The Nina Simone Anthology

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
Nr.TitelBewertungLänge
1Mr. Bojangles
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-02-09)
Produzent(in):
Nat Shapiro und Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-09)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
3.55:07
2To Be Young, Gifted and Black (single version)
Techniker(in):
Ray Hall (engineer) (von 1969-08-25 bis 1969-08-26)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1969-08-25 bis 1969-08-26)
recording of:
To Be Young, Gifted and Black (von 1969-08-25 bis 1969-08-26)
Texter:
Weldon Irvine
Komponist(in):
Nina Simone
32:49
3Love Me or Leave Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
4.653:23
4Here Comes the Sun
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-02-17)
Produzent(in):
Nat Shapiro und Harold Wheeler
Sologesang:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-17)
Bearbeitung von:
Here Comes the Sun von Nina Simone
cover recording of:
Here Comes the Sun
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Teil von:
Reprise
4.43:36
5Don’t Smoke in Bed
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Philips (publisher; do NOT use as release label) (in 1964)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Don’t Smoke in Bed (in 1957-12)
Texter und Komponist(in):
Willard Robison
publisher:
MCA Music Ltd. und Oriole Music Corp.
43:12
6Turn, Turn, Turn (To Everything There Is a Season)
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Bass [Fender bass] und E-Bass:
Gene A Perla
Gitarre:
Al Schackman
Klavier und Sologesang:
Nina Simone
Orgel:
Weldon J. Irvine, Jr.
Schlagzeug [drums]:
Charles D. Alias
Hintergrundgesang und Hintergrundgesang [vocalist]:
Virdia Crawford und Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1969-04-22)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season) (am 1969-04-22)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pete Seeger (in 1959)
publisher:
Melody Trails und TRO Essex Music Ltd.
33:39
7Pirate Jenny (live)
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
phonographisches Urheberrecht (℗) von:
Phillips (publisher; do NOT use as release label) (in 1964)
live cover recording of:
The Threepenny Opera: Pirate Jenny (Marc Blitzstein translation) (in 1985)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer)
publisher:
Universal Edition Ltd. (publisher; do NOT use as release label) und Weill-Brecht-Harms Co., Inc.
übersetzte Version von:
Die Dreigroschenoper: Akt I. Die Seeräuberjenny
4:45
8Since I Fell for You
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
Since I Fell for You (am 1967-01-05)
Texter und Komponist(in):
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (beendet), Warner Bros., Inc. (not for release label use!) (beendet) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:50
9The Look of Love
Techniker(in):
Ray Hall (engineer) (am 1967-06-15)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Cembalo und Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1967-06-15)
E-Bass:
Gene Taylor (US jazz bassist) (am 1967-06-15)
E-Gitarre:
Eric Gale (am 1967-06-15) und Rudy Stevenson (am 1967-06-15)
Schlagzeug:
Bernard “Pretty” Purdie (am 1967-06-15)
vocals:
Nina Simone (am 1967-06-15)
conductor:
Sammy Lowe (am 1969-06-15)
arranger:
Sammy Lowe
aufgenommen bei:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (am 1967-06-15)
cover recording of:
The Look of Love (am 1967-06-15)
Texter:
Hal David
Verfasser(in):
Burt Bacharach und Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
3.252:24
10To Love Somebody
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Klavier und Sologesang:
Nina Simone (in 1967)
Schlagzeug:
Don Alias (in 1967)
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-12-20)
cover recording of:
To Love Somebody (am 1967-12-20)
geschrieben in:
New York, New York, Vereinigte Staaten (in 1967)
Verfasser(in):
Barry Gibb (in 1967) und Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
Teil von:
50/50
42:40
11My Man’s Gone Now
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (am 1967-01-05)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America und WB Music Corp. (1929–2019) (bis 2019-05-28)
Version von:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
34:16
12Mississippi Goddam (live)
Gitarre:
Rudy Stevenson (am 1964-04-04)
Klavier und Sologesang:
Nina Simone (am 1964-04-04)
Kontrabass:
Lisle Atkinson (am 1964-04-04)
membranophone und Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04)
Hintergrundgesang:
Lisle Atkinson (am 1964-04-04), Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04) und Rudy Stevenson (am 1964-04-04)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-04-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 172)
live recording of:
Mississippi Goddam (am 1964-04-04)
Texter und Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. und Sam Fox Publishing Company (publisher; do NOT use as release label)
Teil von:
Martin Luther King Suite
4.54:44
13I Think It’s Going to Rain Today
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
I Think It’s Going to Rain Today (am 1968-09-16)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music Corp., Warner/Chappell North America und Unichappell Music, Inc. (in 1966)
4.53:21
14Do What You Gotta Do
recorded in:
Vereinigte Staaten
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1968) und BMG Music (in 1968)
Bearbeitung von:
Do What You Gotta Do (live, 1985: USA) von Nina Simone
live cover recording of:
Do What You Gotta Do (in 1985)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) und Sosahamu Music Inc. (publisher; do NOT use as release label)
33:40
15He Needs Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Warner Chappell North America
52:30
16Go to Hell
cover recording of:
Go to Hell (am 1967-06-21)
Verfasser(in):
Morris Bailey (Philadelphia-based composer, producer, saxophonist)
3.52:51
17Nobody’s Fault but Mine
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song) (am 1968-09-16)
Texter, Komponist(in) und arranger:
Blind Willie Johnson
vorher zugeschrieben zu:
[traditional] (special purpose artist)
43:03
18Save Me
Techniker(in):
Ray Hall (engineer) (am 1969-08-26)
Produzent(in):
Andy Stroud (former husband of Nina Simone.)
E-Bass:
Jerry Jemmott (am 1969-08-26)
E-Gitarre:
Eric Gale (am 1969-08-26)
Keyboard:
Weldon Irvine (am 1969-08-26) und Richard Tee (am 1969-08-26)
Klavier:
Nina Simone (am 1969-08-26)
Perkussion:
Roger “Montego Joe” Sanders (am 1969-08-26)
vocals:
Nina Simone (am 1969-08-26)
conductor:
Weldon Irvine (am 1969-08-26) und Nina Simone (am 1969-08-26)
arranger:
Weldon Irvine und Nina Simone
aufgenommen bei:
RCA Studio A (New York) in New York, New York, Vereinigte Staaten (am 1969-08-26)
cover recording of:
Save Me (Aretha Franklin song) (am 1969-08-26)
Verfasser(in):
Aretha Franklin, Carolyn Franklin und Curtis Ousley
publisher:
Kilynn Music und Pronto Music (publisher)
43:25
19Blues for Mama
recording engineer:
Mickey Crofford (am 1966-12-22) und Ray Hall (engineer) (am 1966-12-22)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1966-12-22)
recording of:
Blues for Mama (am 1966-12-22)
Verfasser(in):
Abbey Lincoln und Nina Simone
publisher:
Ninandy Music (publisher; do NOT use as release label)
43:59
20Why? (The King of Love Is Dead) (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
Bearbeitung von:
Why? (The King of Love Is Dead) (live, 1968‐04‐07: Westbury Music Fair, Long Island, NY, USA, unabridged version) von Nina Simone
live recording of:
Why? (The King of Love Is Dead) (am 1968-04-07)
Texter und Komponist(in):
Gene Taylor (US jazz bassist)
gewidmet:
Dr. Martin Luther King (group)
Teil von:
Martin Luther King Suite
55:44