At The Opera House

~ Release by Stan Getz and J.J. Johnson (see all versions of this release, 6 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Billie's Bounce
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-19)
drums (drum set):
Connie Kay (on 1957-10-19)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-19)
tenor saxophone:
Stan Getz (on 1957-10-19)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-19)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Chicago Opera House in Chicago, Illinois, United States (on 1957-10-19)
live recording of:
Billie’s Bounce (on 1957-10-19)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
9:47
2My Funny Valentine
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-19)
drums (drum set):
Connie Kay (on 1957-10-19)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-19)
tenor saxophone:
Stan Getz (on 1957-10-19)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-19)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Chicago Opera House in Chicago, Illinois, United States (on 1957-10-19)
live recording of:
My Funny Valentine (from “Babes in Arms”) (on 1957-10-19)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
48:10
3Crazy Rhythm
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-19)
drums (drum set):
Connie Kay (on 1957-10-19)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-19)
tenor saxophone:
Stan Getz (on 1957-10-19)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-19)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Chicago Opera House in Chicago, Illinois, United States (on 1957-10-19)
7:52
4It Never Entered My Mind
recording of:
It Never Entered My Mind
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:29
5Blues in the Closet
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-19)
drums (drum set):
Connie Kay (on 1957-10-19)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-19)
tenor saxophone:
Stan Getz (on 1957-10-19)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-19)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Chicago Opera House in Chicago, Illinois, United States (on 1957-10-19)
live recording of:
Blues in the Closet (on 1957-10-19)
composer:
Oscar Pettiford
9:04
6Billie's Bounce
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
7:57
7My Funny Valentine
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
My Funny Valentine (from “Babes in Arms”) (on 1957-10-25)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
8:28
8Crazy Rhythm
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
7:47
9Yesterdays
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
Yesterdays (on 1957-10-25)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:42
10It Never Entered My Mind
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
It Never Entered My Mind (on 1957-10-25)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:52
11Blues in the Closet
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
Blues in the Closet (on 1957-10-25)
composer:
Oscar Pettiford
6:18