Volume 7 - You're Drivin' Me Crazy

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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Titelliste

1▼CD
Nr.TitelBewertungLänge
1Memories of You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Les Hite (am 1930-10-16) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
Memories of You (am 1930-10-16)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:13
2You're Lucky to Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
baritone saxophone:
Les Hite (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
You’re Lucky to Me (am 1930-10-16)
Texter:
Andy Razaf
Komponist(in):
Eubie Blake
3:26
3Sweethearts on Parade
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Klavier:
Henry Prince (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
Sweethearts on Parade (am 1930-12-23)
Texter:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
Komponist(in):
Carmen Lombardo (in 1928)
3:17
4You're Driving Me Crazy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Klavier:
Henry Prince (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug und Sprecher:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
You’re Driving Me Crazy (am 1930-12-23)
Texter:
Walter Donaldson
Komponist(in):
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
3:07
5You're Driving Me Crazy (2)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Klavier:
Henry Prince (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug und Sprecher:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
You’re Driving Me Crazy (am 1930-12-23)
Texter:
Walter Donaldson
Komponist(in):
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
3:12
6The Peanut Vendor
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Perkussion:
Henry Prince (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
The Peanut Vendor (am 1930-12-23)
Texter:
L. Wolfe Gilbert und Marion Sunshine
Komponist(in):
Moisés Simons
übersetzte Version von:
El manisero
3:30
7Just a Gigolo
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1931-03-09)
Celesta [celeste] und Klavier:
Henry Prince (am 1931-03-09)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1931-03-09)
Klarinette:
Les Hite (am 1931-03-09) und Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Kontrabass und Tuba:
Joe Bailey (US double bassist and songwriter) (am 1931-03-09)
Posaune:
Luther Craven (am 1931-03-09)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1931-03-09)
Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Trompete:
Louis Armstrong (am 1931-03-09), McClure Morris (am 1931-03-09) und Harold Scott (am 1931-03-09)
vocals:
Louis Armstrong (am 1931-03-09)
conductor:
Les Hite (am 1931-03-09)
recording of:
Just a Gigolo (English version) (am 1931-03-09)
Texter:
Julius Brammer
Komponist(in):
Leonello Casucci
Übersetzer:
Irving Caesar
übersetzte Version von:
Schöner Gigolo
3:20
8Shine
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1931-03-09)
alto saxophone [alto sax]:
Les Hite (am 1931-03-09) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1931-03-09)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1931-03-09)
Klarinette und Tenorsaxophon [tenor sax]:
Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Klavier:
Henry Prince (am 1931-03-09)
Kontrabass [bass] und Tuba:
Joe Bailey (US double bassist and songwriter) (am 1931-03-09)
Posaune:
Luther Craven (am 1931-03-09)
Schlagzeug:
Lionel Hampton (am 1931-03-09)
Trompete:
Louis Armstrong (am 1931-03-09), McLure "Red Mac" Morris (am 1931-03-09) und Harold Scott (am 1931-03-09)
vocals:
Louis Armstrong (am 1931-03-09)
recording of:
Shine (am 1931-03-09)
Texter:
Lew Brown (in 1910) und Cecil Mack (in 1910)
Komponist(in):
Ford Dabney (in 1910)
3:23
9Walkin' My Baby Back Home
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
Lester Boone (am 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
Walkin’ My Baby Back Home (am 1931-04-20)
Texter:
Roy Turk (in 1930)
Komponist(in):
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:06
10I Surrender Dear
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
Lester Boone (am 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
I Surrender Dear (am 1931-04-20)
Texter:
Gordon Clifford (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:10
11When It's Sleepy Time Down South
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
alto saxophone [alto sax]:
Lester Boone (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon [tenor sax]:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Louis Armstrong (am 1931-04-20)
Sprecher [speech]:
Charlie Alexander (US jazz pianist) (am 1931-04-20) und Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
When It’s Sleepy Time Down South (am 1931-04-20)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
3:22
12Blue Again
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
