Sings the Blues / ’Nuff Said

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Two classic albums released in 1966 & 1968 on one CD. Standard jewelcase in a slipcase with 22 tracks in total. Camden. 2001

Anmerkung zuletzt geändert am 2018-12-03 21:56 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Do I Move You
recording engineer:
Mickey Crofford (am 1966-12-19) und Ray Hall (engineer) (am 1966-12-19)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1966-12-19)
recording of:
Do I Move You? (am 1966-12-19)
Texter und Komponist(in):
Nina Simone
4.652:47
2Day and Night
recording engineer:
Mickey Crofford (am 1966-12-19) und Ray Hall (engineer) (am 1966-12-19)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1966-12-19)
recording of:
Day and Night
Verfasser(in):
Rudy Stevenson
32:35
3In the Dark
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
Romance in the Dark
Verfasser(in):
Sam Coslow
Komponist(in):
Auteur, Big Bill Broonzy, Bud Green und Gertrude Niesen
4.352:57
4Real Real
recording engineer:
Mickey Crofford (am 1966-12-22) und Ray Hall (engineer) (am 1966-12-22)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1966-12-22)
recording of:
Real Real (am 1966-12-22)
Texter und Komponist(in):
Nina Simone
42:22
5My Man’s Gone Now
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (am 1967-01-05)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America und WB Music Corp. (1929–2019) (bis 2019-05-28)
Version von:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
34:16
6Backlash Blues
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
recording of:
Backlash Blues (am 1967-01-05)
Texter:
Langston Hughes
Komponist(in):
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) und Rolls Royce Music (publisher; do NOT use as release label)
4.652:31
7I Want a Little Sugar in My Bowl
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Interpret(in):
Sam Ellis (House DJ)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (am 1967-01-05)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
4.42:33
8Buck
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
41:53
9Since I Fell for You
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
Since I Fell for You (am 1967-01-05)
Texter und Komponist(in):
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (beendet), Warner Bros., Inc. (not for release label use!) (beendet) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:51
10House of the Rising Sun
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
House of the Rising Sun (am 1967-01-05)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music und Sonet Publishing Ltd.
33:54
11Blues for Mama
recording engineer:
Mickey Crofford (am 1966-12-22) und Ray Hall (engineer) (am 1966-12-22)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1966-12-22)
recording of:
Blues for Mama (am 1966-12-22)
Verfasser(in):
Abbey Lincoln und Nina Simone
publisher:
Ninandy Music (publisher; do NOT use as release label)
43:59
12In the Morning
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-05-13)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-05-13)
E-Gitarre:
Rudy Stevenson (am 1968-05-13)
Klavier und Sologesang:
Nina Simone (am 1968-05-13)
Orgel:
Sam Waymon (am 1968-05-13)
Schlagzeug:
Buck Clarke (am 1968-05-13)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-05-13)
Bearbeitung von:
In the Morning (full studio recording without added applause) von Nina Simone
cover recording of:
In the Morning (aka “Morning of My Life”) (am 1968-05-13)
Texter und Komponist(in):
Barry Gibb (in 1965)
publisher:
Bramsdene Music Corporation, Campbell Connelly, Campbell Connelly & Co. Ltd., Careers–BMG Music Publishing, Inc., Connelly Musikverlag, Gibb Brothers Music, Norman Whiteley Ltd., Penjane Music (Australia) Pty. Limited und Plymouth Music Co., Inc.
2:29
13Sunday in Savannah
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
Bearbeitung von:
Sunday in Savannah (live, 1968‐04‐07: Westbury Music Fair, Long Island, NY, USA) von Nina Simone
live cover recording of:
Sunday in Savannah (am 1968-04-07)
Texter und Komponist(in):
Hugh M. MacKay
Teil von:
Martin Luther King Suite
3:26
14Backlash Blues
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-04-07)
E-Gitarre:
Rudy Stevenson (am 1968-04-07)
Instrumente:
Sam Waymon (am 1968-04-07)
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
Schlagzeug:
Buck Clarke (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
Bearbeitung von:
Backlash Blues (live, 1968-04-07: Westbury Music Fair, Long Island, NY, USA, unabridged version) von Nina Simone
live recording of:
Backlash Blues (am 1968-04-07)
Texter:
Langston Hughes
Komponist(in):
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) und Rolls Royce Music (publisher; do NOT use as release label)
2:48
15Please Read Me
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-04-07)
E-Gitarre:
Rudy Stevenson (am 1968-04-07)
Instrumente:
Sam Waymon (am 1968-04-07)
