Angels From Montgomery

~ Release by John Prine (see all versions of this release, 1 available)

Tracklist

1▶CD: John Prine, Diamonds in the Rough
2▼CD: Diamonds in the Rough (con't), Sweet Revenge, Common Sense
#TitleRatingLength
1Rocky Mountain Time
recording engineer:
Gene Paul
producer:
Arif Mardin
acoustic guitar:
Steve Goodman (folk musician) and John Prine
bass guitar [bass]:
Steve Burgh
electric guitar:
David Bromberg (American multi-instrumentalist, singer, and songwriter)
vocals:
John Prine
remixer:
Arif Mardin and Gene Paul
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Rocky Mountain Time
composer:
John Prine
3:05
2Diamonds in the Rough
recording engineer:
Lew Hahn
producer:
Arif Mardin
vocals:
Steve Goodman (folk musician), Dave Prine and John Prine
remixer:
Arif Mardin and Gene Paul
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
Diamonds in the Rough
lyricist and composer:
A.P. Carter
recording of:
Diamonds in the Rough
lyricist and composer:
A.P. Carter
1:54
3Sweet Revenge
recording engineer:
Steve Ham
producer:
Arif Mardin
acoustic guitar:
John Prine
bass:
Mike Leach
drums (drum set) and percussion:
Kenny Malone (American blues drummer Kenny Kimbrough)
electric guitar:
Steve Goodman (folk musician) and Reggie Young (guitarist and songwriter)
organ and piano:
David Briggs (US producer and musician)
background vocals:
Judy Clay (American soul and gospel singer), Cissy Houston and Deidre Tuck
vocals:
John Prine
recorded at:
Quadrafonic Sound Studio in Nashville, Tennessee, United States
recording of:
Sweet Revenge
lyricist and composer:
John Prine
publisher:
Sour Grapes Music, Inc. and Walden Music, Inc.
42:37
4Please Don't Bury Me
recording engineer:
Steve Ham
producer:
Arif Mardin
acoustic guitar:
John Christopher (British writer), Steve Goodman (folk musician) and John Prine
bass:
Mike Leach
drums (drum set):
Kenny Malone (American blues drummer Kenny Kimbrough)
electric guitar:
Reggie Young (guitarist and songwriter)
resonator guitar [dobro]:
Dave Prine
vocals:
Raun MacKinnon and John Prine
recorded at:
Quadrafonic Sound Studio in Nashville, Tennessee, United States
recording of:
Please Don’t Bury Me
lyricist and composer:
John Prine
42:46
5Christmas in Prison
recording engineer:
Steve Ham
producer:
Arif Mardin
acoustic guitar and lead vocals:
John Prine
bass:
Mike Leach
drums (drum set):
Kenny Malone (American blues drummer Kenny Kimbrough)
electric guitar:
Reggie Young (guitarist and songwriter)
harmonica:
Jerry W. Shook
organ:
David Briggs (US producer and musician)
resonator guitar [dobro]:
Grady Martin (country/rockabilly guitarist)
recorded at:
Quadrafonic Sound Studio in Nashville, Tennessee, United States
recording of:
Christmas in Prison
lyricist and composer:
John Prine
publisher:
Cotillion Music Inc. (BMI)
3:09
6Dear Abby
producer:
Arif Mardin
acoustic guitar:
John Prine
vocals:
John Prine
recorded at:
State University of New York (New Paltz) in New Paltz, New York, United States
live recording of:
Dear Abby
lyricist and composer:
John Prine
recording of:
Dear Abby
lyricist and composer:
John Prine
54:17
7Blue Umbrella
recording of:
Blue Umbrella
lyricist and composer:
John Prine
publisher:
Cotillion-Sour Grapes
4:06
8Often Is a World I Seldom Use
recording engineer:
Steve Ham
producer:
Arif Mardin
acoustic guitar:
Steve Goodman (folk musician) and John Prine
bass:
Mike Leach
drums (drum set):
Kenny Malone (American blues drummer Kenny Kimbrough)
electric guitar:
John Christopher (British writer) and Reggie Young (guitarist and songwriter)
harmonica:
Jerry W. Shook
percussion:
Ralph MacDonald and Bill Salter
lead vocals:
John Prine
horn arranger:
Arif Mardin
recorded at:
Quadrafonic Sound Studio in Nashville, Tennessee, United States
recording of:
Often Is a Word I Seldom Use
lyricist and composer:
John Prine
publisher:
Cotillion Music Inc. (BMI)
2:58
9Onomatopoeia
recording engineer:
Jimmy Douglass (engineer)
producer:
Arif Mardin
acoustic guitar and lead vocals:
John Prine
bass:
Hugh McDonald (bassist)
drums (drum set):
Steve Mosley
electric guitar:
Steve Burgh and Steve Goodman (folk musician)
piano:
Kenny Ascher
vocals:
Steve Goodman (folk musician)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Onomatopoeia
lyricist and composer:
John Prine
publisher:
Cotillion Music Inc. (BMI)
2:19
10Grandpa Was a Carpenter
recording engineer:
Steve Ham
producer:
Arif Mardin
acoustic guitar:
John Christopher (British writer) and John Prine
banjo:
Dave Prine
bass:
Mike Leach
drums (drum set):
Kenny Malone (American blues drummer Kenny Kimbrough)
electric guitar:
Reggie Young (guitarist and songwriter)
solo acoustic guitar:
Steve Goodman (folk musician)
vocals:
John Prine
recorded at:
Quadrafonic Sound Studio in Nashville, Tennessee, United States
recording of:
Grandpa Was a Carpenter
lyricist and composer:
John Prine
publisher:
Sour Grapes Music, Inc. and Walden Music, Inc.
