Elvis: The 100 Top Hits Collection

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

German RCA mail-order club exclusive 5cd box set

Part of a German RCA mail-order club exclusive 5cd box set

Annotazione modificata l'ultima volta il 2025-10-20 08:00 UTC.

Elenco tracce

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#TitoloValutazioneDurata
1Mexico
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Mexico
autore:
Roy C. Bennett (US songwriter) e Sid Tepper
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. e Williamson Music Company
2:01
2Viva Las Vegas
tecnico:
David Weichman
basso :
Bob Moore (U.S. bassist and bandleader) (dal 1963-07-09 al 1963-07-11)
batteria :
D.J. Fontana (dal 1963-07-09 al 1963-07-11), Frank Carlson (dal 1963-07-09 al 1963-07-11) e Buddy Harman (Session drummer and songwriter) (dal 1963-07-09 al 1963-07-11)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1963-07-09 al 1963-07-11), Billy Strange (dal 1963-07-09 al 1963-07-11) e Tiny Timbrell (dal 1963-07-09 al 1963-07-11)
organo :
Calvin Jackson (piano, composer) (dal 1963-07-09 al 1963-07-11)
pianoforte :
Dudley Brooks (dal 1963-07-09 al 1963-07-11) e Floyd Cramer (dal 1963-07-09 al 1963-07-11)
sassofono :
Boots Randolph (dal 1963-07-09 al 1963-07-11)
voce:
The Jordanaires (southern gospel group) (dal 1963-07-09 al 1963-07-11)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1963-07-10)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1963-07-10)
diritti fonografici (℗) detenuti da:
BMG Music e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1963-07-09 al 1963-07-11, il 1963-07-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 33)
registrazione di:
Viva Las Vegas (dal 1963-07-09 al 1963-07-11)
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Felder Pomus Entertainment, Intersong GmbH (publisher; do NOT use as release label), Mort Shuman Songs, Pomus Songs Inc., Sharoonie Songs e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
42:23
3Kissin' Cousins
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Kissin’ Cousins
autore:
Randy Starr e Fred Wise
editore:
Carlin Music Corporation, Nadel Music e Williamson Music Company
2:14
4Such a Night
tecnico di registrazione:
Bill Porter (engineer) (il 1960-04-03)
produttore:
Chet Atkins e Steve Sholes
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-04-03)
batteria :
D.J. Fontana (il 1960-04-03) e Buddy Harman (Session drummer and songwriter) (il 1960-04-03)
chitarra :
Hank Garland (il 1960-04-03), Scotty Moore (American guitarist and recording engineer) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
pianoforte :
Floyd Cramer (il 1960-04-03)
sassofono :
Boots Randolph (il 1960-04-03)
voce:
The Jordanaires (southern gospel group) (il 1960-04-03)
diritti fonografici (℗) detenuti da:
BMG Music e BMG Entertainment (nel 1960)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-04-03) e RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Such a Night (il 1960-04-03)
paroliere e compositore:
Lincoln Chase (songwriter)
editore:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation e Raleigh Music, Inc.
33:01
5Crying in the Chapel
produttore:
Steve Sholes
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-10-30)
batteria :
D.J. Fontana (il 1960-10-30) e Buddy Harman (Session drummer and songwriter) (il 1960-10-30)
chitarra :
Hank Garland (il 1960-10-30) e Scotty Moore (American guitarist and recording engineer) (il 1960-10-30)
contrabbasso :
Bob Moore (U.S. bassist and bandleader)
pianoforte :
Floyd Cramer (il 1960-10-30)
sassofono :
Boots Randolph (il 1960-10-30)
strumenti:
Elvis Presley (“The King of Rock and Roll”) (il 1960-10-30)
voce:
Charlie Hodge (il 1960-10-30), The Jordanaires (southern gospel group) (il 1960-10-30) e Millie Kirkham (il 1960-10-30)
voce di accompagnamento:
The Jordanaires (southern gospel group)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-10-31)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-10-31)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1965), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1965) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-10-30)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 26)
registrazione cover di:
Crying in the Chapel (dal 1960-10-30 al 1960-10-31)
paroliere e compositore:
Artie Glenn (nel 1953)
editore:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) e Mijac Music
2.752:26
6I'm Yours
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
I’m Yours
autore:
Hal Blair e Don Robertson (“Happy Whistler” songwriter)
editore:
Don Robertson Music Corp. e Gladys Music Inc.
32:22
7Puppet on a String
diritti fonografici (℗) detenuti da:
BMG Music
registrazione cover di:
Puppet on a String
autore:
Roy C. Bennett (US songwriter) e Sid Tepper
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) e Williamson Music Company
2:41
8Frankie and Johnny
tecnico:
David Weichman