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
Schlagzeug:
Buck Clarke (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
live cover recording of:
Please Read Me (am 1968-04-07)
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Abigail Music und Gibb Brothers Music
22:53
16Gin House Blues
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-04-07)
E-Gitarre:
Rudy Stevenson (am 1968-04-07)
Instrumente:
Sam Waymon (am 1968-04-07)
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
Schlagzeug:
Buck Clarke (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
live cover recording of:
Gin House Blues (am 1968-04-07)
Komponist(in):
Fletcher Henderson (in 1925) und Henry Troy (in 1925)
publisher:
Carlin Music Corp
3:09
17Why? (The King of Love Is Dead)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
Bearbeitung von:
Why? (The King of Love Is Dead) (live, 1968‐04‐07: Westbury Music Fair, Long Island, NY, USA, unabridged version) von Nina Simone
live recording of:
Why? (The King of Love Is Dead) (am 1968-04-07)
Texter und Komponist(in):
Gene Taylor (US jazz bassist)
gewidmet:
Dr. Martin Luther King (group)
Teil von:
Martin Luther King Suite
55:57
18Peace of Mind
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-04-07)
E-Gitarre:
Rudy Stevenson (am 1968-04-07)
Instrumente:
Sam Waymon (am 1968-04-07)
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
Schlagzeug:
Buck Clarke (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
live recording of:
Peace of Mind (am 1968-04-07)
Texter und Komponist(in):
Millard Delbert Woods
2:36
19Ain’t Got No – I Got Life
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-05-13)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-05-13)
E-Gitarre:
Rudy Stevenson (am 1968-05-13)
Klavier und Sologesang:
Nina Simone (am 1968-05-13)
Orgel:
Sam Waymon (am 1968-05-13)
Schlagzeug:
Buck Clarke (am 1968-05-13)
phonographisches Urheberrecht (℗) von:
BMG Ariola (company mostly named as distributor in Europe) (in 1968) und BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-05-13)
Bearbeitung von:
Ain’t Got No / I Got Life (’Nuff Said’ version without overdubs and with studio banter at the end (“It’s groovy”)) von Nina Simone
cover recording of:
Ain’t Got No, I Got Life (am 1968-05-13)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Medley von:
I Got Life (from “Hair”)
Medley von:
Ain’t Got No (from “Hair”)
42:08
20I Loves You Porgy
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-04-07)
E-Gitarre:
Rudy Stevenson (am 1968-04-07)
Instrumente:
Sam Waymon (am 1968-04-07)
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
Schlagzeug:
Buck Clarke (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (am 1968-04-07)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
cover recording of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act II, Scene III
3:29
21Take My Hand Precious Lord
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-04-07)
E-Gitarre:
Rudy Stevenson (am 1968-04-07)
Instrumente:
Sam Waymon (am 1968-04-07)
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
Schlagzeug:
Buck Clarke (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
live cover recording of:
Take My Hand, Precious Lord (am 1968-04-07)
Texter und arranger:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
Komponist(in):
[traditional] (special purpose artist)
zusätzliche(r) Komponist(in):
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
vorher zugeschrieben zu:
George Nelson Allen (American composer from the 1800s)
1:44
22Do What You Gotta Do
recording engineer:
Ray Hall (engineer) (am 1968-06-24)
A&R-Management:
Tom Berman
Produzent(in):
Joe René
E-Bass:
Jerry Jemmott (am 1968-06-24)
Gitarre:
Eric Gale (am 1968-06-24), Carl Lynch (am 1968-06-24) und Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-24)
Klavier:
Paul Griffin (American pianist, session musician) (am 1968-06-24) und Nina Simone (am 1968-06-24)
Orgel:
Ernest Hayes (American pianist, organist and arranger) (am 1968-06-24)
Pauke und Schlagzeug:
Bernard “Pretty” Purdie
Perkussion, Tamburin und Vibraphon:
Specs Powell (am 1968-06-24)
Posaune:
Garnett Brown (am 1968-06-24)
Trompete:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (am 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (am 1968-06-24) und Joe Shepley (am 1968-06-24)
Sologesang:
Nina Simone (am 1968-06-24)
conductor:
Horace Ott (am 1968-06-24)
arranger:
Horace Ott
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-06-24)
Bearbeitung von:
Do What You Gotta Do (1968 version, full length) von Nina Simone
cover recording of:
Do What You Gotta Do (am 1968-06-24)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) und Sosahamu Music Inc. (publisher; do NOT use as release label)
3.52:59

Nennungen

Veröffentlichung

hergestellt in:EU (Europa)
Verwertungsgesellschaft:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 2001)
Discogs:https://www.discogs.com/release/2226193 [Info]
ASIN:UK: B00005NOSX [Info]