Arte del canto 3

~ Release by Ezio Fortunato Pinza (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Don Giovanni: “Deh, vieni alla finestra”
bass vocals:
Ezio Pinza (operatic bass) (in 1930)
orchestra:
Metropolitan Opera Orchestra (in 1930)
conductor:
Giulio Setti (conductor) (in 1930)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1930)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:43
2Don Giovanni: “Là ci darem la mano”
bass vocals [Don Giovanni]:
Ezio Pinza (operatic bass) (on 1939-05-08)
soprano vocals [Zerlina]:
Elisabeth Rethberg (soprano) (on 1939-05-08)
orchestra:
Victor Symphony Orchestra (on 1939-05-08)
conductor:
Bruno Reibold (on 1939-05-08)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (on 1939-05-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:15
3Don Giovanni: “Madamina, il catalogo”
bass vocals:
Ezio Pinza (operatic bass) (on 1946-02-21)
orchestra:
Metropolitan Opera Orchestra (on 1946-02-21)
conductor:
Bruno Walter (conductor) (on 1946-02-21)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1946-02-21)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (on 1946-02-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:08
4Die Entführung aus dem Serail: „O, wie will ich triumphieren”
bass vocals:
Ezio Pinza (operatic bass) (on 1946-04-17)
orchestra:
Metropolitan Opera Orchestra (on 1946-04-17)
conductor:
Bruno Walter (conductor) (on 1946-04-17)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1946-04-17)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (on 1946-04-17)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:06
5Le nozze di Figaro: “Se vuol ballare”
bass vocals:
Ezio Pinza (operatic bass) (on 1946-04-17)
orchestra:
Metropolitan Opera Orchestra (on 1946-04-17)
conductor:
Bruno Walter (conductor) (on 1946-04-17)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1946-04-17)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (on 1946-04-17)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:01
6Le nozze di Figaro: “Aprite un pò quegli occhi”
bass vocals [Figaro]:
Ezio Pinza (operatic bass) (on 1946-04-17)
orchestra:
Orchestra Of The Metropolitan Opera Association (Metropolitan Opera Orchestra) (on 1946-04-17)
conductor:
Bruno Walter (conductor) (on 1946-04-17)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (on 1946-04-17)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:41
7Die Zauberflöte: „In diesen heil’gen Hallen”
bass vocals:
Ezio Pinza (operatic bass) (on 1946-04-17)
orchestra:
Metropolitan Opera Orchestra (on 1946-04-17)
conductor:
Bruno Walter (conductor) (on 1946-04-17)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1946-04-17)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (on 1946-04-17)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:22
8Die Zauberflöte: “Mentre ti lascio, o figlia”
bass vocals:
Ezio Pinza (operatic bass) (on 1946-04-17)
orchestra:
Metropolitan Opera Orchestra (on 1946-04-17)
conductor:
Bruno Walter (conductor) (on 1946-04-17)
recording of:
Aria for Bass & Orchestra in E-flat major, K. 513: "Mentre ti lascio, oh figlia" (on 1946-04-17)
lyricist:
Nicola Giuseppe Morbilli
additional composer:
Giovanni Paisiello (composer)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 513) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 513)
Wolfgang Amadeus Mozart7:15
9La Juive: « Si la rigueur »
bass vocals [Brogni]:
Ezio Pinza (operatic bass) (in 1946)
orchestra:
Metropolitan Opera Orchestra (in 1946)
conductor:
Fausto Cleva (conductor) (in 1946)
recording of:
La Juive : Acte I. « Si la rigueur et la vengeance » (in 1946)
composer:
Fromental Halévy (French composer)
part of:
La Juive: Acte I
Jacques Halévy4:04
10La Juive: « Vous qui du Dieu »