42:11
11The Accident (Things Could Be Worse)
recording engineer:
Steve Ham
producer:
Arif Mardin
acoustic guitar and lead vocals:
John Prine
bass:
Mike Leach
drums (drum set):
Kenny Malone (American blues drummer Kenny Kimbrough)
fiddle:
Dave Prine
guitar:
John Christopher (British writer) and Reggie Young (guitarist and songwriter)
piano:
David Briggs (US producer and musician)
resonator guitar [dobro]:
Grady Martin (country/rockabilly guitarist)
steel guitar:
Doyle Grisham
vocals:
Raun MacKinnon
recorded at:
Quadrafonic Sound Studio in Nashville, Tennessee, United States
recording of:
The Accident (Things Could Be Worse)
lyricist and composer:
John Prine
publisher:
Cotillion Music Inc. (BMI), Sour Grapes Music, Inc. and Walden Music, Inc.
3:21
12Mexican Home
recording engineer:
Steve Ham
producer:
Arif Mardin
acoustic guitar:
John Christopher (British writer) and John Prine
bass:
Mike Leach
drums (drum set):
Kenny Malone (American blues drummer Kenny Kimbrough)
electric guitar:
Steve Goodman (folk musician) and Reggie Young (guitarist and songwriter)
organ:
David Briggs (US producer and musician)
percussion:
Ralph MacDonald
piano:
Bobby Woods (American pianist, keyboard player and songwriter)
background vocals:
Judy Clay (American soul and gospel singer), Cissy Houston, Raun MacKinnon and Deidre Tuck
lead vocals:
John Prine
horn arranger:
Arif Mardin
recorded at:
Quadrafonic Sound Studio in Nashville, Tennessee, United States
recording of:
Mexican Home
lyricist and composer:
John Prine
publisher:
Cotillion Music Inc. (BMI)
4:36
13A Good Time
recording engineer:
Steve Ham
producer:
Arif Mardin
acoustic guitar:
Steve Goodman (folk musician) and John Prine
bass:
Bill Salter
solo acoustic guitar:
Grady Martin (country/rockabilly guitarist)
lead vocals:
John Prine
recorded at:
Quadrafonic Sound Studio in Nashville, Tennessee, United States
recording of:
A Good Time
lyricist and composer:
John Prine
publisher:
Cotillion-Sour Grapes and Walden Music, Inc.
3:27
14Nine Pound Hammer
recording engineer:
Steve Ham
producer:
Arif Mardin
acoustic guitar:
John Christopher (British writer), Steve Goodman (folk musician), John Prine and Reggie Young (guitarist and songwriter)
double bass:
Mike Leach
drums (drum set):
Kenny Malone (American blues drummer Kenny Kimbrough)
piano:
Bobby Woods (American pianist, keyboard player and songwriter)
resonator guitar [dobro]:
Dave Prine
lead vocals:
John Prine
vocals:
John Christopher (British writer)
recorded at:
Quadrafonic Sound Studio in Nashville, Tennessee, United States
cover recording of:
Nine Pound Hammer
writer:
[traditional] (special purpose artist)
publisher:
Elvis Presley Music and Hill and Range Songs, Inc. (publisher)
recording of:
Nine Pound Hammer
writer:
[traditional] (special purpose artist)
publisher:
Elvis Presley Music and Hill and Range Songs, Inc. (publisher)
43:02
15Middle Man
recording of:
Middleman
lyricist and composer:
John Prine
2:29
16Common Sense
producer:
Steve Cropper
acoustic guitar [lead acoustic guitar]:
Steve Goodman (folk musician)
bass:
Tommy Cathey
electric guitar:
Paul Cannon and Rick Vito
membranophone:
Peter Bunetta
organ:
James Brown (keyboardist)
piano:
Larry Muhoberac (American musician, producer, and composer)
steel guitar:
Leo LeBlanc
background vocals:
Jackson Browne (American singer-songwriter), Glenn Frey (US musician/singer/songwriter, member of the Eagles) and J.D. Souther
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recording of:
Common Sense
lyricist and composer:
John Prine
publisher:
Sour Grapes Music, Inc. and Walden Music, Inc.