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (dal 1965-05-12 al 1965-05-14)
basso :
Bob Moore (U.S. bassist and bandleader) (dal 1965-05-12 al 1965-05-14)
batteria :
D.J. Fontana (dal 1965-05-12 al 1965-05-14) e Buddy Harman (Session drummer and songwriter) (dal 1965-05-12 al 1965-05-14)
chitarra :
Charlie McCoy (white blues harmonica player, 1960s-present) (dal 1965-05-12 al 1965-05-14), Scotty Moore (American guitarist and recording engineer) (dal 1965-05-12 al 1965-05-14) e Tiny Timbrell (dal 1965-05-12 al 1965-05-14)
pianoforte :
Larry Muhoberac (American musician, producer, and composer) (dal 1965-05-12 al 1965-05-14)
sassofono :
Gus Bivona (dal 1965-05-12 al 1965-05-14)
tromba :
George Worth (dal 1965-05-12 al 1965-05-14)
trombone :
Richard Noel (trombonist) (dal 1965-05-12 al 1965-05-14)
tuba :
Robert Corwin (dal 1965-05-12 al 1965-05-14) e John Johnson (session tuba player) (dal 1965-05-12 al 1965-05-14)
voce:
The Jordanaires (southern gospel group) (dal 1965-05-12 al 1965-05-14)
remixer:
Ernst Mikael Jorgensen e James Nichols
diritti fonografici (℗) detenuti da:
BMG Music
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1965-05-12 al 1965-05-14, dal 1965-05-12 al 1965-05-19)
registrazione di:
Frankie and Johnny (Elvis arrangement) (dal 1965-05-12 al 1965-05-14)
arrangiatore:
Alex Gottlieb, Fred Karger (Frederick Maxwell Karger, Jr) e Ben Weisman
editore:
Carlin Music Corporation e Gladys Music
arrangiamento di:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
registrazione di:
Frankie and Johnny (Elvis arrangement) (il 1965-05-13)
arrangiatore:
Alex Gottlieb, Fred Karger (Frederick Maxwell Karger, Jr) e Ben Weisman
editore:
Carlin Music Corporation e Gladys Music
arrangiamento di:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
42:35
9Love Letters
diritti fonografici (℗) detenuti da:
BMG Music (nel 1966)
registrazione cover di:
Love Letters (il 1966-05-26)
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony e Warner/Chappell Music Ltd. (1996–2019)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
4.52:52
10All That I Am
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
All That I Am
autore:
Roy C. Bennett (US songwriter) e Sid Tepper
editore:
Carlin Music Corporation e Williamson Music Company
2:18
11Indescribably Blue
tecnico:
Jim Malloy
produttore:
Felton Jams
cori:
The Jordanaires (southern gospel group) (il 1966-06-10)
voce:
The Imperials (gospel/CCM group) (il 1966-06-10)
diritti fonografici (℗) detenuti da:
BMG Music
registrata presso:
RCA's Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1966-06-10)
registrazione cover di:
Indescribably Blue (il 1966-06-10)
paroliere e compositore:
Darrell Glenn
editore:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., Prestige Music Co. (US, affiliated with BMI) e R&H Music
2:49
12Big Boss Man
produttore:
Felton Jarvis
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (dal 1967-09-10 al 1967-09-11)
basso :
Bob Moore (U.S. bassist and bandleader) (dal 1967-09-10 al 1967-09-11)
batteria :
D.J. Fontana (dal 1967-09-10 al 1967-09-11) e Buddy Harman (Session drummer and songwriter) (dal 1967-09-10 al 1967-09-11)
chitarra :
Harold Bradley (dal 1967-09-10 al 1967-09-11), Charlie McCoy (white blues harmonica player, 1960s-present) (dal 1967-09-10 al 1967-09-11), Scotty Moore (American guitarist and recording engineer) (dal 1967-09-10 al 1967-09-11), Jerry Reed (dal 1967-09-10 al 1967-09-11) e Chip Young (American session guitarist, bassist, producer in the genre of country) (dal 1967-09-10 al 1967-09-11)
chitarra steel :
Pete Drake (steel guitar player) (dal 1967-09-10 al 1967-09-11)
organo :
Hoyt Hawkins (dal 1967-09-10 al 1967-09-11) e Charlie McCoy (white blues harmonica player, 1960s-present) (dal 1967-09-10 al 1967-09-11)
pianoforte :
Floyd Cramer (dal 1967-09-10 al 1967-09-11)
sassofono :
Boots Randolph (dal 1967-09-10 al 1967-09-11)
voce:
The Jordanaires (southern gospel group) (dal 1967-09-10 al 1967-09-11) e Millie Kirkham (dal 1967-09-10 al 1967-09-11)
diritti fonografici (℗) detenuti da:
BMG Music
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (dal 1967-09-10 al 1967-09-11)
registrazione cover di:
Big Boss Man (il 1967-09-10)
autore:
Luther Dixon e Al Smith (US blues artist)
editore:
Arc Music Corp. (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Conrad Publishing Co. Inc., EMI Unart Catalog Inc., EMI United Partnership Ltd., Mijac Music, Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC, Tristan Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
registrazione cover di:
Big Boss Man (dal 1967-09-10 al 1967-09-11)
autore:
Luther Dixon e Al Smith (US blues artist)
editore:
Arc Music Corp. (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Conrad Publishing Co. Inc., EMI Unart Catalog Inc., EMI United Partnership Ltd., Mijac Music, Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC, Tristan Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
