The Great Cello Concertos

~ Release by Jacqueline du Pré (see all versions of this release, 1 available)

Annotation

Copyright: A Warner Classics release, © 2024 Parlophone Records Limited
A Warner Classics release, ℗ 2024 Parlophone Records Limited

Annotation last modified on 2025-12-10 21:31 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1968-09-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1968-09-24)
conductor:
Daniel Barenboim (pianist and conductor) (on 1968-09-24)
balance engineer:
Allen Stagg (on 1968-09-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-09-24)
recording of:
Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo (on 1968-09-24)
composer:
Camille Saint‐Saëns (composer) (in 1872)
part of:
Cello Concerto no. 1 in A minor, op. 33
Camille Saint-Saëns5:46
2Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1968-09-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1968-09-24)
conductor:
Daniel Barenboim (pianist and conductor) (on 1968-09-24)
balance engineer:
Allen Stagg (on 1968-09-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-09-24)
recording of:
Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto (on 1968-09-24)
composer:
Camille Saint‐Saëns (composer) (in 1872)
part of:
Cello Concerto no. 1 in A minor, op. 33
Camille Saint-Saëns5:33
3Cello Concerto no. 1 in A minor, op. 33: III. Allegro non troppo
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1968-09-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1968-09-24)
conductor:
Daniel Barenboim (pianist and conductor) (on 1968-09-24)
balance engineer:
Allen Stagg (on 1968-09-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-09-24)
recording of:
Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro (on 1968-09-24)
composer:
Camille Saint‐Saëns (composer) (in 1872)
part of:
Cello Concerto no. 1 in A minor, op. 33
Camille Saint-Saëns8:54
4Cello Concerto in B minor, op. 104, B. 191: I. Allegro
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (on 1970-11-11)
orchestra:
Chicago Symphony Orchestra (on 1970-11-11)
conductor:
Daniel Barenboim (pianist and conductor) (on 1970-11-11)
balance engineer:
Taylor Carson (engineer) (on 1970-11-11)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1970-11-11)
recording of:
Cello Concerto in B minor, op. 104: I. Allegro (on 1970-11-11)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák15:27
5Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (on 1970-11-11)
orchestra:
Chicago Symphony Orchestra (on 1970-11-11)
conductor:
Daniel Barenboim (pianist and conductor) (on 1970-11-11)
balance engineer:
Taylor Carson (engineer) (on 1970-11-11)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1970-11-11)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (on 1970-11-11)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák13:20
6Cello Concerto in B minor, op. 104, B. 191: III. Finale. Allegro moderato
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (on 1970-11-11)
orchestra:
Chicago Symphony Orchestra (on 1970-11-11)
conductor:
Daniel Barenboim (pianist and conductor) (on 1970-11-11)
balance engineer:
Taylor Carson (engineer) (on 1970-11-11)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1970-11-11)
recording of:
Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo (on 1970-11-11)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-06-11)
part of:
Cello Concerto in B minor, op. 104
revision of:
Cello Concerto in B minor, op. 104: III. Finale (original finale (not the one usually played))
Antonín Dvořák13:42
7Cello Concerto in E minor, op. 85: I. Adagio - Moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar7:58
8Cello Concerto in E minor, op. 85: II. Lento - Allegro molto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
performer:
Sir John Barbirolli (conductor and cellist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar4:31
9Cello Concerto in E minor, op. 85: III. Adagio
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar5:16
10Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar12:21
11Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-04-17)
orchestra:
English Chamber Orchestra (on 1967-04-17)
conductor:
Daniel Barenboim (pianist and conductor) (on 1967-04-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1967-04-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-17)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato (on 1967-04-17)
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn9:34
12Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-04-17)
orchestra:
English Chamber Orchestra (on 1967-04-17)
conductor:
Daniel Barenboim (pianist and conductor) (on 1967-04-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1967-04-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-17)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio (on 1967-04-17)
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn9:44
13Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-04-17)
orchestra:
English Chamber Orchestra (on 1967-04-17)
conductor:
Daniel Barenboim (pianist and conductor) (on 1967-04-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1967-04-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-17)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto (on 1967-04-17)
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn6:54
14Cello Concerto: I. Lento -
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius1:01
15Cello Concerto: II. Con moto tranquillo -
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius6:19
16Cello Concerto: III. Lento -
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius7:36
17Cello Concerto: IV. Con moto tranquillo -
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius2:00
18Cello Concerto: V. Allegramente
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius7:45