bass vocals:
Ezio Pinza (operatic bass) (on 1927-03-22)
orchestra:
Metropolitan Opera Orchestra (on 1927-03-22)
conductor:
Giulio Setti (conductor) (on 1927-03-22)
partial recording of:
La Juive: Acte III (on 1927-03-22)
composer:
Fromental Halévy (French composer)
part of:
La Juive
Jacques Halévy2:54
11Mignon: « De son cœur j’ai calmé » (Berceuse)
bass vocals:
Ezio Pinza (operatic bass) (on 1927-03-29)
conductor:
Rosario Bourdon (French Canadian cellist, violinist, conductor, arranger and composer) (on 1927-03-29)
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States (on 1927-03-29)
partial recording of:
Mignon : Acte III. Introduction, chœur et berceuse (Chœur, Lothario) (on 1927-03-29)
part of:
Mignon : Acte III. La galerie d'un palais en Italie
Ambroise Thomas3:59
12Mignon: « Légères hirondelles »
bass vocals:
Ezio Pinza (operatic bass) (on 1947-02-07)
mezzo-soprano vocals:
Risë Stevens (Opera director, actress, mezzo-soprano) (on 1947-02-07)
orchestra:
Metropolitan Opera Orchestra (on 1947-02-07)
conductor:
Fausto Cleva (conductor) (on 1947-02-07)
phonographic copyright (℗) by:
BMG Music (in 1989)
recording of:
Mignon : Acte I. « Libre ! Libre ! Est-ce vrai ? » ... « Légères hirondelles » (Mignon, Lothario) (on 1947-02-07)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Mignon : Acte I. Dans la cour de quelque auberge
Ambroise Thomas3:21
13Le Caïd: « Le Tambour‐major »
bass vocals:
Ezio Pinza (operatic bass) (on 1927-04-14)
orchestra:
Metropolitan Opera Orchestra (on 1927-04-14)
conductor:
Giulio Setti (conductor) (on 1927-04-14)
partial recording of:
Le Caïd (The Qaid) (on 1927-04-14)
premiered in:
Paris, Île-de-France, France (on 1849-01-03)
composer:
Ambroise Thomas (opera composer)
librettist:
Thomas-Marie-François Sauvage
Ambroise Thomas4:30
14Robert le Diable: “Suore che reposate” … “Le rovine sono queste”
bass vocals:
Ezio Pinza (operatic bass) (on 1927-03-22)
orchestra:
Metropolitan Opera Orchestra (on 1927-03-22)
conductor:
Giulio Setti (conductor) (on 1927-03-22)
partial recording of:
Robert le Diable: Acte III (on 1927-03-22)
composer:
Giacomo Meyerbeer (composer)
librettist:
Germain Delavigne and Eugène Scribe
part of:
Robert le Diable
Giacomo Meyerbeer3:45
15Faust: « Le veau d’or »
bass vocals [Méphistophélès]:
Ezio Pinza (operatic bass) (on 1929-04-08)
choir vocals:
Metropolitan Opera Chorus (on 1929-04-08)
orchestra:
Metropolitan Opera Orchestra (on 1929-04-08)
conductor:
Giulio Setti (conductor) (on 1929-04-08)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1929-04-08)
recording of:
Faust : Acte II. No. 7 « Le veau d’or est toujours debout » (Méphistophélès, Chœur) (on 1929-04-08)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles Gounod1:48
16Faust: « Seigneur, daignez permettre »
bass vocals [Méphistophélès]:
Ezio Pinza (operatic bass) (on 1940-04-06)
orchestra:
Metropolitan Opera Orchestra (on 1940-04-06)
conductor:
Wilfrid Pelletier (conductor) (on 1940-04-06)
recorded at:
Boston Opera House in Downtown Boston, Boston, Massachusetts, United States (on 1940-04-06)
recording of:
Faust : Acte IV. No. 21 Scène de l’église “Seigneur, daignez permettre…” (Marguerite, Méphistophélès, Chœur) (on 1940-04-06)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles Gounod9:47
17Boris Godunow: Der Tod des Boris
bass vocals:
Ezio Pinza (operatic bass) (in 1944-12)
orchestra:
Metropolitan Opera Orchestra (in 1944-12)
conductor:
Emil Cooper (aka Emil Kuper, conductor) (in 1944-12)
recording of:
Boris Godunow: Act IV "Tod des Boris" (in 1944-12)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Борис Годунов: Act IV (1872 version)
Modest Mussorgski7:56

Credits

Release

distributed by:da music (imprint of Deutsche Austrophon GmbH)