42:53
13U.S. Male
produttore:
Felton Jarvis
diritti fonografici (℗) detenuti da:
BMG Music
registrazione cover di:
U.S. Male
paroliere e compositore:
Jerry Reed Hubbard
editore:
Sixteen Stars Music (BMI-affiliated), Valley Music Ltd (publisher) e Vector Music
32:44
14If I Can Dream
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
If I Can Dream
paroliere e compositore:
Earl Brown (composer and arranger)
editore:
Carlin Music Corporation, Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Steve Peter Music (ASCAP) e Universal Music Corporation (USA, affiliated with ASCAP)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
3:12
15Edge of Reality
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Edge of Reality
autore:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) e Florence Kaye
editore:
ABG Elvis Songs, Elvis Presley Music e Williamson Music Company
3:40
16Memories
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Memories
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Billy Strange Music, Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Movieville Music e Songpainter Music
2:22
17Clean Up Your Own Backyard
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Clean Up Your Own Backyard
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Williamson Music Company
3:09
18In the Ghetto
tecnico:
Al Pachucki
produttore:
Felton Jams e Chips Moman
armonica (a bocca) :
Ed Kollis (il 1969-01-21)
basso :
Tommy Cogbill (il 1969-01-21) e Mike Leech (il 1969-01-21)
batteria :
Gene Chrisman (il 1969-01-21)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-21) e Reggie Young (guitarist and songwriter) (il 1969-01-21)
chitarra steel :
John Hughey (il 1969-01-21)
corno francese :
Tony Cason (il 1969-01-21) e Joe D'Gerolamo (il 1969-01-21)
organo :
Bobby Emmons (il 1969-01-21)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1969-01-21)
sassofono :
J.P. Luper (saxophonist) (il 1969-01-21) e Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (il 1969-01-21)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1969-01-21), Dick Steff (il 1969-01-21) e R.F. Taylor (il 1969-01-21)
trombone :
Jack Hale (trombone) (il 1969-01-21), Ed Logan (il 1969-01-21) e Gerald Richardson (il 1969-01-21)
voce:
Joe Babcock (il 1969-01-21), Donna Thatcher (il 1969-01-21), Dolores Edgin (il 1969-01-21), Ginger Holladay (American singer-songwriter) (il 1969-01-21), Mary Holladay (il 1969-01-21), Millie Kirkham (il 1969-01-21), Mary (Jeannie) Green (il 1969-01-21), June Page (il 1969-01-21), Susan Pilkington (il 1969-01-21), Sandy Posey (il 1969-01-21) e Hurshel Wiginton (il 1969-01-21)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1969), BMG Music (nel 1969) e RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1969)
registrata presso:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Stati Uniti (il 1969-01-21)
parte di:
SWR1 Hitparade 2006 (Baden-Württemberg) (numero: 10)
registrazione di:
In the Ghetto (il 1969-01-21)
paroliere e compositore:
Mac Davis (US country singer, songwriter & actor)
editore:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sony/ATV Songs LLC
4.42:47
19Suspicious Minds
tecnico:
Al Pachucki
produttore:
Felton Jarvis e Chips Moman
basso :
Tommy Cogbill (il 1969-01-23) e Mike Leech (il 1969-01-23)
batteria :
Gene Chrisman (il 1969-01-23)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-23) e Reggie Young (guitarist and songwriter) (il 1969-01-23)
chitarra steel :
John Hughey (il 1969-01-23)
organo :
Bobby Emmons (il 1969-01-23)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1969-01-23)
voce:
J.D. Sumner & The Stamps, The Sweet Inspirations e Kathy Westmoreland
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-22)
arrangiatore:
Mike Leech e Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1969), BMG Music (nel 1969, nel 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1973) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Stati Uniti (il 1969-01-23) e United Recording Studios (Las Vegas) in Las Vegas, Nevada, Stati Uniti (il 1969-08-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 363)
registrazione cover di:
Suspicious Minds (dal 1969-01-23 al 1969-08-07)
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
4.14:30
20Don't Cry Daddy
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-15)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1969, nel 1970) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrazione di:
Don’t Cry Daddy (il 1969-01-15)
paroliere e compositore:
Mac Davis (US country singer, songwriter & actor)
editore:
B-n-B Music Inc., Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Songs LLC e Unichappell Music
4.452:48
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Accreditamenti

Pubblicazione

fabbricata a:Germania
stampata a:Germania
Discogs:https://www.discogs.com/release/2380536 [info]