The Power of Love

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD: You’re the Inspiration
2▶CD: How Much I Feel
3▶CD: Never Gonna Let You Go
4▶CD: Truly
5▶CD: To Love Somebody
6▶CD: Anything for You
7▶CD: I've Had the Time of My Life (disc 1)
8▶CD: I've Had the Time of My Life (disc 2)
9▼CD: Feelin’ Good
#TitoloArtistaValutazioneDurata
1You Can’t Hurry Love
assistente tecnico:
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
tecnico:
Paul Gomersall e Hugh Padgham
assistente produttore:
Hugh Padgham
produttore:
Robert Colby (live sound engineer & producer, notably for Phil Collins) e Phil Collins (of Genesis)
tecnico di missaggio:
Robert Colby (live sound engineer & producer, notably for Phil Collins) e Paul Gomersall
batteria [drums] , tamburello e voce principale:
Phil Collins (of Genesis)
chitarra [guitars] :
Daryl
chitarra basso [bass] :
John
glockenspiel [glock] , pianoforte e vibrafono :
Peter (Scene) Robinson (English score composer)
arrangiatore archi :
Martyn (Norrie) Ford (conductor)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (dal 1982 a oggi)
registrazione cover di:
You Can’t Hurry Love
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music (UK) Ltd. (nel 1965) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Phil Collins42:54
2Take on Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.53:50
3Little Lies
registrazione di:
Little Lies
paroliere e compositore:
Christine McVie e Eddy Quintela
editore:
BMG Songs, Inc. e Careers–BMG Music Publishing, Inc.
Fleetwood Mac3:39
4Look Away
assistente tecnico:
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe e Bob Vogt
tecnico:
Daren Chadwick, Ron Nevison e Chas Sandford
produttore:
Ron Nevison
tecnico di missaggio:
James Guthrie, Chas Sandford e Greg Walsh (producer and engineer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1988, nel 2010)
registrazione di:
Look Away (nel 1988)
paroliere e compositore:
Diane Warren (US songwriter) (nel 1988)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago54:02
5Ain’t No Mountain High Enough
registrazione cover di:
Ain’t No Mountain High Enough
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Michael McDonald42:49
6St. Elmo’s Fire (Man In Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:10
7Nothing’s Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:30
8Should’ve Known Better
tecnico, produttore e tecnico di missaggio:
Humberto Gatica
tecnico di missaggio aggiunto:
David Cole (US musician/producer, member of C+C Music Factory)
batteria :
Prairie Prince
chitarra :
Mike “Georgie” Landau
chitarra basso [bass] :
John Pierce (US session bassist)
tastiera :
Tom Keane (keyboards, of The Keane Brothers)
voce di accompagnamento:
Richard Marx, Timothy B. Schmidt e Fee Waybill
voce principale:
Richard Marx
arrangiatore:
Tom Keane (keyboards, of The Keane Brothers) e Richard Marx
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1987) e Manhattan Records (EMI Music / Universal Music; 1984–1987, relaunched 2001) (nel 1987)
è stato produttore per:
Hum Productions, Inc.
registrazione di:
Should’ve Known Better
paroliere e compositore:
Richard Marx
editore:
BMG Monarch, EMI Songs Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e Chi‐Boy Music (nel 1987)
Richard Marx4:12
9Higher Love
tecnico di missaggio:
Tom Lord‐Alge
chitarra :
Nile Rodgers
tastiera :
David Frank (American keyboardist, producer, writer; The System)
voce:
Chaka Khan
registrazione di:
Higher Love
autore:
Will Jennings e Steve Winwood
editore:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America e Willin' David Music
Steve Winwood4.55:46
10Broken Wings
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister4:44
11Flashdance (What A Feeling)
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.653:55
12Hungry Eyes
tecnico:
Jim DeMain
produttore:
Eric Carmen
voce:
Eric Carmen
remixer:
Jim DeMain e George Sipl
diritti fonografici (℗) detenuti da:
BMG Music (nel 1987) e Vestron Music Inc. (nel 1987)
registrata presso:
Beachwood Studios in Beachwood, Ohio, Stati Uniti
video musicali:
Hungry Eyes (music video) di Eric Carmen
registrazione di:
Hungry Eyes
autore:
John DeNicola e Franke Previte
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Knockout Music Company, R. U. Cyrius Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Jemava Music Corp. (nel 1987) e Knockout Music Inc. (nel 1987)
Eric Carmen44:09
13Invisible Touch
registrazione di:
Invisible Touch
paroliere:
Phil Collins (of Genesis)
compositore:
Tony Banks (Genesis), Phil Collins (of Genesis) e Mike Rutherford
editore:
Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. e Philip Collins Ltd.
scritta presso:
The Farm (of Genesis fame) in Surrey, England, Regno Unito
Genesis3:28
14Just to See Her
produttore:
Peter Bunetta e Rick Chudacoff
arrangiatore:
Peter Bunetta e Rick Chudacoff
registrazione di:
Just to See Her
autore:
Jimmy George (songwriter) e Louis Pardini
editore:
Lucky Break Music, Pardini Music e Unicity Music, Inc.
Smokey Robinson4:02
15Missing You
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite4:26
16You Are Everything
registrazione cover di:
You Are Everything
autore:
Linda Creed e Thom Bell (keyboards, songwriter, producer)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Vanessa Williams3.53:44
17How Can We Be Lovers
registrazione di:
How Can We Be Lovers
autore:
Michael Bolton, Desmond Child e Diane Warren (US songwriter)
Michael Bolton53:56
18You’re in Love
tecnico di registrazione e tecnico di missaggio:
Francis Buckley
tecnico di registrazione aggiunto:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat e Rail Jon Rogut
assistente tecnico:
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson e Bill Malina
produttore:
Glen Ballard
basso :
Jimmy Johnson (US session bassist) e Abraham Laboriel
batteria :
John “JR” Robinson (session drummer)
chitarra :
Michael Landau
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Glen Ballard e Randy Kerber
arrangiatore percussione :
Glen Ballard
arrangiatore voci:
Glen Ballard e Wilson Phillips
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990) e SBK Records (nel 1990)
registrazione di:
You’re in Love
autore:
Glen Ballard, Chynna Phillips, Carnie Wilson e Wendy Wilson
editore:
Aerostation Corporation, EMI Blackwood Music Inc., Get Out Songs, Smooshie Music, Wendihaus Music, Willphill Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (dal 1990 al 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (dal 1990 al 2003) e Universal Music Corp. (USA, affiliated with ASCAP) (dal 2003 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Wilson Phillips3.654:51

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