19Cello Concerto in A minor, op. 129: I. Nicht zu schnell
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (from 1968-04-08 until 1968-05-11)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-08 until 1968-05-11)
conductor:
Daniel Barenboim (pianist and conductor) (from 1968-04-08 until 1968-05-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-08 until 1968-05-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-08 until 1968-05-11)
recording of:
Cello Concerto in A minor, op. 129: I. Nicht zu schnell (Concerto for Cello and Orchestra in A minor, Op. 129: I. Nicht zu schnell) (from 1968-04-08 until 1968-05-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann12:24
20Cello Concerto in A minor, op. 129: II. Langsam - Etwas lebhafter - Schneller
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (from 1968-04-08 until 1968-05-11)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-08 until 1968-05-11)
conductor:
Daniel Barenboim (pianist and conductor) (from 1968-04-08 until 1968-05-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-08 until 1968-05-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-08 until 1968-05-11)
recording of:
Cello Concerto in A minor, op. 129: II. Langsam (Concerto for Cello and Orchestra in A minor, Op. 129: II. Langsam) (from 1968-04-08 until 1968-05-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann4:40
21Cello Concerto in A minor, op. 129: III. Sehr lebhaft
cello:
Jacqueline du Pré (cellist) (from 1968-04-08 until 1968-05-11)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-08 until 1968-05-11)
conductor:
Daniel Barenboim (pianist and conductor) (from 1968-04-08 until 1968-05-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-08 until 1968-05-11)
recording of:
Cello Concerto in A minor, op. 129: III. Sehr lebhaft (Concerto for Cello and Orchestra in A minor, Op. 129: III. Sehr lebhaft) (from 1968-04-08 until 1968-05-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann8:34
22Cello Concerto in B-Flat major, G. 482: I. Allegro moderato
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-04-24)
orchestra:
English Chamber Orchestra (on 1967-04-24)
conductor:
Daniel Barenboim (pianist and conductor) (on 1967-04-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1967-04-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-24)
recording of:
Cello Concerto in B-flat major, G. 482: I. Allegro moderato (Grützmacher version) (on 1967-04-24)
composer:
Luigi Boccherini (Italian composer)
arranger:
Friedrich Grützmacher
version of:
Cello Concerto no. 9 in B-flat major, G. 482: I. Allegro moderato (original)
part of:
Cello Concerto in B-flat major, G. 482 (Grützmacher version)
Luigi Boccherini arr. Friedrich Grützmacher9:29
23Cello Concerto in B-Flat major, G. 482: II. Adagio non troppo
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-04-24)
orchestra:
English Chamber Orchestra (on 1967-04-24)
conductor:
Daniel Barenboim (pianist and conductor) (on 1967-04-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1967-04-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-24)
recording of:
Cello Concerto in B-flat major, G. 482: II. Adagio non troppo (Grützmacher version) (on 1967-04-24)
composer:
Luigi Boccherini (Italian composer)
arranger:
Friedrich Grützmacher
part of:
Cello Concerto in B-flat major, G. 482 (Grützmacher version)
Luigi Boccherini arr. Friedrich Grützmacher6:56
24Cello Concerto in B-Flat major, G. 482: III. Rondo. Allegro
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-04-24)
orchestra:
English Chamber Orchestra (on 1967-04-24)
conductor:
Daniel Barenboim (pianist and conductor) (on 1967-04-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1967-04-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-24)
recording of:
Cello Concerto in B-flat major, G. 482: III. Rondo: Allegro (Grützmacher version) (on 1967-04-24)
composer:
Luigi Boccherini (Italian composer)
arranger:
Friedrich Grützmacher
version of:
Cello Concerto no. 9 in B-flat major, G. 482: III. Rondo: Allegro (original)
part of:
Cello Concerto in B-flat major, G. 482 (Grützmacher version)
Luigi Boccherini arr. Friedrich Grützmacher6:23
25Cello Concerto no. 2 in D major, Hob. VIIb:2: I. Allegro moderato - Cadenza
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-12-13)
orchestra:
London Symphony Orchestra (on 1967-12-13)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-13)
balance engineer:
Allen Stagg (on 1967-12-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-12-13)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: I. Allegro moderato (on 1967-12-13)
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn16:43
26Cello Concerto no. 2 in D major, Hob. VIIb:2: II. Adagio
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-12-13)
orchestra:
London Symphony Orchestra (on 1967-12-13)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-13)
balance engineer:
Allen Stagg (on 1967-12-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-12-13)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: II. Adagio (on 1967-12-13)
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn7:11
27Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo. Allegro - Cadenza
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-12-13)
orchestra:
London Symphony Orchestra (on 1967-12-13)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-13)
balance engineer:
Allen Stagg (on 1967-12-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-12-13)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: III. Rondo: Allegro (on 1967-12-13)
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn6:04
28Cello Concerto in D minor: I. Prélude. Lento - Allegro maestoso (Live)
cello:
Jacqueline du Pré (cellist)
orchestra:
The Cleveland Orchestra
conductor:
Daniel Barenboim (pianist and conductor)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1973-10-04, on 1973-10-06)
