)
registrata presso:
Mediasound Studios in New York, New York, Stati Uniti e Sundragon Studios in Flatiron District, New York, New York, Stati Uniti
mixata presso:
Le Studio in Morin‐Heights, Québec (Quebec), Canada, Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti e Track Recorders (location listed as Maryland or Washington, DC) in Silver Spring, Maryland, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 434) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 457)
registrazione di:
Sheena Is a Punk Rocker
autore:
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman e John Cummings
editore:
Bleu Disque Music Co., Inc. (publisher), Taco Tunes Inc. e Warner/Chappell North America
Ramones4.552:46
82Tush
tecnico di registrazione e tecnico di missaggio:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
batteria :
Frank Beard (ZZ Top drummer)
chitarra basso e voce principale:
Dusty Hill
chitarra elettrica :
Billy Gibbons
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti e Robin Hood Studios in Tyler, Texas, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 67)
registrazione di:
Tush
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Music of Stage Three e Songs of Mosaic
ZZ Top4.652:16
83Elected
produttore:
Bob Ezrin
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
remix di:
Elected di Alice Cooper (1964–1975 American rock band)
registrazione di:
Elected
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Sony Songs Inc. (conclusa), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music Corp., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC e Ezra Music (nel 1973)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
revisione di:
Reflected
Alice Cooper4.353:43
84No More Heroes
tecnico:
Alan Winstanley (English record producer)
produttore:
Martin Rushent
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1977-07)
registrazione di:
No More Heroes (nel 1977-07)
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music Ltd.
The Stranglers4.653:28
85Just What I Needed
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 112) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 369)
registrazione di:
Just What I Needed (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
BMG Music Publishing Ltd., Lido Music, Inc. e Lido Music (not for release label use!) (nel 1978)
The Cars4.33:43
86Werewolves of London
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Jackson Browne (American singer-songwriter) e Waddy Wachtel
basso :
John McVie
batteria :
Mick Fleetwood
chitarra [guitars] :
Waddy Wachtel
pianoforte :
Warren Zevon
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (dal 2007 a oggi)
registrata presso:
The Sound Factory in Tucson, Arizona, Stati Uniti (nel 2007)
registrazione di:
Werewolves of London
autore:
LeRoy P. Marinell, Waddy Wachtel e Warren Zevon
editore:
Leadsheet Land Music, Polite Music, Tiny Tunes e Zevon Music Inc. (BMI)
Warren Zevon4.93:26
87Venus
assistente tecnico:
Jim Boyer (producer/engineer)
tecnico e tecnico di missaggio:
Andy Johns
produttore:
Andy Johns e Tom Verlaine
assistente tecnico di missaggio:
Jimmy Douglass (engineer) e Randy Mason
batteria :
Billy Ficca
chitarra basso :
Fred Smith (bassist)
chitarra elettrica :
Richard Lloyd (American guitarist and singer, Television)
chitarra elettrica solista e voce principale:
Tom Verlaine
voce:
Richard Lloyd (American guitarist and singer, Television) e Fred Smith (bassist)
voce di accompagnamento:
Richard Lloyd (American guitarist and singer, Television) e Fred Smith (bassist)
registrata presso:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti
mixata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
Venus
paroliere e compositore:
Tom Verlaine
Television53:50
88Black Night
basso elettrico :
Roger Glover (nel 1970-05)
batteria :
Ian Paice (nel 1970-05)
chitarra elettrica :
Ritchie Blackmore (nel 1970-05)
organo Hammond :
Jon Lord (nel 1970-05)
voce principale:
Ian Gillan (nel 1970-05)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1970-05)
registrazione di:
Black Night (nel 1970-05)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music e Henrees Music co.