53:08
17Come Back to Us Barbara Lewis Hare Krishna Beauregard
producer:
Steve Cropper
acoustic guitar:
John Prine
bass:
Tommy Cathey
electric guitar:
Paul Cannon and Steve Goodman (folk musician)
membranophone:
Peter Bunetta
organ:
James Brown (keyboardist)
piano:
Larry Muhoberac (American musician, producer, and composer)
slide guitar:
Rick Vito
steel guitar:
Leo LeBlanc
vocals:
John Prine and Bonnie Raitt
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recording of:
Come Back to Us Barbara Lewis Hare Krishna Beauregard
lyricist and composer:
John Prine
43:16
18Wedding Down in Funeralville
producer:
Steve Cropper
bass:
Tommy Cathey
electric guitar:
Paul Cannon and Rick Vito
membranophone:
Peter Bunetta
organ:
James Brown (keyboardist)
piano:
Larry Muhoberac (American musician, producer, and composer)
background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Herb Peterson and J.D. Souther
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recording of:
Wedding Day in Funeralville
lyricist and composer:
John Prine
32:27
19Way Down
producer:
Steve Cropper
bass:
Tommy Cathey
electric guitar:
Paul Cannon and Rick Vito
membranophone:
Peter Bunetta
organ and piano:
James Brown (keyboardist)
solo slide guitar [slide]:
Rick Vito
steel guitar:
Leo LeBlanc
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recording of:
Way Down
lyricist and composer:
John Prine
2:20
20My Own Best Friend
producer:
Steve Cropper
bass:
Tommy Cathey
electric guitar:
Paul Cannon, Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Rick Vito
membranophone:
Peter Bunetta
organ:
James Brown (keyboardist)
piano:
Larry Muhoberac (American musician, producer, and composer)
slide guitar:
Rick Vito
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recording of:
My Own Best Friend
lyricist and composer:
John Prine
3:12
21Forbidden Jimmy
producer:
Steve Cropper
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
congas:
Mailto Correa
electric guitar:
Steve Goodman (folk musician)
horn:
Jack Hale (trombone) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
membranophone:
Peter Bunetta
organ:
James Brown (keyboardist)
percussion:
Peter Bunetta and Mailto Correa
piano:
Alan Hand
background vocals:
Brooks Hunnicutt, Pat Coulter and Gwenn Edwards (doo wop singer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recording of:
Forbidden Jimmy
lyricist and composer:
John Prine
2:52
22Saddle in the Rain
producer:
Steve Cropper
acoustic guitar:
John Prine
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
congas:
Mayuto Correa
electric guitar:
Steve Cropper and Steve Goodman (folk musician)
horn:
Lewis Collins (saxophonist), Jack Hale (trombone), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love and James Mitchell (US saxophonist/arranger)
membranophone:
Peter Bunetta
organ:
James Brown (keyboardist)
piano:
Alan Hand
background vocals:
Pat Coulter, Gwen Edwards (doo wop singer) and Brooks Hunnicutt
vocals:
John Prine
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recording of:
Saddle in the Rain
lyricist and composer:
John Prine
43:31
23That Close to You
producer:
Steve Cropper
bass:
Tommy Cathey
electric guitar:
Paul Cannon and Rick Vito
horn:
Chuck Findley (trumpet, trombone, horn player), Jim Horn (saxophonist, hornist, flutist and oboist) and Jackie Kelson
membranophone:
Peter Bunetta
organ:
James Brown (keyboardist)
piano:
Larry Muhoberac (American musician, producer, and composer)
steel guitar:
Leo LeBlanc
background vocals:
Pat Coulter, Gwenn Edwards (doo wop singer) and Brooks Hunnicutt
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recording of:
That Close to You
lyricist and composer:
John Prine
publisher:
Sour Grapes Music, Inc. and Walden Music, Inc.
2:43
24He Was in Heaven Before He Died
producer:
Steve Cropper
acoustic guitar and background vocals:
Steve Goodman (folk musician)
bass:
Steve Spear
reed organ [pump organ]:
James Brown (keyboardist)
steel guitar:
Leo LeBlanc
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recording of:
He Was in Heaven Before He Died
lyricist and composer:
John Prine
2:12
25You Never Can Tell
producer:
Steve Cropper
bass:
Tommy Cathey
electric guitar:
Paul Cannon and Rick Vito
horn:
Chuck Findley (trumpet, trombone, horn player), Jim Horn (saxophonist, hornist, flutist and oboist) and Jackie Kelson
membranophone:
Peter Bunetta
piano:
Larry Muhoberac (American musician, producer, and composer)
background vocals:
Al Bunetta, Peter Bunetta, Danny Cronin, Alan Hand, Greg Jackson and John Prine
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
cover recording of:
You Never Can Tell
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
3:15