Lester Boone (am 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Zilner Randolph und Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
Blue Again (am 1931-04-20)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
3:14
13Little Joe
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-28)
alto saxophone und Klarinette:
Lester Boone (am 1931-04-28) und George James (US jazz saxophonist) (am 1931-04-28)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-28)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-28)
Kontrabass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1931-04-28)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-28)
Schlagzeug:
Tubby Hall (am 1931-04-28)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-28)
Trompete:
Louis Armstrong (am 1931-04-28)
vocals:
Louis Armstrong (am 1931-04-28)
3:14
14I'll Be Glad When You're Dead, You Rascal You
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-28)
alto saxophone und Klarinette:
Lester Boone (am 1931-04-28)
baritone saxophone:
George James (US jazz saxophonist) (am 1931-04-28)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-28)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-28)
Kontrabass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1931-04-28)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-28)
Schlagzeug:
Tubby Hall (am 1931-04-28)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-28)
Trompete:
Louis Armstrong (am 1931-04-28)
vocals:
Louis Armstrong (am 1931-04-28)
recording of:
I’ll Be Glad When You’re Dead, You Rascal You (am 1931-04-28)
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:15
15Them There Eyes
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-29)
alto saxophone:
Lester Boone (am 1931-04-29) und George James (US jazz saxophonist) (am 1931-04-29)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-29)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-29)
Kontrabass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1931-04-29)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-29)
Schlagzeug:
Tubby Hall (am 1931-04-29)
Sopransaxophon:
George James (US jazz saxophonist) (am 1931-04-29)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-29)
Trompete:
Louis Armstrong (am 1931-04-29)
vocals:
Louis Armstrong (am 1931-04-29)
recording of:
Them There Eyes (am 1931-04-29)
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
3:08
16When Your Lover Has Gone
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-29)
alto saxophone und Klarinette:
Lester Boone (am 1931-04-29) und George James (US jazz saxophonist) (am 1931-04-29)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-29)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-29)
Kontrabass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1931-04-29)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-29)
Schlagzeug:
Tubby Hall (am 1931-04-29)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-29)
Trompete:
Louis Armstrong (am 1931-04-29)
vocals:
Louis Armstrong (am 1931-04-29)
recording of:
When Your Lover Has Gone (am 1931-04-29)
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
3:10
17Lazy River
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-03)
alto saxophone und Klarinette:
Lester Boone (am 1931-11-03) und George James (US jazz saxophonist) (am 1931-11-03)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-03)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-03)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-03)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-03)
Schlagzeug:
Tubby Hall (am 1931-11-03)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-03)
Trompete:
Louis Armstrong (am 1931-11-03) und Zilner Randolph (am 1931-11-03)
Sologesang:
Louis Armstrong (am 1931-11-03)
vocals:
Louis Armstrong (am 1931-11-03)
Orchester:
Louis Armstrong & His Orchestra (am 1931-11-03)
arranger:
Zilner Randolph
recording of:
Lazy River (am 1931-11-03)
Texter:
Hoagy Carmichael
Komponist(in):
Sidney Arodin und Hoagy Carmichael
3:06
18Chinatown, My Chinatown
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-03)
alto saxophone:
Lester Boone (am 1931-11-03) und George James (US jazz saxophonist) (am 1931-11-03)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-03)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-03)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-03)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-03)
Schlagzeug:
Tubby Hall (am 1931-11-03)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-03)
Trompete:
Louis Armstrong (am 1931-11-03) und Zilner Randolph (am 1931-11-03)
vocals:
Louis Armstrong (am 1931-11-03)
recording of:
Chinatown, My Chinatown (am 1931-11-03)
Texter:
William Jerome (in 1910)
Komponist(in):
Jean Schwartz (in 1910)
publisher:
Beuscher und Sim (Related to Éditions Sim)
3:16

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