live recording of:
Concerto pour violoncelle et orchestre en ré majeur : I. Allegro (from 1973-10-04 until 1973-10-06)
composer:
Édouard Lalo (French composer) (from 1876 until 1877)
part of:
Concerto pour violoncelle et orchestre en ré majeur
Édouard Lalo12:43
29Cello Concerto in D minor: II. Intermezzo. Andantino con moto (Live)
cello:
Jacqueline du Pré (cellist)
orchestra:
The Cleveland Orchestra
conductor:
Daniel Barenboim (pianist and conductor)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1973-10-04, on 1973-10-06)
recording of:
Concerto pour violoncelle et orchestre en ré majeur : II. Intermezzo (from 1973-10-04 until 1973-10-06)
composer:
Édouard Lalo (French composer) (from 1876 until 1877)
part of:
Concerto pour violoncelle et orchestre en ré majeur
Édouard Lalo6:10
30Cello Concerto in D minor: III. Introduction. Andante - Allegro vivace (Live)
cello:
Jacqueline du Pré (cellist)
orchestra:
The Cleveland Orchestra
conductor:
Daniel Barenboim (pianist and conductor)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1973-10-04, on 1973-10-06)
recording of:
Concerto pour violoncelle et orchestre en ré majeur : III. Andante - Vivace (from 1973-10-04 until 1973-10-06)
composer:
Édouard Lalo (French composer) (from 1876 until 1877)
part of:
Concerto pour violoncelle et orchestre en ré majeur
Édouard Lalo7:39
31Cello Concerto in G minor: I. Allegro
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1968-09-20)
harpsichord [harpsichord continuo]:
Valda Aveling (pianist, harpsichordist and clavichordist) (on 1968-09-20)
orchestra:
London Symphony Orchestra (on 1968-09-20)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1968-09-20)
balance engineer:
Allen Stagg (on 1968-09-20)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-09-20)
recording of:
Concerto for Violoncello, Strings and Harpsichord in G minor: I. Allegro (on 1968-09-20)
composer:
Georg Matthias Monn (Austrian composer, organist and music teacher (transition from Baroque to Classical period))
part of:
Concerto for Violoncello, Strings and Harpsichord in G minor
Georg Matthias Monn7:40
32Cello Concerto in G minor: II. Adagio
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1968-09-20)
harpsichord [harpsichord continuo]:
Valda Aveling (pianist, harpsichordist and clavichordist) (on 1968-09-20)
orchestra:
London Symphony Orchestra (on 1968-09-20)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1968-09-20)
balance engineer:
Allen Stagg (on 1968-09-20)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-09-20)
recording of:
Concerto for Violoncello, Strings and Harpsichord in G minor: II. Adagio (on 1968-09-20)
composer:
Georg Matthias Monn (Austrian composer, organist and music teacher (transition from Baroque to Classical period))
part of:
Concerto for Violoncello, Strings and Harpsichord in G minor
Georg Matthias Monn9:00
33Cello Concerto in G minor: III. Allegro non tanto
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1968-09-20)
harpsichord [harpsichord continuo]:
Valda Aveling (pianist, harpsichordist and clavichordist) (on 1968-09-20)
orchestra:
London Symphony Orchestra (on 1968-09-20)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1968-09-20)
balance engineer:
Allen Stagg (on 1968-09-20)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-09-20)
recording of:
Concerto for Violoncello, Strings and Harpsichord in G minor: III. Allegro non tanto (on 1968-09-20)
composer:
Georg Matthias Monn (Austrian composer, organist and music teacher (transition from Baroque to Classical period))
part of:
Concerto for Violoncello, Strings and Harpsichord in G minor
Georg Matthias Monn6:20
34Don Quixote, op. 35: Introduction. Don Quixote Sinks into Madness
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: I. Introduction (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss6:15
35Don Quixote, op. 35: Theme. The Knight of the Mournful Countenance - Sancho Panza
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Maggiore. Sancho Panza (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
recording of:
Don Quixote, op. 35: Thema: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:15
36Don Quixote, op. 35: Variation I. The Adventure with the Windmills
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss3:02
37Don Quixote, op. 35: Variation II. The Battle with the Sheep
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation II: The Battle With the Sheep (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:43
38Don Quixote, op. 35: Variation III. Discourse Between Knight and Squire
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss8:20
39Don Quixote, op. 35: Variation IV. The Adventure with the Pilgrims
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:52
40Don Quixote, op. 35: Variation V. The Knight’s Vigil
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:58
41Don Quixote, op. 35: Variation VI. The Meeting with Dulcinea
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VI: Dulcinea (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:22
42Don Quixote, op. 35: Variation VII. The Ride Through the Air
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:08
43Don Quixote, op. 35: Variation VIII. The Voyage in the Enchanted Boat
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:58
44Don Quixote, op. 35: Variation IX. The Combat with the Two Magicians
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:11
45Don Quixote, op. 35: Variation X. The Defeat of Don Quixote
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation X: The Duel and Return Home (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:21
46Don Quixote, op. 35: Finale. Don Quixote’s Death
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote) (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss6:06