sub-editore:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (fino al 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Deep Purple4.453:27
89Silver Machine
produttore:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) e Hawkwind
batteria :
Simon King (drummer) (il 1972-02-13)
chitarra :
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13)
chitarra aggiunto e chitarra basso aggiunto:
Guy Pratt (il 1972-02-13)
chitarra basso e voce principale:
Lemmy Kilmister (“Lemmy” from Motörhead) (il 1972-02-13)
flauto e sassofono :
Nik Turner (il 1972-02-13)
sintetizzatore :
Dik Mik Davies (il 1972-02-13) e Del Dettmar (il 1972-02-13)
voce:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (il 1972-02-13) e Nik Turner (il 1972-02-13)
remixer:
The Scourge of the Earth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972)
registrata presso:
Roundhouse in Camden Town, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1972-02-13)
mixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
edit di:
Silver Machine (12″ mix) di Hawkwind infected by The Scourge of the Earth
registrazione dal vivo di:
Silver Machine (il 1972-02-13)
paroliere:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd., United Artists Music e United Partnership Ltd.
registrazione di:
Silver Machine
paroliere:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd., United Artists Music e United Partnership Ltd.
Hawkwind3.654:38
90Sweet Jane
produttore:
Geoffrey Haslam, Shel Kagan e The Velvet Underground (Lou Reed’s seminal rock band)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 335)
registrazione di:
Sweet Jane
paroliere e compositore:
Lou Reed
editore:
Oakfield Avenue Music Ltd.
The Velvet Underground54:09
91Train, Train
registrazione di:
Train, Train
paroliere e compositore:
Shorty Medlock
editore:
BobNal Music
Blackfoot4.53:37
922‐4‐6‐8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band43:18
93Angel Fingers
registrazione di:
Angel Fingers
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Wizzard54:31
94Shakin’ Street
tecnico:
Jim Bruzzese
produttore:
Jon Landau
basso :
Michael Davis (MC5 bassist) (il 1969-07-21)
batteria :
Dennis Thompson (drummer for MC5, New Race and The New Order) (il 1969-07-21)
chitarra :
Wayne Kramer (former MC5 guitarist) (il 1969-07-21) e Fred “Sonic” Smith (il 1969-07-21)
tastiera :
Danny Jordan (il 1969-07-21)
voce principale:
Fred “Sonic” Smith (il 1969-07-21) e Rob Tyner (il 1969-07-21)
registrata presso:
GM Studios (East Detroit, 1970s) in Eastpointe, Michigan, Stati Uniti (il 1969-07-21)
registrazione di:
Shakin’ Street
autore:
Michael Davis (MC5 bassist), Wayne Kramer (former MC5 guitarist), Fred “Sonic” Smith, Dennis Thompson (drummer for MC5, New Race and The New Order) e Rob Tyner
MC52:19
95Still the One
voce principale:
Larry Hoppen
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1976) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1976)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 18)
registrazione di:
Still the One
autore:
Johanna Hall e John Hall (US guitarist/vocalist for Orleans, later US congressman)
editore:
Siren Songs
Orleans53:54
96Wishing Well
registrazione cover di:
Wishing Well (Free song)
autore:
John “Rabbit” Bundrick, Simon Kirke, Paul Kossoff, Paul Rodgers e Tetsu Yamauchi
editore:
Cayman Music Inc, Keepers Cottage Music Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
sub-editore:
Universal Music Publishing France (not for release label use!)
Blackfoot53:10
97Some Girls
registrazione di:
Some Girls
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3.53:27
98Quits
Danny O’Keefe3:19
99Ride Captain Ride (single version)
produttore:
Richard Podolor
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 32)
registrazione di:
Ride Captain Ride
paroliere:
Frank “Skip” Konte (US keyboardist)
compositore:
Mike Pinera
editore:
Atlantic (Warner Music imprint) e ATM Music
Blues Image4.53:40
100Southern Nights
tecnico di registrazione e tecnico di missaggio:
Ryan Freeland
produttore:
Joe Henry (US singer-songwriter, guitarist & producer)
mixata presso:
Stampede Origin in Culver City, California, Stati Uniti
registrazione di:
Southern Nights
paroliere e compositore:
Allen Toussaint
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Allen Toussaint3:30

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Allmusic:https://www.allmusic.com/album/mw0003114219 [info]